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Week 3 - 5 Thoughts |
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#101 |
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Join Date: Sep 2015
Location: Los Angeles
Posts: 29
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1). Georgia & Gio
The pair created a nice mood and atmosphere for the rumba routine, and I thought the nice snaking body motion from the ground up at the opening when in hold was oily and sensual (a figure I would've like to of seen in Helen's cha cha). Georgia seemed a bit more in character relative to her week 2 waltz as this was a nice improvement to see. The Opening Out left & right actions, where she presents herself to the audience on both sides of a standing Gio was nice to see, though I wish I could've seen some classic Progressive Rumba Walks that showed off her shapely figure even more. Len is right. Rumba should be a continuous romantic conversation between two lovers, but in this routine, I thought there were pregnant pauses and awkward moments of silence (i.e. long poses) which hindered and distracted from the expected flow of the dance's interplay. While I do think Georgia's hips are slightly better than Helen's (at the moment), and that Georgia did move her hips in the Rumba, I thought at times they moved independently from the rest of her lower half, such that she wasn't producing the correct hip action from the ground up. Georgia still has a slight tendency to raise her shoulders (ruining her top line and frame), which may become more apparent when she does the next ballroom. Whether it's due to nerves, her normal posture or the demanding steps, the Quickstep may magnify this oversight (if that's her next dance) if it's not rectified. It may have been a difficult two weeks for this couple, but hopefully the pair can take the experiences on board to help make their future routines even better. Watching the studio audience respond to Georgia's moves on the dance floor, I can't help but think that she still has much to offer in the coming weeks. Hoping Gio can come back and reinforce to the audience/viewers that Georgia still has the goods to make it deep into the competition. 2). Helen & Aljaz Agree with Darcy, largely how Helen played the dance character much better in the Foxtrot. The effortless shoulder and arm/hand movements at the opening number, as she played and tickled with the music was really great to see, relative to the Waltz where she was overthinking arm/hand movement and artificially placing them slightly out of time in tiny moments. Though she still needs to relax her arms and keep her left shoulder down, Helen breathes through her ballroom lines with much ease relative to Georgia's Rumba movements (now if only Helen can produce sensual movements in her upcoming latin dances). I thought the highlights of her Foxtrot was the nice floor coverage and the sublime gliding movements when in hold. Not only should her footwork be credited, but also her soft, pliable knees, her consistent position to Aljaz's right side, and Alajaz's veteran feel to read the music which enabled them to produce that smooth, sophisticated feel. Agree with Darcy again, namely that assuming a real-life dance character every week should really help Helen in the upcoming dances (as other actors/actresses internationally had similar success, though I would still like to get to know her more through some of the dances). It's no mystery that Helen's strengths remains in the ballroom dances, yet I hope she can put forth even more effort in producing the same quality routines with her latin dances. The vivacious opening personality in her Foxtrot should spillover and translate well into her Salsa and Samba dances. Hope the couple's scores don't vacillate every week depending on the dance styles but its encouraging to watch Helen grow and progress. 3). Jay & Aliona I thought Aliona managed the music well at the beginning by not letting the quick, obvious tempo dictate their overall routine from start to finish. Thought she also found a nice pocket in the music where she was able to change the feel of the tempo and expectation, by starting off nonchalantly, sluggish with pedestrian-like dancing (yes, film homage), only to speed the footwork with quick change of direction in movement, coloring the complexion of the routine instantaneously. Jay's legs/feet looked light and buoyant (for a big guy) in his lively kicks and flicks, and I thought the Jive had a freedom about it without it ever being wild or out of control. The New York/Spot Turns left & right mix, where the pair opens up to the audience with their free hand extending outwards was nice to see, as it seemed Jay and Aliona were sending sharp energy zaps to the studio corners simultaneously. Thought timely syncs like this only enhanced and strengthened their routine even more. Aliona still hasn't incorporated a lift into her routine yet so that will be interesting to see in their upcoming dances. Still a little worried about their Quickstep, as the slight height difference may present glaring, obvious problems with their frame and timing should tiny misteps occur (again, he's big and hard to move while in hold). While I think its still a work in progress for Jay, after their high scoring Jive performance, it may come as no surprise that everyone will naturally start to bring up their game. The audience/viewers may also get complacent, as it will be up to Aliona to strive and to make Jay's upcoming dances more interesting in some unique way, whether if be through choreography, music interpretation, costume, staging, etc. Regardless of the peaks and valleys the pair may encounter along the competition, I think this will be a challenge that will best suit Aliona's temperament and whet her appetite as the dances come their way each week. Best of luck to all the celebs and looking forward to their dances. |
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#102 |
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Join Date: Jun 2005
Posts: 8,563
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1. "Natalie - your theme is Ainsley Cha Cha Cha'ing like a penguin - to Bogiewonderland!"
