Originally Posted by
Grim Fandango:
“The OP appears to have upset young and old alike, not to mention those who enjoy contemporary music and those who do not. Quite an achievement, i must say
”
really? if ive upset anyone then they shouldnt take things so personally... it isnt personal, its just a topic for conversation and actually its worked quite well!
Originally Posted by Semierotic:
“Because that's the only way we're going to get an objective answer to this.
And again, you're focusing only on album sales, when we know clearly that younger demos have shifted to buying starkly to the singles side.”
...but in the absence of a survey, wouldnt record sales from both singles and albums be a fair guide?
Originally Posted by RetroMusicFan:
“Lol!
The industry has ruined pop music by churning out 'clones' from shows like X factor and pop idol, I mean, the artists/groups I listen to didn't come off these types of shows and they were more 'individual' and had something to say, pop stars today seem insipid in comparison.”
well done, youve identified the problem... now who caused it? why is the music industry 'insipid'?...

Originally Posted by RetroMusicFan:
“Does it really matter whether I agree with you or not?”
nope... not at all, i was just trying to clarify which bit you dont agree with me on... your supposed (?) view of my thoughts based on the headder question, or what i really think?
Quote:
“I mean, if what you say is correct, what can we do about it?”
which bit of what i said?... remember my position ISNT that i think oldies have ruined pop music, its only one part of a more complex issue.
we can do nothing about it.... only the youth of the day can create something fresh, something of their own, their own identity.
Quote:
“What could we have done earlier to stop the situation occurring?”
interesting question..... i reckon the only way to have stopped it occurring was to not accept watermans hit factory process, one thats become the norm in mainstream. until the late 80's is was frowned upon, looked down on, to be manufactured. pop music was real enough, created by musicians (ok of varying degrees of competence).
in the mid-late 80's there was a void opening up, where older people/older young people, got into house, rock (in all its forms) or hip hop. im suggesting that watermans lot saw a market for a new generation of young people (who didnt give a flying fcuk about musicianship or more adult themed indie/rock etc music) and the validation of manufactured music was born. businesswise....a master stroke... but since watermans mob commercialised pop as a commodity successfully, others followed and pop was never the same again. so 'old men HAVE ruined pop!

Quote:
“Should we have stopped listening to such as Madonna,PSB or Depeche Mode when they were 40 in the hope they would retire and give some youngster a chance, just so it would sow the seeds of ideas into young people's heads?”
absolutely not... ive always listened to wtf i want to.... why shouldnt everybody else?
but there is a price to pay...
Quote:
“And how were we to know that our enjoyment of our favourite songs would bollocks it up for young people?”
... because by doing that, there no longer a generation gap between adults and 'da kidz' . so what was an area for the youth of the day to indulge and express themselves both through music and fashion, no longer exists. remember, it wasnt the adults who created all the musical styles plus associated fashions that we have had in the uk since the 50's. id suggest theres a link between the rise of the number of older people liking pop and the decline of new styles in music and fashion.
but as ive said, its more complex then just that.
Originally Posted by Glawster2002:
“Up until the late 1980s the music business was run by musicians for musicians, those at the top more often than not had a career in music as a performer before moving on to the management side, so if someone like David Gilmore had heard and recommended an potentially talented 15 year old girl those running the record labels knew that talent needed to be given time to develop before delivering long-term, sustained, success.
Since the late 1980s the music industry has been run by accountants, who have no interest in music but are only interested in profit and loss, and the profit has to be instant. Therefore long-term artist development has been thrown out of the window and it is all about bland, artists who will deliver quick returns on the record labels investment. Anyone who doesn't deliver the expected returns is simply dropped and the next identikit singer-songwriter or boy/girl band takes their place.
Plus, it must be remembered, from the 1950s to the 1990s kids could dress and experiment with colthes, etc, today kids are obsessed with mass-produced corporate branded, sorry I mean designer, logos and conformity is now the norm. Walk along any high street and you will see what I mean, everyone under 25 dresses the same. To dress differently singles you out as a target for bullies, so everyone "conforms", the herd mentality of safety in numbers.”
excellent post sir!
you almost sound as if youre adding weight to my premise regarding old people ruining music!