Originally Posted by
Lord Smexy:
“He's done the show a favour by staying on with no clear replacement to take over from him currently. The only other option would probably be to put the show on a real hiatus.
I for one am grateful for what he's contributed to the show. He's made a lot of mistakes along the way (I still can't stand The Beast Below), but so have most creative minds behind DW. In my opinion stories such as Heaven Sent, Listen and Day of the Doctor belong up there with DW classics like Inferno, Pyramids of Mars, The War Games and The Caves of Androzani.
”
The Beast Below, for me, was a gnat's crotchet from being a classic. I really liked it at the time and still do now. The mistake, of course, was using children as part of the plot. All a bit daft with the whale refusing to eat them. And the role of the queen was rushed.
But the scenario was pure classic Doctor Who for me and, as a child of Pertwee (not literally, my mother to my knowledge never met the man) it had great appeal.
The two faced thingies were a gimmick, but scary. It's a shame they couldn't have been integrated into the story slightly better. But they worked well to add to the Orwellian feel of the society on that spaceship. At once an authoritarian regime and also a democracy of sorts, but predicated on collective denial. Really rather interesting.
It was crying out to be a good old fashioned four or six parter with lots of boring filler. Sorry. Not boring filler. I meant time to flesh out the themes and build the reality of the backdrop society.
I'm rather hoping Moffat remembers that this sort of simple non-timey wimey but interesting story is perfectly valid. Unfortunately he's conscious of its poor reputation and joked in DWM once about his son telling him it was rubbish. Bloody kids.
Kill The Moon is a similar premise. But Beast Below works better. (pity about Kill The Moon - it was quite a good scary story until the egg business was revealed).