"I suppose you want us to do it wearing flippers on real ice?" 2. Kevin regressed 3 years for that dance. 3. Looking forward to Anton's next speech on miniature choreography. 4. Gleb suited the lipstick. 5. "We'll blow people away." ....... Yup! |
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#103 |
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Forum Member
Join Date: Sep 2012
Posts: 756
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Quote:
As a aside, I didn't hear them say anything about Bruce which I thought was poor form. Love him or hate him, he helped the show rise to be the beast it is today and just a few words would have been nice for him.
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#104 |
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Forum Member
Join Date: Sep 2012
Posts: 756
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1. Calling upon SAS to implement Operation Smashout to eliminate all scripted VTs. Calling upon Tracy Emin and other artists to provide artistic sequences for watching paint dry between live show scene changes.
2. Enjoyed this year's Movie Week much more than in previous years, though some of the songs chosen were undanceable. "Happy Feet"? Who chose that one? 3. Jeremy and Ainsley hilariously watchable, light on their feet and worth re-seeing. Glad Ainsley got his moves right the second time round. 4. The Three Graces: Helen, Anita (though I agree with Darcey about her arms) and ... nope, just those two. 5. I do not understand the "huge fanbase" love for the wooden-faced crooner Daniel O'Something. Would prefer Father Ted to take the floor. |
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#105 |
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Forum Member
Join Date: Sep 2005
Posts: 7,235
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1. Kirsty remains bad and, contrary to what the judges said, is not improving. I am astounded that going to look at some dogs failed to sort everything out. (Also, that was the worst costume ever. If someone's main asset on a dance floor is having a pretty face, why smear **** all over it? Oh and attach a tripwire to her bum for good measure.)
2. Jeremy received a 3 and three 7s. Neither of these scores makes sense. 3. Pete's paso sucked and was over-marked. It's quite aggravating that it scored more than Georgia's rumba. 4. I enjoyed Kellie's charleston quite a bit. Actually I'm enjoying what most of the women (Kellie, Helen, Anita especially) are bringing to the dances with their contrasting skills and personalities. Just as well given that in the 'top male' betting Daniel O'Donnell is in third place. 5. Speaking of D O'D, I have warmed to his sense of humour which was a surprise, but was mostly laughing at him this week. Kristina makes a convincing Sandy; Daniel more of a Dougal Zuko. It's fair to say his was the less successful John Travolta impression this week. |
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#106 |
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Forum Member
Join Date: Jun 2005
Posts: 8,563
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Quote:
1. Calling upon SAS to implement Operation Smashout to eliminate all scripted VTs. Calling upon Tracy Emin and other artists to provide artistic sequences for watching paint dry between live show scene changes.
2. Enjoyed this year's Movie Week much more than in previous years, though some of the songs chosen were undanceable. "Happy Feet"? Who chose that one? 3. Jeremy and Ainsley hilariously watchable, light on their feet and worth re-seeing. Glad Ainsley got his moves right the second time round. 4. The Three Graces: Helen, Anita (though I agree with Darcey about her arms) and ... nope, just those two. 5. I do not understand the "huge fanbase" love for the wooden-faced crooner Daniel O'Something. Would prefer Father Ted to take the floor. |
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#107 |
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Forum Member
Join Date: May 2006
Posts: 25,199
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^^^ Father Jack in a wheelchair then
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#108 |
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Forum Member
Join Date: Sep 2012
Posts: 756
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Quote:
You do know Father Ted has passed away?
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#109 |
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Forum Member
Join Date: Jun 2005
Posts: 8,563
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Quote:
No, sorry I didn't know that. OK, Father Jack instead - a good substitute.
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