Series 8
Deep Breath - 7/10
Into the Dalek - 7/10
Robot of Sherwood - 7/10
Listen - 8/10
Well, it certainly feels refreshing to give something other than seven for this series at last, although it was a tough one - I ultimately only edged up to an eight for a single reason, which I'll get to.
This was quite different to anything Doctor Who has done in a long time, if ever. It was a largely conceptual episode, one that did something a little different and looked at it from a different angle. It was quite rewarding in that it didn't really require much in the way of foreknowledge, but was a hell of a lot more rewarding for someone who knows their Doctor Who.
First and foremost, it was great to get a character-driven story that focused largely on The Doctor. Admittedly it's nice to be getting character-driven stories again at all(after the largely hollow spectacles that were Series 6 and Series 7) but to spend so much time on The Doctor felt special. Listen actually managed to convincingly tell a story about what happens when The Doctor isn't travelling around alien planets and whizzing amongst the stars.
Clara was brilliant once again and really came into her own, and what made it work so well here was the fact that her significance wasn't at detriment to The Doctor. The writers, actors and everyone else involved has pulled off an effective balance of the two here, whilst there is also a much refreshed, in-depth dynamic between The Doctor and Clara, a sense that there is more to the characters than the formulaic monster-of-the-week approach would have you believe. It gave a sense of meaning and purpose to the travelling through time, it didn't make it all so trivial as it felt with Eleven and Clara...where it was all a bit too much of a whimsy romp.
Perhaps the weak link then is Danny Pink. Whilst there's nothing explicity wrong with him, he's not in on this new complex dynamic between The Doctor and Clara and the simple, awkward and clunky writing of his adult character is glaringly blunt and obvious. When it comes to meeting his descendent Orson Pink, we've learnt so little about adult Danny that it's at first a bit puzzling because aside from the hair do and spacesuit it is nigh on impossible to determine the two. Whether that's poor writing or poor acting is unclear, but neither is a factor that the show needs.
I took it that each "threat" posed in the episode had both a 'monster' explanation and a 'rational' explanation. The bedsheet one was hard to rationalise, but then that puts faith in the idea of the monster being real. The airlock one was easy to rationalise but open to just as much interpretation. The bookending chalk board, and the question of who wrote on it is pretty much representative of the episode as a whole - did the Doctor write on the board subconciously (after Clara had planted the word 'listen' in his head as a child) or did the supposed monster do it? Either answer works and it's nice to not have a defining answer to an episode so rooted in ideas.
It was great to see the hark back to the barn again - it adds a bit more depth to The Day of the Doctor, which is an episode I wasn't fond of. It's nice to know that those events have reverberated both forward and backward through the Doctor's timeline..as it is such an important story. Of course it poses question about the ability to visit Gallifrey - did the TARDIS only get there by mistake because it was travelling to places it shouldn't end up, has the non-use of the Moment meant that the Time Lock was never used, or perhaps The Doctor can visit Gallifrey in its past before it was lost in another universe? It's a question for another time really, but one I'm happy to forgive not being answered when Moffat actually delivered a conclusion where head and heart both met for once, rather than just one or the other.
The episode wasn't perfect. I felt Orson Pink was poorly implemented and jarred with the tone of the episode, Danny is proving hard to warm to so far, and generally speaking there wasn't anything massively groundbreaking going on for much of the time. It was essentially consistent with the quality of other episodes so far in this series in that it was generally very good, but there are a noticeable number of elements that could have been handled much better. What gives it that extra mark though is its pure innovation. It was a wonderful and new concept, with some bold choices in plot and some creepy scenes to boot. It wasn't perhaps as clever as it could have been, mainly as it did over-complicate some things in places but as a whole it's an episode that is worth a rewatch very soon...and that warrants it a sense of value slightly higher than the episodes that have come before it.
PROS AND CONS
+ Innovative, and brilliant concept episode.
+ The hark back to the War Doctor was inspired and gives TDotD added depth.
+ The barn scene at the end was well handled.
+ Suitably creepy in places.
+ Nice full-circle with the chalkboard.
- Orson Pink was poorly implemented and hard to differentiate from Danny.
- Danny is proving to be hard to invest in, and has some poor dialogue.
- Although not generally complicated, the episode over-complicated some things more than it needed to.
LISTEN COMPARED TO OTHER EPISODE 4's
Aliens of London - 7/10
The Girl in the Fireplace - 8/10
Daleks in Manhattan - 6/10
The Sontaran Stratagem - 8/10
The Time of Angels - 8/10
The Doctor's Wife - 9/10
The Power of Three - 6/10
Listen - 8/10
LISTEN COMPARED TO THE MOST RECENT MOFFAT EPISODES...
The Angels Take Manhattan - 8/10
The Snowmen - 8/10
The Bells of Saint John - 6/10
The Name of the Doctor - 7/10
The Day of the Doctor - 7/10
The Time of the Doctor - 8/10
Deep Breath - 7/10
Listen - 8/10