Originally Posted by saladfingers81:
“I would agree to an extent that the hyperbole could do with toning down but what is hilarious is that many of the same people lambasting Moffat for being too over dramatic and full of superlatives can be found on other threads calling for a return to a style more like the RTD era. Yes the RTD era which gave us those small scale, low stakes character driven pieces involving The Reality Bomb and THE END OF TIME. It was like an Alan Bennett monologue in those days eh?”
I think (just my opinion) that RTD was much better at lining up characters that the audience could invest in. School Reunion is a terrific example of the RTD era. Yes, I know it's not an RTD script but it is reflective of his time on the show.
On paper, School Reunion is a story about a universe-threatening plot by the Krillitane.
But
actually it's the simpler story of the Doctor being reunited with a former companion and what that reunion means to him, Rose and Sarah Jane.
RTD understood that modern TV audience invest in people. Moffat is much more about the story arc, and doesn't always lay the emotional foundations for an audience to care.
So, yes, RTD gave us a great big Reality Bomb. But didn't us oldies actually care more that Davros recognised Sarah Jane? And didn't we all care more when Donna broke our hearts by having her memory wiped? It was the quieter, human parts of the story that mattered, not the scale of the threat.
Frankly, I punched the air when Amy (
FINALLY) left. And I'm counting the days until we say goodbye to Clara. That's not great for a fan who fell in love with Rose, Martha and Donna.
My point is that it doesn't matter how big the story arc is, or how enormous the threat. If you haven't been given characters you care about, none of it matters.
I'm very sad to say that I don't give two hoots about Clara. However she leaves - death or happiness - I just want her to go. I don't think I'm alone in that point of view.