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How many of us are 'ringahs'? |
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#151 |
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It's that lack of logic and consistency that gets me, Helen according to the same posters did a marvellous foxtrot,
A because she did ballet so has a natural advantage However B ballet is of little benefit because those who have done it can't be taught ballroom no matter how creative their teachers are because they are too stiff in their core But in reality Helen is doing really well in this contest because of her grace and advantage from ballet and Aljaz is teaching her despite her ballet in a very creative way to dance well in a ballroom competition. The 2 things are not mutually exclusive, ballet can be both an advantage and disadvantage, but a disadvantage does not mean " can never be done ". Honestly I just wish for consistency and remembering what you have previously said so that you don't appear to be disappearing in ever decreasing logic circles because you want to hold onto a view which you hold dear that is being shown by your2 opposing arguments to be untenable. They raised the point very politely, and received a very discourteous response implying that it was nothing to do with the pupil and that they were a poor teacher. They in no way stated or implied that their pupil was incapable of learning ballroom or that they did not have other advantages e.g. in core strength.
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#152 |
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This is rather interesting Sofakat, as I am teaching ballroom to a ballet dancer at the moment, and she finds the lowering and heel leads, soft legs, soft knees etc extremely difficult to master, because of the ballet training. People are different of course, but this particular lady is having to try and unlearn "habits" from her ballet training.
It's very hard to get stuff out of the muscle memory once it's in there! |
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#153 |
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As a Lindy Hop teacher (usually teaching adult beginners through intermediates) I can probably pretty accurately point out any follower on a social dance floor who has done more than a year or two of ballet. It's mostly a grounding thing, the dance-into-the-floor-earthiness is missing, although they tend to have lovely lines, especially through the arms. People with a Tap or Soca dance background do much better.
It's very hard to get stuff out of the muscle memory once it's in there! |
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#154 |
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I managed.
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#155 |
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As a Lindy Hop teacher (usually teaching adult beginners through intermediates) I can probably pretty accurately point out any follower on a social dance floor who has done more than a year or two of ballet. It's mostly a grounding thing, the dance-into-the-floor-earthiness is missing, although they tend to have lovely lines, especially through the arms. People with a Tap or Soca dance background do much better.
It's very hard to get stuff out of the muscle memory once it's in there! I agree with all of this. My ballet student has the most amazing legs and feet for Rumba and her lines and arm positions are to die for. Something she does so very naturally and most of us have worked ( and paid a lot of money to learn) over the years to try and achieve. She does find it hard to settle into the hips and I saw on SCD recently, that Darcey Bussell said the very same thing, that its extremely hard for a trained ballet dancer to do this. |
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#156 |
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Of course you did. I'm not in any way surprised to hear that.
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#157 |
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Hi DiamondBetty
I agree with all of this. My ballet student has the most amazing legs and feet for Rumba and her lines and arm positions are to die for. Something she does so very naturally and most of us have worked ( and paid a lot of money to learn) over the years to try and achieve. She does find it hard to settle into the hips and I saw on SCD recently, that Darcey Bussell said the very same thing, that its extremely hard for a trained ballet dancer to do this. That thing, you know that involves strength in your core Logic consistency manners, sense all things that are missing in this thread Ok off now before this thread finally implodes into an ever decreasing hole of logic taking in everything about it. Shame really as it started off as a humouress way to try and deflect the constant ring ah attacks and has turned into an attack on logic and sense ! |
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#158 |
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Of course you did. I'm not in any way surprised to hear that.
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#159 |
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Is it really illogical to say that some aspects of ballet are helpful in learning latin and ballroom and some aren't? And just because one ballet trained person manages every single aspect of dance with total ease that another may not?
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#160 |
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Is it really illogical to say that some aspects of ballet are helpful in learning latin and ballroom and some aren't? And just because one ballet trained person manages every single aspect of dance with total ease that another may not?
