Originally Posted by highlander1969:
“Another great review Andy.
”
“Another great review Andy.
”
Thank you Sir!
More to follow when I've caught up with the twice-Weekly pace & I'm not so bleary eyed from thirst-quenching Football related activity
Top Of The Pops 1982 - BBC4
37 of 549
Thank you Sir!
More to follow when I've caught up with the twice-Weekly pace & I'm not so bleary eyed from thirst-quenching Football related activity
Originally Posted by ClareB:
“Just checking in on this thread during my break and can't believe they've given TOTP the elbow for tennis
The unedited showing should be okay, though.”
“Just checking in on this thread during my break and can't believe they've given TOTP the elbow for tennis
The unedited showing should be okay, though.”
Like what you did there Clare, TOTP gets the tennis elbow!
Originally Posted by Andy_JS:
“Don't know if the BBC introducing new cameras for 1982. The quality of the picture seems to be better than it was in 1981, or maybe the type of tape using for storing the programmes improved.”
“Don't know if the BBC introducing new cameras for 1982. The quality of the picture seems to be better than it was in 1981, or maybe the type of tape using for storing the programmes improved.”
Unlikely, the two types of camera in BBC studios at this point were EMI 2001s installed in about 1969 and Link 110s in about 1977.
The videotape theory doesn't hold water either as whilst 2" Quad videotape was being replaced by 1" C-type videotape in 1982, I don't think BBC TV Centre had any 1" machines until late 1982.
I suppose it's just the way the camera or videotape equipment was set up in the "lining up" period just before this episode was recorded - each camera and videotape recorder back than had to go through a setup period where it was all finely tuned for the best performance. These usually took about half an hour and had to be done before *every* use (for VTRs, before every recording and then again before every playback!)
Or it could be the way the videotape machine was set up when these were being transferred from their original videotape formats to more modern formats in the 90s and noughties.
Originally Posted by highlander1969:
“I thought that at the very beginning of this edition. It seemed sharper.
And then we get the Meat Loaf video. I wonder why those American videos from the '79-82 era had that poor picture quality.”
“I thought that at the very beginning of this edition. It seemed sharper.
And then we get the Meat Loaf video. I wonder why those American videos from the '79-82 era had that poor picture quality.”
Because of the quality of electronic standards converters between the American (analogue) NTSC system and the Western Europe (analogue) PAL system.
So what they would do is shoot these videos on film, then either edit them on film and then transfer to videotape or transfer all the shots to videotape and then edit it using videotape methods.
Then this videotape copy would then be passed through a standards converter for other TV systems when making copies for other countries, so a recorder playing it back in NTSC format, the output into a converter then the output of that converter being recorded by a machine in either the PAL or SECAM systems.
So all in all a pretty poor quality picture.
If the BBC had received a film copy of the track instead of a videotape copy of something recorded on film, the picture quality would have been much better, but it seems the American distributors were only willing to ship VT copies.
Originally Posted by AidanLunn:
“Because of the quality of electronic standards converters between the American (analogue) NTSC system and the Western Europe (analogue) PAL system.
So what they would do is shoot these videos on film, then either edit them on film and then transfer to videotape or transfer all the shots to videotape and then edit it using videotape methods.
Then this videotape copy would then be passed through a standards converter for other TV systems when making copies for other countries, so a recorder playing it back in NTSC format, the output into a converter then the output of that converter being recorded by a machine in either the PAL or SECAM systems.
So all in all a pretty poor quality picture.
If the BBC had received a film copy of the track instead of a videotape copy of something recorded on film, the picture quality would have been much better, but it seems the American distributors were only willing to ship VT copies.”
“Because of the quality of electronic standards converters between the American (analogue) NTSC system and the Western Europe (analogue) PAL system.
So what they would do is shoot these videos on film, then either edit them on film and then transfer to videotape or transfer all the shots to videotape and then edit it using videotape methods.
Then this videotape copy would then be passed through a standards converter for other TV systems when making copies for other countries, so a recorder playing it back in NTSC format, the output into a converter then the output of that converter being recorded by a machine in either the PAL or SECAM systems.
