The first film I ever saw at the cinema was Seven Brides for Seven Brothers which | suppose set a pretty high bar for choreography and performance. Sunday afternoons were spent in front of the TV watching Astaire and Rogers, and Gene Kelly, as my mother relived the pleasure she'd had watching their films when they were originally released. I remember seeing Sweet Charity and Cabaret with her at the cinema, and the first time I saw West Side Story was with her when it had a cinema re-release (we cried buckets at the end).
I saw Nureyev dance Romeo to his own choreography for Romeo and Juliet back in the seventies, and in 1990 my then six year old son, who had no context in which to place it, asked me mid way through the Spartacus and Phrygia pas de deux as performed by the Bolshoi whether Spartacus was a strong man.
Last night Karen Hardy put all this in perspective when she said "I thought we had lots of fans on choreography corner but I clearly feel we don't and they're not listening to me so I'm feeling a bit sad. I feel as though I'm trying to educate them and teach them about what is great dancing and what I want to do, I want to show them one more time. Look how great this is, what Mark did".
So, step aside Michael Kidd, Fred Astaire, Gene Kelly, Bob Fosse, Jerome Robbins, Rudolph Nureyev and Yury Grigorovich as both dancers and choreographers. Karen Hardy has informed us all that Karen Hauer and Mark Wright are the truly greats.