Anyway, to get even slightly back on topic I'm sure my 6 years of Irish dancing would be very little help. My upper body just wouldn't know what to do, never mind actually touching a partner! However, the couple of years of AT at uni would be a different story, or at least it would seen as an enormous help, even though the hold is so different to all the ballroom dances.
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#161 |
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Is it really illogical to say that some aspects of ballet are helpful in learning latin and ballroom and some aren't? And just because one ballet trained person manages every single aspect of dance with total ease that another may not?
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#162 |
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Is it really illogical to say that some aspects of ballet are helpful in learning latin and ballroom and some aren't? And just because one ballet trained person manages every single aspect of dance with total ease that another may not?
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#163 |
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Ooh not sure I'd be a ringah there, I can just about manage to wheel in a straight line atm! Had an attendant propelled chair since I got out of hospital so only had my first go at my wheelchair "fitting" appointment last week.
I could do this though (have lots of tissues available) possibly one of the most beautiful dances ever imho.
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#164 |
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Went to ballet tap and contemporary every Saturday from 3-16. Not a chance in hell I could come close to what Jay did but I suspect I'd have Ringah stamped on my forehead despite never dancing since.
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#165 |
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Hush now, that's reasonable. Logic has no place in a witch hunt of a fellow poster.
Anyway, to get even slightly back on topic I'm sure my 6 years of Irish dancing would be very little help. My upper body just wouldn't know what to do, never mind actually touching a partner! However, the couple of years of AT at uni would be a different story, or at least it would seen as an enormous help, even though the hold is so different to all the ballroom dances.
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#166 |
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I think no two people are ever the same anyway. Yes I was trained professionally in ballet but I also branched out into jazz,contemporary etc. So yes I do think I could pick Latin/ballroom up pretty easily and become pretty accomplished. That said I know many friends (still ballet dancing today) who would struggle with the technique needed for latin in particular. It's down to each individual.
Helen in particular is clearly so used to being poised and has picked up some 'bad habits' from her ballet training, hence her uphill struggle with Latin. Jay's experience with contemporary dance lends itself much better to other dance styles, contemporary dance is far less 'strict' and 'conformist' by nature. |
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#167 |
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I managed.
![]() Quote:
Is it really illogical to say that some aspects of ballet are helpful in learning latin and ballroom and some aren't? And just because one ballet trained person manages every single aspect of dance with total ease that another may not?
![]() I think this is a great way to point out that most of us are arguing the same thing from different viewpoints, just depends where our own specialist interest is. Previous ballet definitely helps with learning choreo, being able to perform on the night, working with a dance teacher, extended lines, turning technique. Probably hinders hip action, soft knees, being grounded and earthy, definitely hinders in media perception, possibly hinders with voters that love a journey (but pleases those of us that get the SHIVERS just thinking about an entire Widdie/Russell Grant/Nancy D/Judy Murray/ Michael Vaughn/Tim off the antiques thing type line up). Quote:
Went to ballet tap and contemporary every Saturday from 3-16. Not a chance in hell I could come close to what Jay did but I suspect I'd have Ringah stamped on my forehead despite never dancing since.
And I still don't think I could Rhumba in 5 days, or Waltz, or Cha Cha, or AT. Not in a way that actually acknowledged the true basics and techniques of the dance, anyway. I'd do a cracking ringer-y Charleston though! |
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#168 |
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I think no two people are ever the same anyway. Yes I was trained professionally in ballet but I also branched out into jazz,contemporary etc. So yes I do think I could pick Latin/ballroom up pretty easily and become pretty accomplished. That said I know many friends (still ballet dancing today) who would struggle with the technique needed for latin in particular. It's down to each individual.