So all in all a pretty poor quality picture.
If the BBC had received a film copy of the track instead of a videotape copy of something recorded on film, the picture quality would have been much better, but it seems the American distributors were only willing to ship VT copies.”
I remember in the mid 80s a newspaper feature talking about complaints from BBC viewers about the poor picture of the American soap Dallas. The newer tv sets were by then capable of very good pictures, and the standards transfer of the time really showed up quite badly on-screen.
Originally Posted by kwynne42:
“Where is it because I was looking out, saw nothing.
Did Meat Loaf and Cher not like each other? because they were never on screen at the same time, just a back shot of an actor in a wig playing meat loaf.”
“Where is it because I was looking out, saw nothing.
Did Meat Loaf and Cher not like each other? because they were never on screen at the same time, just a back shot of an actor in a wig playing meat loaf.”
They cut if off before they got to the bit where the two of them climb onto the bar with the naked lady picture behind them!
Originally Posted by Lab:
“Think it was to do with different video standards, NTSC (US and South America) vs PAL (Nearly everyone else)
Shamelessly copied and pasted...
"NTSC is the video system or standard used in North America and most of South America. In NTSC, 30 frames are transmitted each second. Each frame is made up of 525 individual scan lines.
PAL is the predominant video system or standard mostly used overseas. In PAL, 25 frames are transmitted each second. Each frame is made up of 625 individual scan lines."
Since the early 1990s a better quality conversion has apparently been achievable, but not in the dark ages of the early 1980s, despite the gold lame suits.”
“Think it was to do with different video standards, NTSC (US and South America) vs PAL (Nearly everyone else)
Shamelessly copied and pasted...
"NTSC is the video system or standard used in North America and most of South America. In NTSC, 30 frames are transmitted each second. Each frame is made up of 525 individual scan lines.
PAL is the predominant video system or standard mostly used overseas. In PAL, 25 frames are transmitted each second. Each frame is made up of 625 individual scan lines."
Since the early 1990s a better quality conversion has apparently been achievable, but not in the dark ages of the early 1980s, despite the gold lame suits.”
Originally Posted by AidanLunn:
“Unlikely, the two types of camera in BBC studios at this point were EMI 2001s installed in about 1969 and Link 110s in about 1977.
The videotape theory doesn't hold water either as whilst 2" Quad videotape was being replaced by 1" C-type videotape in 1982, I don't think BBC TV Centre had any 1" machines until late 1982.
I suppose it's just the way the camera or videotape equipment was set up in the "lining up" period just before this episode was recorded - each camera and videotape recorder back than had to go through a setup period where it was all finely tuned for the best performance. These usually took about half an hour and had to be done before *every* use (for VTRs, before every recording and then again before every playback!)
Or it could be the way the videotape machine was set up when these were being transferred from their original videotape formats to more modern formats in the 90s and noughties.”
“Unlikely, the two types of camera in BBC studios at this point were EMI 2001s installed in about 1969 and Link 110s in about 1977.
The videotape theory doesn't hold water either as whilst 2" Quad videotape was being replaced by 1" C-type videotape in 1982, I don't think BBC TV Centre had any 1" machines until late 1982.
I suppose it's just the way the camera or videotape equipment was set up in the "lining up" period just before this episode was recorded - each camera and videotape recorder back than had to go through a setup period where it was all finely tuned for the best performance. These usually took about half an hour and had to be done before *every* use (for VTRs, before every recording and then again before every playback!)
Or it could be the way the videotape machine was set up when these were being transferred from their original videotape formats to more modern formats in the 90s and noughties.”
Originally Posted by AidanLunn:
“Because of the quality of electronic standards converters between the American (analogue) NTSC system and the Western Europe (analogue) PAL system.
So what they would do is shoot these videos on film, then either edit them on film and then transfer to videotape or transfer all the shots to videotape and then edit it using videotape methods.
Then this videotape copy would then be passed through a standards converter for other TV systems when making copies for other countries, so a recorder playing it back in NTSC format, the output into a converter then the output of that converter being recorded by a machine in either the PAL or SECAM systems.
