Originally Posted by memmh:
“The pros are allowed to put in a request for certain songs if they want to, but there's no guarantee they'll actually get those songs. Tristan has said he'd put in requests a few times this series but the requests were turned down. Quite frankly, I find it hard to believe that the pros would choose songs that were so ill-suited for the dances.
I'm not disparaging Aliona's choreography, by the way. I'm just saying that previous choreography may not have any relevance as to whether or not a song is reused.”
“The pros are allowed to put in a request for certain songs if they want to, but there's no guarantee they'll actually get those songs. Tristan has said he'd put in requests a few times this series but the requests were turned down. Quite frankly, I find it hard to believe that the pros would choose songs that were so ill-suited for the dances.
I'm not disparaging Aliona's choreography, by the way. I'm just saying that previous choreography may not have any relevance as to whether or not a song is reused.”
From jeremy's blog at the weekend ,
http://imgur.com/4pa5nbd
A lot of people ask who is responsible for choosing the music on Strictly. Obviously a number of individuals have a voice — for example, Karen needs to feel comfortable that we can dance to the chosen track and Dave Arch’s musicians need to be able to play it. But the key person here is Matt Howes. It was Matt who chose the Elvis Costello song “She” for me to dance a waltz to. The song is not in waltz time (a number of worried viewers pointed this out to me before the dance!). Matt reconfigured the beat and even sang his own version so Karen had a tape to play me. For Matt the key is to choose a song that is popular, but perhaps not too obvious — sometimes he unearths a treasure like “Sweet Disposition” by Temper Trap which Anita and Gleb danced their astonishing tango to. Matt has a huge role in the show because the right song on the right night can be immensely powerful: and by the way I’ve enjoyed all mine so far.




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