Originally Posted by Tom Tit:
“The problem is that most fans seem to want to deconstruct everything. When they tried to introduce a complex character last season in Danny Pink a lot of people disliked his arc. He wasn't really a companion so he was seen as 'just' a romantic connection to Clara. Of course, he had a much deeper thematic resonance to the story than that but people perceived it as such. But he was also an ongoing character so people felt they had to like him, and complained that they didn't. Where is the rule that an ongoing character has to be unquestionably likable? Why can't they be multi-facted? You know, like real people are. But no, he was kind of, sort of a companion by proxy and so he has to be liked, he can't just be a protagonist. How can you make a character like that interesting?”
I agree with pretty much everything you said, though the one thing I struggle to do is really like the character of Danny...and I don't mean in the sense that I like him because he's a likeable character, I mean like him for what he brings to the show.
There were moments in Series 8 where the Doctor was relatively unlikeable...and I loved it. It created a superb sense of drama and tension that had been sorely missing from the show for a while, a gravitas if you will. Some characters you can love to hate, others you find unlikeable but they service the show brilliantly and in so many ways you can't imagine it without them (I'm thinking Cersei from Game of Thrones, or early Spike in Buffy the Vampire Slayer, or Sylar in Heroes, or Helen Cutter in Primeval, or the Cigrarette Smoking Man in The X Files...as some examples from shows DW has been likened to or vice versa). I agree totally that a character doesn't have to be likeable, and that multi-faceted characters are a real asset - and unfortunately one that often gets sorely dismissed by people wanting something a bit more immediately accessible.
In the case of Danny Pink though, I just think there was a lot of flaws. He was unlikeable, but also the romantic interest of a companion the show was trying to make us like after a divisive run in Series 7). Tying Clara to someone so unlikeable by extension made her unlikeable to many, and in some ways has made her far more divisive as a character. This ultimately makes Danny a problem from the start.
In extension of that though, whilst the ideas behind his character were definitely commendable and ambitious, I don't ever feel that Moffat delivers them in the most satisfying way... he usually drops the ball at the final hurdle. Never was that more true than with Series 8, where we got a final episode that squandered much of the amazing potential set up in the story before it...as well as the series-spanning arc before it. Danny was a huge part of that, and whilst his view of the Doctor as a general that had to keep his hands clean was a fascinating slant that complimented the 'am I a good man' angle nicely, it was never sufficiently wrapped up for a character that was destined to leave. He never saw the Doctor any other way, he never allowed the Doctor the benefit of the doubt - and as a viewer who knows more than Danny and who knows just how much the Doctor has been through (fighting on the frontline, for one thing) it never did the character of Danny any favours. It made him extremely prejudgemental, it made him too often become Clara's elephant in the room. He wasn't unlikeable because he had an unlikeable personality, he was unlikeable because they bothered to open a void of depth to his character and then never sufficiently explored or resolved it.
Maybe it does boil down to being overly ambitious. With only twelve regular episodes a year there's only so much you can do, and I can't say I'm particularly enamoured with the way Mickey or Rory were written either - so it seems that three's a crowd when it comes to male love interests with the female companions so far, for me at least. I could see the good intent there, and it was wonderful to flesh Clara's life out a bit more - but that's just it - Danny was always just an extension of Clara's life, rather than a character who warranted the depth of ideas he was afforded.