Originally Posted by
DavidJ28:
“Thank you Walter, for the kind welcome.
I will post about some of my favourite stars in future.
I have just ordered Tab Hunter's book after reading about him on here.
I also recorded The Other Love after reading your post - unfortunately I deleted it by accident
I am another huge fan of Talking Pictures, love the old 50's B Movies they show. The Other Love will be shown again, I am sure, so will look out for it.
Can I be cheeky and ask a question, right away? Lol. I am a fan of Barbara Stanwyck but don't know a great deal about her - need to look for a good biography - the question is, how unusual was her career and success? By that I mean, she was never under contract was she? That must have been very rare and very brave, at that time, in Hollywood. Despite this, the range of films she made, that are now considered classics, is vast. I can't think of any other "star" who was not under contract who achieved what she did.
I appreciate any comments and apologise if this has been covered and I have missed a post
Thanks”
David, it isn't cheeky asking about Barbara Stanwyck, it shows that you have great taste.
I have covered the subject of her being a freelancer, but it is an excellent question, and I am only too happy to explain again because I am sure that others may have missed it.
Barbara was only 22 when she went to Hollywood in 1929, she didn't want to go, because she had been very successful on Broadway with two hit shows by the time she was 20. She was very much under the influence of her dominating first husband Frank Fay, a very successful Vaudeville comedian, known as "Broadway's Favourite Son", who was 16 years her senior.
He had been offered a contract by Warner Brothers, and was anxious to make it in Hollywood, so Barbara had no choice but to go with him, leaving behind a promising Broadway career as a dramatic actress.
Barbara had made her film debut in a silent movie Broadway Nights, filmed in New York. She had a small role as a fan dancer, and it had Sylvia Sidney and Ann Sothern also making their film debut's. Sadly, this is a lost film, and the only one of Barbara's that I don't have, but as it was filmed 89 years ago I doubt if there is anyone alive who has seen it.
Barbara was offered a couple of films when she arrived in Hollywood, probably because she was the wife of Frank Fay, as her Broadway fame had not reached tinsel town. She made her debut in United Artists The Locked Door, which is not nearly as bad as she always said, and it is fascinating to see this young girl without any idea how to make the most of herself. You can see the complete film on YouTube, and it is a much better copy than the edited print that I have. She followed that with an hilarious melodrama Mexicali Rose, in which she played a vamp who slinks around with her hands permanently on her hips. Barbara called this one "an abortion"
This can also be seen on YouTube.
She had lost all confidence after these two flops, and when she was called into Frank Capra's office to test for his new production, she was an emotional wreck. Her attitude was sullen, and she made no attempt to hide the almighty chip on her shoulder. She also had made no effort with her hair or make up since she felt that she had no chance of ever working in a film again. Capra asked her a few questions about her previous work, and after a few sullen answers she lashed out at him, "Oh hell, you don't want any part of me", and ran out of his office in tears. Capra couldn't have cared less, he decided that she wasn't an actress, she was a porcupine.
Surprisingly, it was her dominant husband who came to the rescue, when she arrived home in tears, he phoned Capra and begged him to look at a colour film test that Barbara had done of her Broadway hit The Noose. Capra was determined to hate it, but within a few minutes he had tears in his eyes, and he was soon on the phone to his boss Harry Cohn, the head of Columbia saying, "Sign her up, she'll be terrific, sign her up, don't let her go."
Capra told this story when he was one of the guest speakers at Barbara's Lincoln Centre Tribute, which I was lucky enough to attend. They made five films together, and he admitted that he fell in love with her, and would have asked her to marry him if she hadn't already been married to Fay. This was how he ended his speech:
"And so Barbara, beloved pal, beloved actress, that was half a century ago. When we struggled up that mighty tough hill, I an inexperienced Jack, leading you, a budding Jill. Tonight you are 'star light, star bright.' Only star we cheer tonight is our beloved Barbara Stanwyck. There were dozens of young actresses who could have been convincing as the tramp in Ladies of Leisure, but it took a Stanwyck to make you care about the girl. It's that gift of hers to communicate the truth of a role that has made Barbara the great actress that she is."
Barbara became a star with her great success in Ladies of Leisure, and she was persuaded by her husband not to sign a long term contract with Columbia as he wanted the freedom to return to Broadway. So she signed limited non option contracts with both Columbia and Warner's. Over the years she worked at every major studio, and became very rich, so much so that the U.S Treasury announced that she was the highest paid woman in the United States in 1943, earning $323.333.
Ironically, as Barbara's star rose, Fay's faded, but she tried everything to help him, even financing and appearing with him back on Broadway in a revue, Tattle Tales.
This time it was Barbara's name that brought in the customers, but it wasn't a success, and Fay's career continued to slide. He became violent when he had been drinking, and eventually she walked out on him, they divorced in 1935, and a year later she met the love of her life, Robert Taylor who would become her second husband in 1939.
It is said that the story of Barbara and Fay's marriage was the inspiration for A Star is Born.
The downside of being a freelancer was that she often lost roles that she wanted, like Dark Victory and Mildred Pierce at Warner's, who preferred to give these role to their contract stars, Bette Davis and Joan Crawford.
She also missed the studio backing at Oscar time, and consequently lost out on all four Nominations, even though she was presented with an Honorary Oscar in 1982.
Cary Grant was another freelancer who was also snubbed by the Acadamy, but as I often point out, Luise Rainer won the Best Actress Oscar two years in succession, and much good they did her. Her Hollywood career lasted a couple of years, and then it was all over.
Incidentally, if you can't wait for The Other Love to be shown again, it is available on Amazon for under £10.