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The Ratings Thread (Part 67)
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Score
24-02-2016
Originally Posted by all_night:
“'Part of the fabric of the nation like Coronation Street' I love X Factor, but i wouldn't go that far.”

I can see the point he's making though, it does feel a bit like a fixture now in the way few other shows do.
Dan R
24-02-2016
Originally Posted by Score:
“I can see the point he's making though, it does feel a bit like a fixture now in the way few other shows do.”

BGT feels much more like an event, or to me it does anyway.
I just wish they'd accept reality and rest it. There's less shame doing that than there is running it into the ground (like I fear they will).
James J
24-02-2016
Originally Posted by Score:
“One of The X Factor's executive producers, Richard Holloway, has written quite an interesting piece about The X Factor and its future on Broadcast. It's quite long so I won't copy it all across here but here's the link: http://m.broadcastnow.co.uk/5100802.article

Thoughts?”

For the benefit of non-subscribers, could you post some of it here?
Score
24-02-2016
Originally Posted by James J:
“For the benefit of non-subscribers, could you post some of it here?”

Wouldn't want to get into trouble by posting the whole thing but here is some of it:

Quote:
“Executive producer Richard Holloway explains why The X Factor remains part of the fabric of the nation, despite declines in ratings and reports of the show’s demise

I suppose the best way to show the enduring success of The X Factor is to look at the interest levels in it. We are still six months away from going on air this year and already the show is dominating the entertainment agenda. Everyone has a view on the X Factor.

We are at the start of the second decade of this show, which is an enormous achievement in itself. And this is a show that I am sure will last for many years to come.

Despite some recent misleading reports, ITV have confirmed they are keen and committed to continue working with us beyond the end of the current deal this year. In fact, we actually started early negotiations last year as they see both X Factor and Britain’s Got Talent as important shows and we very much value them as our broadcast partner.

The X Factor is part of the fabric of the nation, like Coronation Street. In terms of judges and presenters, people come in and people go out of the show – as they do in Coronation Street.

The way younger audiences interact with TV is constantly changing these days. And whilst we know the over-60s are still engaged with Strictly Come Dancing, amongst the pivotal 16-34 audience, which is the key demographic from a commercial point of view, The X Factor dominates. The X Factor is a show that has massive cross-generational appeal and delivers volume across all ages groups.”

And a bit more:

Quote:
“In terms of measuring success, last year, our consolidated series average was 8.2m. That was 1.2m above the overnight figures – and shows how more and more people are using catch-up technology. And there are more and more people who are now watching on computers and mobile phones.

This is something which the industry as a whole needs to start looking at in terms of how we measure audiences given that ways of consumption are changing so dramatically. For last year’s series alone we had a total of 375 million videos views on YouTube – which is more than double the previous series. Also we are not only the most written about show on TV, but the most talked about UK TV show on social media.

And it’s not just in the UK that its success endures. This show remains a worldwide phenomenon – one of a select band of super-formats.

In 2015, there were 53 local versions made. And tape sales of the XF UK were broadcast in 168 different territories last year. These are huge figures that we at Fremantle and Syco really value and work tirelessly to endure and grow.

These huge figures also show what an incredible success story this show remains across the globe. And that is why we truly believe, The X Factor can continue to prosper for many years to come.”

More at: http://m.broadcastnow.co.uk/5100802.article

I do think there is pressure on them to steady the ship this year though. I think at this point ITV do still need it, but another couple of years of drops like last year and that might not be the case.
robbaza
24-02-2016
Originally Posted by James J:
“For the benefit of non-subscribers, could you post some of it here?”

Just copy and paste the heading into your search engine.you can read pretty much everything on broadcast for nothing
Pizzatheaction
24-02-2016
I think there'll be another Factor deal. ITV literally don't have anything to replace it with, if we assume Voice has been bought to fill the gaping holes in the Jan-Mar schedule, and it's probably still a good way for Cowell to shift singers' albums (not necessarily those of the contestants, but those of other acts he has a financial interest in).

