UMK looks good this year – hopefully they pick the right song this time!
So RTBF went for an internal choice. I Googled her and I quite like
Blanche so far.
Belgium will certainly have to pull the stops out to get a third Top 10 in a row, me thinks the competition is going to be fierce this year….
O’G3NE – I’m positive. Of course it depends on the song but they are great doing ballads. Their up-tempo stuff so far is crap and they don’t chart that high, but
Netherlands has done pretty well doing their own thing since
Anouk. They’ve got that
BeeGees family-doing-awesome-harmonies-strong-stage-connection thing. They are very experienced with TV music contests, so who knows.
Denise on
wiwiblogs seems very happy so hey….
Jana Burčeska – our best showing this century was
Jessica Garlick who was 3rd on the first
Pop Idol…. I think MRT have the right idea, building a team to deliver a modern song with helpings of Macedonian culture.
It’s supposed to be a song competition showcasing different cultures and styles after-all, not an annual battle between rival teams of Swedish song-writers and producers becoming ever more homogenous. National Selections should be just that – the best talent from within the country. I’m not saying no reflagging at all, but the song should have the country it came from at its heart somewhere. I like that MRT trusts that. That’s the main reason I had a soft-spot for
Bosnia and
Kaliopi and was disappointed by
Greece,
Spain and
Italy this year. Never-mind ‘1944’ which literally screams cultural pride at glass-breaking volume…. True, the BBC needs all the help it can get and
San Marino would have to chain
Valentina Monetta to the stage and a restriction of one song per year wouldn’t go a miss either, to help broaden the range of songs entered.
I’d like to see more bilingual non-English songs.
Finland,
Armenia,
Hungary,
San Marino and ‘Donut’ were all songs easily misunderstood. Hell,
Jamala has a hell of a thick accent, got away with murder. Sing in your own language, there’s less risk of weird translations, accents causing trouble and it just feels more real. It certainly didn’t hurt
Ukraine,
Bulgaria or
France one bit. I like
You’re My Only One vastly more in Russian.
On the other-hand I am disturbed by
William from
wiwi-land.
Please God no! Stop this madness! Of course they won’t stoop to competing honestly against the semi-pros who will be dredged up and destroyed by the BBC. They are 20 years old – i.e. far too long ago. It’s just preposterous and I feel nothing for the song. The absent
Mel C is the best thing about the
Spice Girls and that isn’t saying much. No! No! No!
Yes,
Joe and Jake were a glorified boy-band who should have been left to be that. I am proper pissed for
Molly! The BBC is slap-dash and amateurish combining the sins of being both exploitative and negligent rather than just merely crap. Baring 2009 and 2011 they haven’t really tried probably since 2002.
Yes it’s partly business and
Eurovision’s reputation as not being ‘credible’, but the BBC has done absolutely nothing about that. Don’t enter if you are going to be so slipshod with people’s futures – whatever their talent, it’s not just their careers, it’s their lives you are messing with. Either go to the mattresses to win, or b****r off. Everybody else is going to –
Norway,
San Marino,
Belarus,
Macedonia,
Bosnia scored better in the Semis than
Germany and the
UK in the Finals and would have killed for those spots. Hell, nearly bankrupt NTU will, them trying to loose without being obvious about it is guaranteed to be vastly superior to anything the BBC sends which is deeply sad.
I am not a great believer in the concept, but I was unsurprised
Georgia won
JESC. I thought
Malta,
Netherlands and
Australia were going to do better. Liked
Italy a lot.
Cyprus had too much dancing.
Russia will be pleased beating
Ukraine. It’s becoming too much like a mini version of the adult contest – they are talented kids but its loosing its charm.
And what a weekly poll! Good Lord! What a choice to make! The agony!