Originally Posted by mushymanrob:
“huh... i think you are being pedantic here.
i know of no one in my 50 plus years of pop music listening that thinks what chart placings/sales outside the uk count towards the status of any individual here.”
Pedantic as in excessively concerned with minor details? Nope, I'm not being pedantic; this is not about minor detail, it's about an entire unrealistic scenario you've created where things are absolutely unconnected. That's not minor detail.
What you've decided isn't even based on what I've written. You misquoted me:
"Worldwide sales certainly would be very significant to an artist's international status." are my words. That's 'INTERNATIONAL' status, not UK status - and the paragraph it's taken from shows the context of why I mention 'international'.
Originally Posted by mushymanrob:
“several 60's acts, the dave clark 5, hermans hermits, the yardbirds had much greater success in the states then they did here.... so what? how did that impact on their chart position here?.. their american number ones meant nothing to our charts.”
Yes, I agree. 'So what' indeed. You do realise that the UK top forty is not the music scene; it's only supposed to be a sales ranking of UK released singles?
"their american number ones meant nothing to our charts". That's completely silly. Do you think everything here happens in some sort of UK vacuum; that nothing else matters, yet somehow US records enter our charts but we don't notice the 'Americaness' of the tracks or artists, the UK departments of major labels just release them accidentally, have no idea how they have performed back home?!
Of course not everything performs similarly in the two territories, there's no reason it should: different market trends and vast amounts of releases only came out in one or other of the two. The charts aren't some sort of magical entity where every good tune lurks, with us having ours (UK) and them have theirs (US) and never the twain must meet. Much of what charts here is US music and much of what isn't has always been heavily influenced by US music.
Every record that has ever been released is released based on a decision. I don't think it would usually be good business to not release a big English language hit from one territory in other English-speaking territories. US and UK music are the two biggest players in the UK music scene (not of course that our music scene is precious or special or the only one up for discussion).
Originally Posted by mushymanrob:
“but as i said, it was acknowledged and in some cases envied, yes taken heed, but it doesnt count towards what happened here... nor vice versa as you said.”
"Nor vice versa"? Really? Why not? Let's take a look. Your statement which I'd replied to:
"there are plenty of acts that charted well there but had little or no impact here."
Now, of course this is accurate, just as it is also accurate that there are plenty of acts that charted well
here but had little or no impact
there. Hence my comment in response:
"And very much vice versa too"
The other part you wrote,
"its all well and good acknowledging artists impact in other countries, but it really means nothing here except to the fans of the artist in question." is inaccurate for reasons I've shown above, which is part of the reason I replied to your post.
Originally Posted by mushymanrob:
“so some guy coming saying 'hes had a million #1s' in america is a mute point from a uk point of view, it only matters IF we are assessing his worldwide appeal.
but if you are taking into account worldwide appeal, id suggest there are loads of acts who are popular worldwide that dont appeal the western pop tastes... so where do you draw the line?”
Some other guy coming saying that we are having a discussion only from a uk point of view is the real mute point here because no such parameters exist. We can discuss things far more widely than your own personal 'UK top forty-centric' view of popular music any time we choose. An American artist like Michael Jackson isn't a UK possession that must be viewed from a purely UK charts perspective.
Of course there are many artists who don't have a universal worldwide appeal. US artists who sing in English but have never charted here are extremely accessible to us, foreign language acts less so to many people but it's not a line I draw personally.