The key is for both sides to approach things realistically. It's likely to be worth a lot less to ITV than before, and less with every subsequent year, so they mustn't pay over the odds, and Cowell needs to remember he doesn't really have anywhere else to take it, because it needs to be on one of the two big channels (in order to flog records), and the other big channel has no interest in it, for various reasons.

If wonder if Leary missed the 2015 series because some of the filming clashed with filming for Getaway Car.
basdfg
24-02-2016
Originally Posted by iaindb:
“BIB That'll have to be on BBC1 now that BBC3 is online only.

Incidentally, are people are aware that BBC3 television channel is still transmitting programmes between 2am and 4am? Don't Tell The Bride on weekdays and Mongrels at the weekend.”

Could it not air on BBC2 or even online only?
Aurora13
24-02-2016
Originally Posted by Pizzatheaction:
“I think there'll be another Factor deal. ITV literally don't have anything to replace it with, if we assume Voice has been bought to fill the gaping holes in the Jan-Mar schedule, and it's probably still a good way for Cowell to shift singers' albums (not necessarily those of the contestants, but those of other acts he has a financial interest in).

The key is for both sides to approach things realistically. It's likely to be worth a lot less to ITV than before, and less with every subsequent year, so they mustn't pay over the odds, and Cowell needs to remember he doesn't really have anywhere else to take it, because it needs to be on one of the two big channels (in order to flog records), and the other big channel has no interest in it, for various reasons.

If wonder if Leary missed the 2015 series because some of the filming clashed with filming for Getaway Car.”

I see XF very much on a BB trajectory albeit at higher levels. The lacklustre 4th series leading to everything being thrown at it but this OTT manipulation led to over time to segment of audîence growing weary of it. Action taken but it just plays more to young audience. Chances of getting segment of audience lost - zero.

Shows like SCD and IAC never adopted the dramatics after a few series and benefitted from it longer term. Same with BGT but Ant and Dec said in interview they told Simon changes he wanted were wrong. Perhaps only two who had clout to stand up to him when he was ego central a few years ago.
H of De Vil
24-02-2016
Originally Posted by Ray Tings:
“From Mediatel:
Holby City: 4.5m (21%)
It's Not Rocket Science: 1.6m (7%)
Heroes and Villains: Caught on Camera: 1.3m (6%)

Mediatel figures exclude +1 and are not tape checked”


ITV beaten by Ch4 at 8pm and 9pm. This is a problem that Tuesday is a place thee viewers avoid on ITV now. Most viewers are so not used to watching ITV on Tuesday that most weeks of the year are low.

Even The Inspectors Are Coming which is similar to BBC1 series The Sheriffs are Coming got fewer than 2.5m when the BBC1 series pulls in 4m+. A factual series that viewers will only watch on BBC1.

Happy Valley did well, as did CH4.
H of De Vil
24-02-2016
Originally Posted by Jonwo:
“I wonder if Maigret will air Easter Sunday or Easter Monday? If Home Fires' series 2 DVD is out 9th May then it might be starting April 3rd.”

Well with Doctor Thorne only following Churchill's Secret that would make sense.

I think ITV will show one ep of Maigreton Easter Monday and the 2nd in Autumn.

Looks like Victoria will be in the DA Sunday slot. The Halycon which I thought would launch in Autumn, I suspect will be held back to launch early January 2017.
LHolmes
24-02-2016
It's brave to commission XF for another three years. Dermot going back would look totally desperate on both parties part.
H of De Vil
24-02-2016
Originally Posted by LHolmes:
“It's brave to commission XF for another three years. Dermot going back would look totally desperate on both parties part.”

I don't think its brave. TXF still pulls in 7m+ viewers and has some of best demos on any TV show.

TVUk is more of a risk than TXF, because TVUK skews older.
Chris1964
24-02-2016
Originally Posted by H of De Vil:
“I don't think its brave. TXF still pulls in 7m+ viewers and has some of best demos on any TV show.

TVUk is more of a risk than TXF, because TVUK skews older.”