Helen in particular is clearly so used to being poised and has picked up some 'bad habits' from her ballet training, hence her uphill struggle with Latin. Jay's experience with contemporary dance lends itself much better to other dance styles, contemporary dance is far less 'strict' and 'conformist' by nature. No two people are the same. The talent and ability will vary. I have yet to see a ballroom trained person ever transition well to real Cuban Salsa or Argentine Tango. They cannot undo what they know. |
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#169 |
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I bet you really worked at it though, Kat! And it took longer than a few weeks too
![]() and he Mambo (yay!).My teachers were ex pro dancers and yes, I am as focused as hell The only dance which took me years to learn was Argentine Tango.For that I had to undo everything I had ever learned in dance before. |
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#170 |
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I think you'd have to have a long career in ballet or other dancing to imprint on you that strongly that you cannot shake it. Or if nobody tells you that it's not idiomatic for a given dance and you fall back on what you know.
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#171 |
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As I have said before countless times, after a classic training in ballet, I also studied flamenco, Cali and Cuban salsa before I was headhunted to train in ballroom and Latin too teach for a US dance school. They also taught me East and West coast Swing
and he Mambo (yay!).My teachers were ex pro dancers and yes, I am as focused as hell The only dance which took me years to learn was Argentine Tango.For that I had to undo everything I had ever learned in dance before. ![]() I'm so fascinated with AT. One of the very best swing dance leaders I know took some AT classes over the summer, he claimed he was awful at it maybe I'll make studying it full time my retirement plan?
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#172 |
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Bet you could pick up rhythm tap (hoofing) really easily from Irish dance though
![]() ). I also keep meaning to go to a Charleston workshop as a taster, but have problems fitting it in my diary. . I suspect I might struggle although I'd like to find out.
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#173 |
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I think you'd have to have a long career in ballet or other dancing to imprint on you that strongly that you cannot shake it. Or if nobody tells you that it's not idiomatic for a given dance and you fall back on what you know.
I would never have been a ballerina, I'm not the right shape, I never took it seriously, and I haven't danced it in 25plus years. But I still lapse into 3rd position-hands-behind-the-bum as if I'm waiting for ballet class to begin whenever I stand still, whether that's a supermarket checkout or a bus stop! Ballet has also given me several decades of good posture (and I constantly have to work at being grounded and dancing into the floor, rather than light, when I dance Lindy Hop, despite having danced it longer and more consistently than ballet). The celebs have only a few days a week to manage a passable imitation of each dance, getting rid of habits under pressure of time whilst learning choreo thoroughly enough for immediate performance is a tough ask. Admittedly, it's not as big a hurdle as some slebs have to jump, but the expectations are higher. I'm fine with Ainslie coming out and being all performance, no substance, but I want Helen and Jay to impress by showing some of the real defining characteristics of the dance! |
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#174 |
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Yes I think so too, although I know very little about Irish dancing. I'd love to get back to tap. I haven't done any since I was about 11 but it suited me as a dance style. I rarely see tap dancers where I have lessons, but we had a couple in recently and they seemed to be having terrific fun, although they were somewhat noisy (I was doing my teaching exam prep and every time I got asked a question my mind completely blanked out
). I also keep meaning to go to a Charleston workshop as a taster, but have problems fitting it in my diary. . I suspect I might struggle although I'd like to find out. |
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#175 |
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I think you'd be surprised, even a short period of studying any dance can imprint on the muscle memory - especially if you studied it when young. It's a bit like learning to speak more than one language in that respect.
.......... .......... The celebs have only a few days a week to manage a passable imitation of each dance, getting rid of habits under pressure of time whilst learning choreo thoroughly enough for immediate performance is a tough ask. Admittedly, it's not as big a hurdle as some slebs have to jump, but the expectations are higher. I'm fine with Ainslie coming out and being all performance, no substance, but I want Helen and Jay to impress by showing some of the real defining characteristics of the dance! . Muscle memory has a lot to answer for. . So difficult to activate it, and then once activated, it won't turn off! And I agree about showing the defining characteristics of the dance.
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They raised the point very politely, and received a very discourteous response implying that it was nothing to do with the pupil and that they were a poor teacher. They in no way stated or implied that their pupil was incapable of learning ballroom or that they did not have other advantages e.g. in core strength.



and he Mambo (yay!).
).
. I suspect I might struggle although I'd like to find out.