Originally Posted by scrilla:
“Pedantic as in excessively concerned with minor details? Nope, I'm not being pedantic; this is not about minor detail, it's about an entire unrealistic scenario you've created where things are absolutely unconnected. That's not minor detail.
What you've decided isn't even based on what I've written. You misquoted me: "Worldwide sales certainly would be very significant to an artist's international status." are my words. That's 'INTERNATIONAL' status, not UK status - and the paragraph it's taken from shows the context of why I mention 'international'.
Yes, I agree. 'So what' indeed. You do realise that the UK top forty is not the music scene; it's only supposed to be a sales ranking of UK released singles?
"their american number ones meant nothing to our charts". That's completely silly. Do you think everything here happens in some sort of UK vacuum; that nothing else matters, yet somehow US records enter our charts but we don't notice the 'Americaness' of the tracks or artists, the UK departments of major labels just release them accidentally, have no idea how they have performed back home?!
Of course not everything performs similarly in the two territories, there's no reason it should: different market trends and vast amounts of releases only came out in one or other of the two. The charts aren't some sort of magical entity where every good tune lurks, with us having ours (UK) and them have theirs (US) and never the twain must meet. Much of what charts here is US music and much of what isn't has always been heavily influenced by US music.
Every record that has ever been released is released based on a decision. I don't think it would usually be good business to not release a big English language hit from one territory in other English-speaking territories. US and UK music are the two biggest players in the UK music scene (not of course that our music scene is precious or special or the only one up for discussion).
"Nor vice versa"? Really? Why not? Let's take a look. Your statement which I'd replied to:
"there are plenty of acts that charted well there but had little or no impact here."
Now, of course this is accurate, just as it is also accurate that there are plenty of acts that charted well here but had little or no impact there. Hence my comment in response: "And very much vice versa too"
The other part you wrote, "its all well and good acknowledging artists impact in other countries, but it really means nothing here except to the fans of the artist in question." is inaccurate for reasons I've shown above, which is part of the reason I replied to your post.
Some other guy coming saying that we are having a discussion only from a uk point of view is the real mute point here because no such parameters exist. We can discuss things far more widely than your own personal 'UK top forty-centric' view of popular music any time we choose. An American artist like Michael Jackson isn't a UK possession that must be viewed from a purely UK charts perspective.
Of course there are many artists who don't have a universal worldwide appeal. US artists who sing in English but have never charted here are extremely accessible to us, foreign language acts less so to many people but it's not a line I draw personally.”
“Pedantic as in excessively concerned with minor details? Nope, I'm not being pedantic; this is not about minor detail, it's about an entire unrealistic scenario you've created where things are absolutely unconnected. That's not minor detail.
What you've decided isn't even based on what I've written. You misquoted me: "Worldwide sales certainly would be very significant to an artist's international status." are my words. That's 'INTERNATIONAL' status, not UK status - and the paragraph it's taken from shows the context of why I mention 'international'.
Yes, I agree. 'So what' indeed. You do realise that the UK top forty is not the music scene; it's only supposed to be a sales ranking of UK released singles?
"their american number ones meant nothing to our charts". That's completely silly. Do you think everything here happens in some sort of UK vacuum; that nothing else matters, yet somehow US records enter our charts but we don't notice the 'Americaness' of the tracks or artists, the UK departments of major labels just release them accidentally, have no idea how they have performed back home?!
Of course not everything performs similarly in the two territories, there's no reason it should: different market trends and vast amounts of releases only came out in one or other of the two. The charts aren't some sort of magical entity where every good tune lurks, with us having ours (UK) and them have theirs (US) and never the twain must meet. Much of what charts here is US music and much of what isn't has always been heavily influenced by US music.
Every record that has ever been released is released based on a decision. I don't think it would usually be good business to not release a big English language hit from one territory in other English-speaking territories. US and UK music are the two biggest players in the UK music scene (not of course that our music scene is precious or special or the only one up for discussion).
"Nor vice versa"? Really? Why not? Let's take a look. Your statement which I'd replied to:
"there are plenty of acts that charted well there but had little or no impact here."
Now, of course this is accurate, just as it is also accurate that there are plenty of acts that charted well here but had little or no impact there. Hence my comment in response: "And very much vice versa too"
The other part you wrote, "its all well and good acknowledging artists impact in other countries, but it really means nothing here except to the fans of the artist in question." is inaccurate for reasons I've shown above, which is part of the reason I replied to your post.
Some other guy coming saying that we are having a discussion only from a uk point of view is the real mute point here because no such parameters exist. We can discuss things far more widely than your own personal 'UK top forty-centric' view of popular music any time we choose. An American artist like Michael Jackson isn't a UK possession that must be viewed from a purely UK charts perspective.
Of course there are many artists who don't have a universal worldwide appeal. US artists who sing in English but have never charted here are extremely accessible to us, foreign language acts less so to many people but it's not a line I draw personally.”
Yawn... Dunno why you are trying to pick an argument over trivia. The difference between worldwide and international is?
I stand by everything ive posted here and you have not put foreward a credible reason why its incorrect.
It makes not one jot of difference whst any artist did elsewhere in the world, nor ours there. The op quoted chart placings not me. In that respect so what if who had hits where? That doesnt place them on a higher standing when releasing things here.
By your reckoning punk practically didnt exist as it made no impact on anywhere other then the uk, yet here in the uk it was one of the greatest youth movements ever.
Nope.... I stand by my earlier points, i dont give a damn who did what elsewhere, i know of no other pop music fans who do, our music scene is determined by the success or innovation of what artists achieve here and dont get some sort of extra credit rating because they were big in wherever.
Fine if you disagree, but in the absence of any compelling evidence to make me reconsider, id suggest agree to disagree.




