Originally Posted by Abomination:
“It's an odd conflict really - Moffat is often criticised for having stories that are utterly inconsequential - he doesn't let death stick, he reverses time, he leaves questions open ended. And yet at the very same time, he's also probably leaving the biggest stamp on Doctor Who lore of anyone - he worked in an extra regeneration, dealt with the regeneration-limit, rewrote the conclusion of the Time War, showed the Doctor at the youngest we've ever seen him in Listen, has shown the first gender-changed Time Lord with Missy, over doubled the Doctor's age in the space of a single story, involved the Doctor in three marriages (River Song, Marilyn Monroe, Elizabeth I), explained the TARDIS noise as being the brakes being left on, and quite recently having the deceased Brig (as per a poignant scene in the Series 6 finale) converted into CyberBrig (as per a Robert-Downey-Jr-eat-your-heart-out moment in the Series 8 finale).
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“It's an odd conflict really - Moffat is often criticised for having stories that are utterly inconsequential - he doesn't let death stick, he reverses time, he leaves questions open ended. And yet at the very same time, he's also probably leaving the biggest stamp on Doctor Who lore of anyone - he worked in an extra regeneration, dealt with the regeneration-limit, rewrote the conclusion of the Time War, showed the Doctor at the youngest we've ever seen him in Listen, has shown the first gender-changed Time Lord with Missy, over doubled the Doctor's age in the space of a single story, involved the Doctor in three marriages (River Song, Marilyn Monroe, Elizabeth I), explained the TARDIS noise as being the brakes being left on, and quite recently having the deceased Brig (as per a poignant scene in the Series 6 finale) converted into CyberBrig (as per a Robert-Downey-Jr-eat-your-heart-out moment in the Series 8 finale).
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This is actually detailing some of my main problems with his way of doing things. He comes up with his own stories but quickly grows tired of them, yet constantly wants to reach back into the pre established history to mess with what we thought we already knew.
Although he has written some good stories, I feel he often is more interested in sensationalism and how he can advertise an episode/arc rather than if its a solid story or not. 'oh look the doctor is dead, completely' (series 6) or 'oh look, it's the doctors final grave' (or not as it turned out) or 'oh look, we haven't made Clara interesting on her own character merits yet, so lets try and force her importance by a nonsensical storyline where she had a hand in every episode up until Name of the doctor' or 'oh look, we've shoehorned in an extra secret incarnation of the doctor as a gimmick' or 'were not sure if the second part of this series 8 finale will interest people on it's own, so why don't we just have Clara say she's the doctor in the pre titles sequence. It doesn't matter that the whole thing is a completely hollow, pointless lie that brings nothing to the story, by the time they realise that, they'll have already given us the ratings' or I imagine him thinking 'keep throwing in those random brigadier references, and old daleks, that'll keep the old fans watching if nothing else'.
As someone else mentioned, RTD's time war and 'last of the time lords' period was solid and didn't feel like a gimmick or messing with who history, but rather an update of what had happened in the off screen years. developments in the RTD time felt respectful of the show and it's history and building on it, rather than trying to change and overwrite it. I don't feel Moffat has 'left the biggest stamp' in the lore as you say, I feel he's done things with who lore people do and will just want to forget in much the same way that the 'half human' line in the tv movie or 'extra doctor faces' in the morbius episode are treated today.




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