Time will tell I guess. 7 million cant be replaced easily, so from that angle you might as well do it(and lets face it J Ross survives on a comparatively miniscule audience purely because of the demos).

What has been apparent is what feels like an increasing panic as audiences have dropped they have changed judges, tweaked unsuccessfully- culminating in the last year which has been probably the worst so far for various reasons.

Also public interest in star creation has diminished a lot in recent years, there isn't much of a buzz of expectation about who gets churned out at the end which is probably hitting X Factor harder than TVUK (which never had that kind of interest).

I still say the best medicine for X Factor would be a break, SNT did it and came back refreshed. I think many former viewers have just got tired of it. Clearly though there about as much chance of that happening as discovering that the moon really is made of cheese.
LHolmes
24-02-2016
Originally Posted by H of De Vil:
“I don't think its brave. TXF still pulls in 7m+ viewers and has some of best demos on any TV show.”

Had the show stabilised last year and shown signs that it's over the worst I would agree with you, but it's still losing a substantial amount of its audience every year.

I am not saying ITV are wrong to renew it at all, but it should, if anything, be done on a yearly basis which carries less of a risk. Who knows where it will be 3 years from now? IIRC many episodes last year were actually below 7m exc +1. Cowell has got ITV by the short and curlies by making both shows - XF and the still successful BGT - a package. ITV are throwing more money at XF than ever before but are not getting the same return in terms of viewers.

I'm sick of hearing about the demos to be honest. This isn't America. All XF TPTB seem to do is bring those up in a dig at SCD. In terms of gauging popularity among the youth just looking at the main showing, when a lot of viewers in that demo consume shows online (with BBC iPlayer the best and most used of the online facilities), is misleading.
basdfg
24-02-2016
http://www.mirror.co.uk/3am/celebrit...bc-sex-7435747
I suspect this will eventually cause a few senior bbc Management to resign (Which has programming and ratings effect) especially as a media campaign to reinstate him will no doubt be launched.
Score
24-02-2016
Originally Posted by LHolmes:
“Had the show stabilised last year and shown signs that it's over the worst I would agree with you, but it's still losing a substantial amount of its audience every year.

I am not saying ITV are wrong to renew it at all, but it should, if anything, be done on a yearly basis which carries less of a risk. Who knows where it will be 3 years from now? IIRC many episodes last year were actually below 7m exc +1. Cowell has got ITV by the short and curlies by making both shows - XF and the still successful BGT - a package. ITV are throwing more money at XF than ever before but are not getting the same return in terms of viewers.

I'm sick of hearing about the demos to be honest. This isn't America. All XF TPTB seem to do is bring those up in a dig at SCD. In terms of gauging popularity among the youth just looking at the main showing, when a lot of viewers in that demo consume shows online (with BBC iPlayer the best and most used of the online facilities), is misleading.”

Advertisers are advertisers wherever you go. Like it or not, the 16-34 demographic is by far the most important and lucrative for ITV and indeed for all the commercial networks. It doesn't matter to the BBC as they aren't reliant on advertising, but the commercial networks obviously are and the demos are very important to them. Whether you are sick of hearing about them or not is irrelevant. They matter a lot. Of course they bring them up as a dig as SCD, they're playing a PR game, why wouldn't they? It's a legitimately important thing for ITV that XF does well in that demo and it beats Strictly there and that is very much worth noting for ITV.

iPlayer is used a lot but even then it doesn't come close to matching X Factor's 16-34 numbers. Plus if you're lobbing iPlayer in for Strictly you've also got to throw in all the ITV/ITV2 repeats of XF which across the bunch attract 2-3 million each week - significantly more than iPlayer. Also again those YouTube views are also worth mentioning if you're talking about online engagement.

I'm not sure I'd give it a 3 year renewal either, it seems risky. A one or two year renewal would be better, but obviously BGT is significant leverage and ITV wouldn't want to lose either show. It'll be interesting to see how it pans out.
hyperstarsponge
24-02-2016
Originally Posted by H of De Vil:
“I don't think its brave. TXF still pulls in 7m+ viewers and has some of best demos on any TV show.

