Is it possible that all of Series 8 was a bit of a weaning period to shake off the traits of Doctor Who's past self? Doctor Who is big now. And the bigger something is, the more companies tend to interfere with the creative process in order to keep it making money, ironically, stunting it artistically.
This is all just conjecture around some reoccurring opinions I've heard, but based on how half-baked the Danny/Clara relationship felt, and how the most popular episode was about two friends battling an ancient Mummy on-board a Space Train, was Series 8 an exercise in debunking statistically enforced myths, that Doctor Who can only be popular if it's dark, brooding, and involves a romantic relationship of sorts.
Or that crazy talk? For real, I'm asking. I mean, its silly to think that they'd use a whole series in order to trick the higher ups into letting the writers have their way, but at the same time, I can imagine corporate interference being that bad, to the point where the writers have to play sneaky ball.
This is all just conjecture around some reoccurring opinions I've heard, but based on how half-baked the Danny/Clara relationship felt, and how the most popular episode was about two friends battling an ancient Mummy on-board a Space Train, was Series 8 an exercise in debunking statistically enforced myths, that Doctor Who can only be popular if it's dark, brooding, and involves a romantic relationship of sorts.
Or that crazy talk? For real, I'm asking. I mean, its silly to think that they'd use a whole series in order to trick the higher ups into letting the writers have their way, but at the same time, I can imagine corporate interference being that bad, to the point where the writers have to play sneaky ball.
Also would Clara and Danny's romance have worked if they had a summer holiday romance and then ended up meeting again and again and again?