Originally Posted by mushymanrob:
“Hmmmm but you miss the point that music covers a broad range and caters for a wider fan base.”
Sorry, I don't get what this sentence is referring to.
Originally Posted by mushymanrob:
“Many are happy just being chart followers, others wouldnt be seen dead following the charts. Whos right? Both are!”
Both are right? No, I don't agree at all with that. Those who only follow the charts are missing out on most contemporary music so therefore are at best casual listeners. I can see why people would not
want to be seen dead following the charts because of how much guff is contained therein but if they would reject music purely because it had hit the chart or because people had
heard of it then that would be hopelessly elitist foolishness.
Originally Posted by mushymanrob:
“But what gets remembered, what goes down in music history, is the trends in music that fix it to a particular era.... The fashions, styles, and they are inextricably linked to chart music at the commercial end of the spectrum. The more obscure do not fit this.”
Not inextricably linked to 'chart music', inextricably linked to the popular genres of the time, examples of which will chart while others don't. Much of this non-charting/ more obscure music will fit within the same musical genres of the better selling (charting) records. Trends in music fix it to a particular era
regardless of how it goes on to sell.
Originally Posted by mgvsmith:
“Well that is some attempt at assessing artistic worth even if it concentrates on the musicianship rather than the creativity or innovation. I think popular music is a multimedia experience which stretches beyond the music so I have no problem with the imagery and dance etc.”
I think most of us decide based on "Do I like the sound of this?" or an instant emotional reaction. We're less likely to asking "Does this push the envelope?" upon initial listening. We may decide that about some things later, or let music journalists decide for us. Also I don't consider something genre defying or genre-blending or 'game-changing' to necessarily be more enjoyable for a listener. It entirely depends what they like; what they are open to; whether they are tiring of the music they listen to and want something brand new. One man's innovation is another's fixing something that wasn't broken.
"I think popular music is a multimedia experience which stretches beyond the music so I have no problem with the imagery and dance etc"
It
can be but that's not always been the case and still isn't always. It has also been a matter of - hear a great track on the radio - go out and buy or try to buy it. When music is bought purely on the strength of its groove I see that as a very pure thing. No influence of the right haircut or trousers or percentage of flesh being pimped in a video, just the singular element; the one generally experienced after purchase - the audio.
Originally Posted by mgvsmith:
“But this is simply a restatement of the consumerist view. And you are right consumerism is simply about purchasing things that you like. You are also right that ideas of taste and opinion are entirely personal. If people choose to listen to the Top 40 and Radio one, that's perfectly fine and all this nonsense about being spoonfed etc is just that, nonsense.”
I would say though, that what sets the serious music fan apart from the casual listener is that they
will delve deeper for more, understanding the constraints of the charts and radio play-listing. You want more of a good thing and not to just stop with choosing what you enjoy from the tracks which are ubiquitous. People put all sorts of constraints on their music buying which interferes with their ability to select the music they can own. Over the years I've encountered people who only buy 7" singles, only LPs, only music available on CD. Buying only from what the charts contain or what mainstream radio play-lists comprise of is a similar scenario.
Originally Posted by mgvsmith:
“That's just a personal opinion about what is excellent. It's all just music that you like. Others may well like it too., in itself that doesn't make it good. The consumerist argument is simply that those who only listen to the top 40 and/or radio 1 are limiting their choices.”
You were responding to another poster above but I want to address this... ALL opinion on what is excellent is opinion, no matter how well argued; whether it be the view of your music junkie friend, a staff writer of a music mag, or the author of chunky tome of 'must listens'. I take on board recommendations from people whose opinions I trust based on knowing that they and I share some sort of mutual music appreciation. If they have an affinity for genres that aren't my thing then I've no interest in what they think or don't think of some record that I'm interested in checking out.
If I see a list of ten must buy metal or country albums of the 2000s then I'll ignore it because it's not what I'm wanting to buy. I have occasionally encountered people who seem to buy releases based on print recommendations and they have collections of 'what you're supposed to have'. To me, it's similar to owning only releases drawn from the top forty: predictably dull.
Originally Posted by mgvsmith:
“Popular culture and music is a broad church. Music that has to searched out most often but not always gets lost when the history of popular music gets written. The Velvet Undergound's banana album sold about 11,000 but it's influence on others stretches way beyond that number because of the way VU have been accepted as important within the history of art and pop. I presume that those who seek out new music and artists suggest others should listen and the music of these new artists will get heard. That's what I do.
Pop music is much more about the long tail of consumption than it used to be.”
My bold. Yes, absolutely. It will rarely make any 'lists of recommended listening' or 'best of' anything as the plethora of such lists seem to (mostly) be compiled from other existing lists and therefore have little insight to provide to anyone but the most casual browser.
The idea of any singular attempt at a history of popular music doesn't appeal to me. I've never read one and never want to. No one was there for it. It's far, far too wide a subject to do justice. Much better to have a shelf full of books by various authors recounting specific musical episodes they personally experienced or were involved in so one can see how movements or artists played their part.