Originally Posted by Glenn A:
“BBC drama seemed to tail off after 1991. A Year in Provence was one of many BBC flops at that time, anyone recall Strathblair, tedious drama about a Scottish village, Rides, hopeless drama about a retired woman soldier driving a taxi, Para Handy, drunks on a ship on the Clyde, Trainer, expensive flop about horse racing and the mega expensive flop, Rhodes, which stiffed. Indeed apart from Eastenders and Casualty, the only respectable drama hits the Beeb had in the mid nineties were Pride and Prejudice and To Play The King.”
In fairness to the Beeb, several of those "should" have worked. Trainer, for example, was produced by Gerard Glaister, the guy who had just produced six seasons of the big hit Howards' Way and before that had produced the huge Sunday night smash of the early 70s The Brothers. It was very sad, and very unexpected, that his last series was such a flop.
Rhodes, like Year in Provence, was built around a bankable star - in this case Martin Shaw. But it also, as you say, cratered.
If there was a common factor in all these failures it was slow, uneventful and meandering scripting. The glacial pace of BBC dramas then has not entirely gone away (hello, Honourable Woman) but by the 2000s they had begun to learn from US drama the art of speeding things up and actually having things happen - a process best demonstrated from 2005 with Russell T Davies and DW giving a real sense of pace to BBC weekend dramas.