Originally Posted by Michael_Eve:
“Yes, there was an interesting mix of light and shade in that story and I know the death of Solomon was quite controversial at the time. It certainly showed that Smith's Doctor, for all the quirkiness and humour, could be a right dark beggar at times.
I actually think Chibbers has always written The Doctor well. I like the Silurian two parter a lot more than some and there are some fine scenes, such as the "Don't insult me" 'interrogation' and The Doctor's desperate, angry reactions to the breakdown in negotiations between the Humans and the Silurians.
There's a heck of a lot of good stuff in 'Power of Three' too, where character took precedence over plot, really. I think it's a hugely enjoyable episode. The "running towards you" scene with Amy and The Doctor is beautifully written and acted.
42 also captured Ten's heroism and concern for Martha really well, and the possession stuff gave Tennant some really intense material, which he pulled off brilliantly.
However the era goes, I'm highly confident that CC knows his Doctor!”
I like Dinosaurs on a Spaceship quite a bit. As others have said, people think of it in passing, and remember it as a fun romp, and whilst it is that, people seem to forget that it has darker elements, like the imminent threat of the spaceship being shot down or the main one- the doctor, for the only time I can think of, actually fully intentionally killing a man.
Also, with 42, it's a more serious story, and the threat feels real, but at the same time it doesn't feel stuffy or overly depressing, and has some real emotion in it (the doctor screaming that he will save Martha as she is perilously being pulled away in an escape pod for example).
The power of three is not the most amazing episode ever, but it's entertaining enough, and one i'd happily watch again on tv.
The hungry earth/cold blood is probably the worst one to his name, and I don't actually think it's terrible or anything, just that it's a bit dull, and feels like there is only a single episodes worth of story stretched out in two.
Overall then, whilst I still maintain a showrunner's capabilities can't properly be deduced from their past work (Like when I thought Moffat was going to be a good showrunner based on his RTD episodes, but it wasn't the case), at this point what I will say is that his style seems to be simple stories with effective, believable writing so with that, coupled with people saying he is likely to return it to the more RTD populist style makes me feel confidence in his possible ability, for the moment at least.