Originally Posted by Torch81:
“Have to say, that was a pretty excellent 'Big Hits of '82' show. And much better than the 'Story of...' show earlier. Generally very good stuff. Utter highlight The Associates, closely followed for me by Joan Jett and Bow Wow Wow. But where were Soft Cell.
They ruled '82. I wanted 'Say Hello...' or 'Torch' where Marc did a duet with his then drug dealer or 'What' where he attempts to playfully whip a black guy dancing at the front with his microphone lead. And then the later in the year 'Where The Heart Is' performance which was great but ultimately the start of their decline and attempt to move away from the Smash Hits crowd onto the NME one. Hopefully they'll all be up coming highlights though.”
“Have to say, that was a pretty excellent 'Big Hits of '82' show. And much better than the 'Story of...' show earlier. Generally very good stuff. Utter highlight The Associates, closely followed for me by Joan Jett and Bow Wow Wow. But where were Soft Cell.
They ruled '82. I wanted 'Say Hello...' or 'Torch' where Marc did a duet with his then drug dealer or 'What' where he attempts to playfully whip a black guy dancing at the front with his microphone lead. And then the later in the year 'Where The Heart Is' performance which was great but ultimately the start of their decline and attempt to move away from the Smash Hits crowd onto the NME one. Hopefully they'll all be up coming highlights though.”
Given that the Story Of 1982, only has limited time, i thought the show, for the hour it was on, really couldn't have been any better. Personally, perhaps, i would have liked to see Musical Youth feature, but i feel the general tone, and the acts that were included seemed pretty spot on. It was good to see the members of Pigbag, and Shakatak, coming from a slightly different angle with their views on the Top Of The Pops party atmosphere, and i thought that Foster and Allen were a nice touch too. The vibrancy of the Top Of The Pops studio definitely suited some acts more than others. It was good for the show to address that, and it diminishes my thought with the last two Story Of's.....that the documentaries were pro Hurll, at the expense of the Nash era. This show redressed the balanced somewhat.
Also, to a large degree with these Story Of.... documentaries, many of the years have heralded major breakthroughs, whether it be punk/new wave, the use of video and MTV etc. Possibly 1982 is the first year where there seemed little of any large significance of change to report. The Story Of.... still managed to produce a show, though, that was of interest from start to finish. Of course, there were some memorable individual new acts like Yazoo, Wham and Culture Club, who all definitely made their mark.
Pop in 81, with the New Romantics, threatened at times to become rather too arty and pretentious for me. 1982, shows a relaxing of the need to push so far in that direction, which in a way i liked. True, in many ways compared with the previous two years the music did become more pure pop, and less deep, but it hadn't quite reached the stage of becoming over produced, or disposable yet. Also with the likes of Soft Cell's ''Say Hello, Wave Goodbye'', and The Associates ''Party Fears Two'', as well as Japan's ''Ghosts'' who's sound did seem a little more innovative and original, there were still more than the odd act who were prepared to buck the trend. I also thought Culture Club's No 1 was really bright and refreshing. I really don't think they ever quite matched the greatness of ''Do You Really Want To Hurt Me?'' in the years that followed. Boy George at the outset of his career, visually and musically, was full of charm. His group's take on the gentle reggae rhythms was a real highlight of the year, for me.
Jeffrey Daniels dancing, and especially the part that would later be known as the moonwalk, by Michael Jackson, did impress me, more than Michael's own interpretation the following year. It was great to see the performance of Patrice Rushen's ''Forget Me Nots'' too, in the hits compilation. Many of my favourite tracks from 82, come from the soul/funk/dance genre. Despite that, i think i may find it difficult to stomach all that Michael Hurll decides to throw at these performances, which seems a completely unneccessary distraction.




Some superb songs to come during this year.
”