Series 8
Deep Breath - 6/10 -
http://forums.digitalspy.co.uk/showp...2&postcount=33
Into the Dalek - 7/10 -
http://forums.digitalspy.co.uk/showp...0&postcount=67
Robot of Sherwood - 7/10 -
http://forums.digitalspy.co.uk/showp...0&postcount=96
Listen - 8/10 -
http://forums.digitalspy.co.uk/showp...&postcount=128
Time Heist - 8/10 -
http://forums.digitalspy.co.uk/showp...&postcount=148
The Caretaker - 7/10 -
http://forums.digitalspy.co.uk/showp...&postcount=182
Kill the Moon - 8/10 -
http://forums.digitalspy.co.uk/showp...&postcount=194
Mummy on the Orient Express - 9/10 -
http://forums.digitalspy.co.uk/showp...&postcount=236
Flatline - 7/10
There are some episodes of Doctor Who that are just...sort of there. Largely incosequential additions, but often the word 'filler' feels unduly harsh for a show that prides itself on developing upon its characters each and every week, regardless of format. In the case of
Flatlne however, it doesn't matter how many developments
it chucked in or how many innovative ideas it put to the screen, it struggled to escape that 'filler' notion. Filler episodes aren't necessarily bad, but generally they're less compelling in some way or other and that is definitely true of
Flatline.
First and foremost, it goes without saying after last weeks triumphant episode that
Jamie Mathieson is a real asset to Doctor Who. He's a high quality writer, and though the Orient Express episode was far more satisfyingly written on nearly every level, that is not to discredit
Flatline as a decently written episode. Because it truly is, and nowhere is that more apparent than in Mathieson's writing of The Doctor. Perhaps it's helped to have a consistent voice across two episodes (uh, hello...two parters really were an asset!) but either way
this is a writer who has gotten to grips with this Doctor relatively early on. His script balances The Doctor's personality traits brilliantly...from the comic timing to the serious drama stuff. Some people (not me) have had a problem with this Doctor being 'too mean' or 'too nasty' but he's definitely been reigned in a bit since his debut. This is a definite slow-burning series as it is, with a lead protagonist still figuring himself out this far in. It's an intriguing development, and justifies the focus on Clara's perspective this series.
When it comes to Clara in
Flatline she's written similarly decently enough.
Perhaps the slant of her filling in for The Doctor wasn't as effective as the episode seems to think it was however, and I don't put this down to Coleman's acting as much as it seems down to a lack of versatility and diversity in the writing of her character. Clara is usually a very vibrant, speak-aloud kind of person and that vibe was a little too absent in this story, particularly in the second half.
The supporting cast fared even worse, with
the only character that made the remotest impression being the one we're not meant to like. The problem was that the one's we were meant to like weren't particularly fleshed out or memorable. The train driver who was added in during the episodes second half was given a far more substantial role than he should have been for someone so late to the game...
it all felt terrible uneven on the character front and whilst the acting was believable enough there just wasn't anything engaging about what was going on between them on-screen. It was somewhat reminiscent of
Fear Her in that regard, though not quite as clinically bland as that.
Outside of the characters was
a story brimming with decent ideas. The shrinking TARDIS was a blend of hilarious and interesting, and is what made the episode as memorable as it was. Unfortunately it didn't sit comfortably with the threat being posed in the story, which seemed like a completely different idea at times. There was a little too much going on...between the shrinking TARDIS and the people being dissected into the walls among some of the
brilliant notions that would have fleshed out whole decent episodes on their own. Combined they only served to make the plot a little convoluted when it had to begin wrapping up. It admittedly offered a very decent solution but the journey to it was very peculiar, again often due to the characters.
Flatline offered up the second 'awkward' scene of this series - the first being Clara's explanation of the Skovox Blitzer as part of a play which was just embarassing, and the second here being the hairband-on-the-train scene which was just strange in how long it was drawn out - a minor problem, that, but an example of how uneasy the second half of the episode seemed to feel.
The threat itself was a very neat idea, definitely at its best in 2D-form earlier on - the scene where it began breaking down that living room was very impressively done, for instance. Although the transition into a 3D wasn't as satisfying or original, it was still rather creepy and effectively done.
The Boneless were a great threat and it wouldn't be a bad thing to see them get another story some day - they're not the Weeping Angels or The Silence, but they're certainly no Chloe Webber drawing either!
Many of the issues with this episode, not that there are a great deal, are situated in its back half. And it stands to reason then that the most issues would be found right at the end, which seems to be the case. The issue here was that
a number of elements seemed to feel completely tacked on, only fuelling the notion of this story as filler. The Doctor's confrontation with The Boneless was impressively delivered by Capaldi, but seemed to come from almost nowhere and was trying a bit too hard to be recognised as a scene of significance. Secondly whilst I've loved the scenes involving Missy and the Nethersphere this series as a lower-key arc that offers something to look forward to, this weeks scene involving Missy offered much less intrigue and seemed only there to remind us viewers that Missy is still there. Previously it worked because her scenes involved someone from the episode we'd been watching -
Into the Dalek impressively included Missy way before it's ending, which was a great way of ensuring her appearances didn't feel like an afterthought. Here though that's exactly what it felt like and as I found with much of
Flatline it was one of many, many ideas that was struggling for space in a story despite its lack of particularly interesting characters and certainly without a particularly interesting setting (although that said, Bristol makes a nice change to London and Cardiff it has to be said).
Flatline isn't a highlight of the eighth series for me. It has many funny moments, a competent story and an interesting villain and that probably gives enough reason to rewatch it sometime, but
it felt somewhat cold and detached from the very coherent eighth series we've had so far. It was filler with some interesting ideas behind it, but it was somehow tonally off. As a standalone episode it does little wrong, even if it could have done more right. But
Series 8 has been an interesting journey in episodes of all shapes and sizes, and I feel like Flatline was the most distant and disinterested in furthering that journey.
PROS AND CONS
+ Interesting threat with potential to return
+ Brilliant visuals, particularly the living room scene
+ The Doctor has been written very well.
- Clara was lacking her usual spark.
- Supporting cast weren't particularly memorable or likeable.
- Felt detached from the wider eighth series in some way.
FLATLINE COMPARED TO OTHER EPISODE 9's
The Empty Child - 9/10
The Satan Pit - 9/10
The Family of Blood - 7/10
Forest of the Dead - 8/10
Cold Blood - 6/10
Night Terrors - 7/10
Journey to the Centre of the Tardis - 6/10
Flatline - 7/10