Originally Posted by Tom Tit:
“I have to dispute this. I think the Clara and Great intelligence story arcs were very complete. You may not think they were as interesting or integrated as the season 5 arcs (and I'm inclined to agree) but they were comprehensively and unambiguously resolved. Season 6 copped out in its finale, to an extent (although I do like 'The Doctor's Wife'), and the River Song reveal was as underwhelming as could be, but 'The Name of the Doctor' was a tour de force, in my opinion equal to anything else Moffat has done on Doctor Who. And he further sealed all of the story threads in 'Night of the Doctor' (including those he DIDN'T resolve in the supposedly more complete Season 5 arc), quite ingeniously and masterfully in my estimation. I honestly don't understand the poor reception that episode had with some fans. It wasn't a great year for Doctor Who but Moffat's episodes were a real resurgence for him.”
I suppose I just feel that series 5 was more in the style where it seemed as though it had been plotted and planned before hand whereas series 6 was just a mess in terms of story arc (even though it had some great individual stories) because the start gave the grand build up of showing the doctor's 'death' and the pay off for that was nothing even close to as special and seemed as though it had been thought up quickly at some point after he'd written the opening episodes.
Similarly with series 7, He at first decided there would be no arc after the poor reception of the series 6 arc, then in the second half, changed his mind and threw in the half hearted concept of 'the impossible girl' the payoff for which, whilst impressive as an episode, was to basically trample on the memory of all the doctors victories up until that point, and seemed more of a showy gimmick than anything else.
As for Moffat's arcs being resolved in time of the doctor, I can only say that from the time that people started asking the question 'who blew up the TARDIS?' Moffat kept hinting and teasing year on year that all the threads would come together and it was all part of one grand resolving storyline. Then when time of the doctor finally came most of the unresolved issues were rushed through with mumbled quick explanations, seemingly as though rather than them actually being important to the plot, Moffat had actually been stalling all the years, and then when it came to put his money where his mouth was he just went down all the unresolved issues and shoehorned explanations of them into the narrative of the final episode as if he were going down a checklist, rather than that stuff feeling like it was naturally important and relevant to the main plot of the episode itself.
I don't really feel any of the Moffat series feel completely 'as one' or whole, but series 5 is the one that seems to come closest because for the most part it is. You only have to overlook the exploding TARDIS for that to feel complete where the others just don't feel like a complete together uniform series at all.