Interscope supported Lana the whole way with Ultraviolence? Never read this then:
http://www.rollingstone.com/music/ne...eased-20140718
Quote:
“Lana Del Rey's new album, Ultraviolence, qualifies as a radical statement from a pop star in 2014 – it's mostly produced by Black Keys frontman Dan Auerbach, who relies on electric guitar and other live instruments, and none of its eleven tracks sound much like a potential radio hit. And as Auerbach reveals in Rolling Stone's new Del Rey cover story, her major labels (Interscope and the U.K.'s Polydor) were initially resistant to the idea of releasing it.
"There was a lot of bullshit I'm not used to," Auerbach tells senior writer Brian Hiatt. "The label says, 'We're not going to give you the budget to extend this session unless we hear something.' And we send them the rough mix and they ****ing hate it and they hate the way it's mixed. And it's like, 'Thanks, asshole.'… I think Lana put her foot down. Maybe it's normal for her, but it's not normal for me. Really rubbed me the wrong way. I got really defensive because I thought it was bullshit.
"The story I got told," he continues, "is that they played it for her label person and they said, "We're not putting out this record that you and Dan made unless you meet with the Adele producer. And she said, 'Fine, whatever.' And she was late to the meeting, so while they were waiting, the label guy played what we recorded for the Adele producer and he said, 'This is amazing, I wouldn't do anything to change this.' And here's the kicker: Then all of a sudden, the label guy said, 'Well, yeah, I think it's great, too.'"”
Yeah they supported her all the way...
As for HBTB I'm not saying it’s a terrible song by any means and perhaps my initial comment sounds too harsh. If you personally enjoy it more than Honeymoon great I don't really want to have a pointless acidic argument over that, everyone has different tastes.
Sonically it does bode well in terms of the finished album having a great mix of different songs on their too. It seems to have gone down really well with the segment of Lana's fan base that want her to be more of a pop star. I hope it sells a gazillion copies and secures huge amounts of airplay and becomes a big summer hit.
BUT personally I got into Lana because she makes the "Hollywood Sadcore." Music with an edge to it. By the logic that slow songs shouldn't ever be released as singles Video Games, Born To Die and the rest should never have been hits. She should have never attracted a fan base. Yet she most certainly did.
I think it would be a great shame if Lana gets forced to make what is deemed to be more commercial sounding music just to fit in with narrow minded conceptions society seems to have these days. What makes Lana brilliant is she is different to all the chart cack out there, and I don't want her to ever lose that edge cause it makes her special.
It’s those feelings that fuelled my disgruntled post.