Originally Posted by thenetworkbabe:
“Its not even only the female v male distinction thats made. The ringer comment is often just uninformed - one year recently the person who claimed most dancing ability on their spotlight CV just slipped through unnoticed. The problem is when people vote for the best qualified dancer of the year and they win , and then don't vote for a better dancer,, because, as a singer, they did some dancing in their videos. Or when they don't vote for a less qualified dancer another year because they are too qualified.
The show's problem is that its never found a dividing line that makes sense. People who have spent years at top stage and drama schools learning dance are let in, but the people who specialised in dance are not. Some of the former are as good as the latter. the latter we never get to see. Its not easy to see how they should draw it though. Patsy Palmer and Sid Owen also went to Anna Scher . Patsy and Jake seem to have learnt a lot and been good at dancing - Sid obviously less so.”
“Its not even only the female v male distinction thats made. The ringer comment is often just uninformed - one year recently the person who claimed most dancing ability on their spotlight CV just slipped through unnoticed. The problem is when people vote for the best qualified dancer of the year and they win , and then don't vote for a better dancer,, because, as a singer, they did some dancing in their videos. Or when they don't vote for a less qualified dancer another year because they are too qualified.
The show's problem is that its never found a dividing line that makes sense. People who have spent years at top stage and drama schools learning dance are let in, but the people who specialised in dance are not. Some of the former are as good as the latter. the latter we never get to see. Its not easy to see how they should draw it though. Patsy Palmer and Sid Owen also went to Anna Scher . Patsy and Jake seem to have learnt a lot and been good at dancing - Sid obviously less so.”
I agree with this post - attendance at stage school clearly doesn't turn every contestant into an Astaire or Rogers. This obsession with previous experience bores me rigid – I can see for myself who's really good in the first show and stays good or gets even better, and I can see who starts off rubbish and improves a lot over the course of the series. I can choose whether I want to vote for the best dancer, the most interesting choreography, the person I imagine to be the biggest "tryer" or the funniest/most entertaining effort without referring to their CV and trying to evaluate what life experiences may or may not have provided the contestant with an unfair advantage (frankly their allocated pro dancer, age, build, music choices and theming will do enough of that).
Thanks to James Jordan there is now no chance of Jake's past experience escaping notice – I put this down to his enduring bitterness about Denise van Outen. However, Jake's bald, gingery, wrong-side-of-forty gruffness will, I'm sure, help to balance out any advantages Anna Scher's might have endowed.




) saw he could move his hips, that gave him a huge boost in confidence. I just love the way he went for it 100% - he was fearless...as was she.