Originally Posted by Teifiboi:
“Well, sorry that you don't like it. All drama requires a certain level of artifice and suspension of belief. Plot devices, eg deus ex machina, have been about in drama since the beginning of time, and have been used by all the great writers, from classical times to today. Not that I'm trying to make out that Emmerdale is great drama - it's not, it's soap.
But surely, the story as unfolded is not that David is all alone and that we should, therefore, feel sorry for him. David is surrounded with people who love him and will support him. The issue is that he pushes them all away and tries to act the hard man who deals with it all on his own.
No doubt the story will be that, in the fullness of time, the act will break down and those around him will have to pick up the pieces. It is, of course, a cliche, and it isn't the only such cliche being acted out in Emmerdale just now. But, with a finite number of possible stories and the need to fill the time with drama, what else is to be expected?”
And I'm sure the written synopsis the storyline team had before them pretty much looked as you have written it.
But the sophistication is in how it gets brought to the screen - does it have an organic flow of narrative, or is it clunky.
Do the plot devices moments jar or do they scream out "contrived moment".
Does the dialogue feel natural from the character or does it sound like the dialogue is driving the plot.
For me - this narrative feels plot driven more than organically character driven (especially the scene with the Dylan kid).
ps - no need to feel sorry for me - its an open public forum I've been posting on for over 6 years - a little sarcasm won't stop me commenting
