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Argentine tango ballroom or Latin
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An Thropologist
21-11-2014
Originally Posted by marinamau:
“Yes, it is Similar. Some sugest that duende is a more profund aspect and angel is more superficial, yet both relate to innate grace and ability to embody music and transmit certain magic, also the ability to dance with no choreography and in the moment. That Je ne se quais that diferenciates a good technician to a great dancer.
As everything in flamenco, it is fairly misterious and undefined.”

OK try this for size. I sense this is a feeling rather than a definition one arrives at through more cerebral means.

I am not a native speaker of Spanish so I don't really feel Spanish words, but I have lived in Spain and regularly mix with Spanish people. In doing so I start to see patterns in how they use a word.

My take is that duende is a word that expresses something deeply connected with the soul and also the gut. I have never been sure which is better. Gut appeals because duende seems to express something very visceral. It implies something corporeal, earthy with even a hint at base. So something from deep within.

Yet at the same time it implies something from without, something spiritual or super natural.

Maybe angel is the ethereal and duende the more earthly angle of that indefinable something that human beings just have or are.
henrywilliams58
21-11-2014
Never heard of Duende or even Angel in this context. I would have just used Alma = Soul. This from Wikipedia seems interesting

http://en.wikipedia.org/wiki/Duende_%28art%29

Apparently Lorca lectured about "Duende" in Buenos Aires. So there's a tango angle to all of this perhaps.

Quote:
“El duende is the spirit of evocation. It comes from inside as a physical/emotional response to art. It is what gives you chills, makes you smile or cry as a bodily reaction to an artistic performance that is particularly expressive. Folk music in general, especially flamenco, tends to embody an authenticity that comes from a people whose culture is enriched by diaspora and hardship; vox populi, the human condition of joys and sorrows. Drawing on popular usage and Spanish folklore, Federico García Lorca first developed the aesthetics of Duende in a lecture he gave in Buenos Aires in 1933, "Juego y teoria del duende" ("Play and Theory of the Duende").”

Here is

Juego y teoria del duende" ("Play and Theory of the Duende").

Not easy reading. Chill that Copita de Manzanilla Fina first.
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