TVUk is more of a risk than TXF, because TVUK skews older.”

Only way is down for X Factor.
oathy
24-02-2016
Originally Posted by LHolmes:
“It's brave to commission XF for another three years. Dermot going back would look totally desperate on both parties part.”

Total shambles last series.

Cheryl isn't the nations Sweetheart no matter how much they suggest she is.
Grimmy I suspect made more people switch off than anything.
As for the new hosts the pair of them whilst nice enough were so wrong for the main gig.

Davina and Dermot would be a good combo worked together in the past, but on a new show if they wanted some safe hands.

Simon Keeps saying year on year how Massive changes will happen, But its the same format, Loads of joke acts then sob stories, Fake Drama that doesn't fool anyone
and a winner that sinks without a trace.

He's got the money I would drop the record deal and actually make a cash prize (with the prospect of a record deal) like the runners up and other performers get. All the focus on getting a record deal means nothing with them all getting dropped the 1st chance the company gets.
northlad
25-02-2016
Originally Posted by basdfg:
“http://www.mirror.co.uk/3am/celebrit...bc-sex-7435747
I suspect this will eventually cause a few senior bbc Management to resign (Which has programming and ratings effect) especially as a media campaign to reinstate him will no doubt be launched.”

Pretty poor the news review of the papers covered every headline,except The Mirror one breaking the Tony Blackburn story.Does not do the BBCs impartiality much good.
basdfg
25-02-2016
Originally Posted by northlad:
“Pretty poor the news review of the papers covered every headline,except The Mirror one breaking the Tony Blackburn story.Does not do the BBCs impartiality much good.”

The BBC always hides front pages which relates to itself.
Ir wont probably in a few days through once the inevitable Director general resignation occurs. This could be serious enough to be break the BBC if enough of a press storm is whipped up.
northlad
25-02-2016
Originally Posted by basdfg:
“The BBC always hides front pages which relates to itself.
Ir wont probably in a few days through once the inevitable Director general resignation occurs. This could be serious enough to be break the BBC if enough of a press storm is whipped up.”

Five hours after the news broke,the BBC still not reporting anything,while its all over every news site,very odd,maybe hoping it will all be mixed in with the Savile report tomorrow.
LHolmes
25-02-2016
Originally Posted by Score:
“Advertisers are advertisers wherever you go. Like it or not, the 16-34 demographic is by far the most important and lucrative for ITV and indeed for all the commercial networks. it doesn't matter to the BBC as they aren't reliant on advertising, but the commercial networks obviously are and the demos are very important to them. Whether you are sick of hearing about them or not is irrelevant. They matter a lot.”

Historically it has been more of a thing in America. ITV didn't obsess over 16-34s in the past with a number of older skewing programmes running for years and being seen as successful. Maybe it has grown in importance here but it gets a bit old seeing XF's woes brushed aside through highlighting of its continued success in that demo. There's a certain level of expectation with XF in terms of total audience and its currently falling short of that IMO.

These statements from Syco executives often read as though they're trying to convince themselves everything is fine more than anything. If everything was fine there would be no need for these sort of defensive statements to be made full stop.
ftv
25-02-2016
Originally Posted by northlad:
“Five hours after the news broke,the BBC still not reporting anything,while its all over every news site,very odd,maybe hoping it will all be mixed in with the Savile report tomorrow.”

Lead story on BBC Breakfast this morning
northlad
25-02-2016
Originally Posted by ftv:
“Lead story on BBC Breakfast this morning”

Eight hours after every other news organisation in the world,seeing as it is happening 4 floors above the London newsroom not very good I would say.
ftv
25-02-2016
Originally Posted by northlad:
“Eight hours after every other news organisation in the world,seeing as it is happening 4 floors above the London newsroom not very good I would say.”

I very much doubt it was reported on North Korean TV (or even South Korean TV),a ridiculous sweeping statement.
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