So all in all a pretty poor quality picture.
If the BBC had received a film copy of the track instead of a videotape copy of something recorded on film, the picture quality would have been much better, but it seems the American distributors were only willing to ship VT copies.”
“Because of the quality of electronic standards converters between the American (analogue) NTSC system and the Western Europe (analogue) PAL system.
So what they would do is shoot these videos on film, then either edit them on film and then transfer to videotape or transfer all the shots to videotape and then edit it using videotape methods.
Then this videotape copy would then be passed through a standards converter for other TV systems when making copies for other countries, so a recorder playing it back in NTSC format, the output into a converter then the output of that converter being recorded by a machine in either the PAL or SECAM systems.
So all in all a pretty poor quality picture.
If the BBC had received a film copy of the track instead of a videotape copy of something recorded on film, the picture quality would have been much better, but it seems the American distributors were only willing to ship VT copies.”
Originally Posted by ianradioian:
“I remember in the mid 80s a newspaper feature talking about complaints from BBC viewers about the poor picture of the American soap Dallas. The newer tv sets were by then capable of very good pictures, and the standards transfer of the time really showed up quite badly on-screen.”
“I remember in the mid 80s a newspaper feature talking about complaints from BBC viewers about the poor picture of the American soap Dallas. The newer tv sets were by then capable of very good pictures, and the standards transfer of the time really showed up quite badly on-screen.”
Thanks for the comments.
Originally Posted by kwynne42:
“I take it Mr Purvey Kings slot wasn't on this ep”
“I take it Mr Purvey Kings slot wasn't on this ep”
No, King didn't feature on last night's edition so didn't have to be edited out.
He features on tonights show though. 2 editions back he was edited out of both screenings so don't expect him to appear tonight.
Strangely, my tv guide suggests the 3 songs he will feature are included in the lineup. As it's only 30 minutes for both shows I'm almost certain he won't be on though.
Jay Aston was only 20 thats only 3 years older than me then ! If only I'd known I might have given Jay a phonecall ( deluded dreams )
Anyway back to reality with OMD and their naff song it reminds me of seeing them live in 83 when I was the only one dancing to that song, much to the annoyance of the people near me in a very overcrowded audience.
XTCs song hasn't become outdated like some others of their back catalogue, still a goldie.
Anyway back to reality with OMD and their naff song it reminds me of seeing them live in 83 when I was the only one dancing to that song, much to the annoyance of the people near me in a very overcrowded audience.
XTCs song hasn't become outdated like some others of their back catalogue, still a goldie.
I'd give last night's edition a 7 and three quarters, an extra quarter for it being the Kid in charge, not Mike Read.
Not off to a good start with Gillan. I don't mind a loud rock song but not if I can't make out nearly all of the lyrics. It's not like they're appealling to look at to make up for this - where were the dancers to obscure them!
At least things improved with Jon and Vaneglis, even though their performance was a repeat.
Not that keen on the Yellow Pearl video, but it was better than seeing the dancers. Whenever I hear this, I can't resist prentending I'm a TOTP presenter and doing a fake 80s chart countdown.
Talking of TOTP presenters, the curse strikes again, with Kid confidently predicteding Drowining In Berlin won't be the Mobiles last hit.
Meatloaf and Cher video again, cut for timing issues this time, or deliberately censored?
I'm not that familiar with Ticket To The Moon and found it quite dreary. The dacne routine didn't do much to hold my interest either.
Love Senses Working Overtime! I always think of it being used in the Rock And Roll Years over footage over the freezing weather the UK was having at the time - "and buses might skid on black ice".
I wouldn't mind Maid Of Orleans if it wasn't for the unlistenable intro that sounds like a video game loading. Andy McCluskey's dancing is always fun to watch, though.
I've never got round to seeing the film, but I do think Arthur's Theme is a lovely sung really well sung. Definitely one of the very few highlights in this show for me.
I youtubed the Foreigner video to see if there was any reason why they only played it from the second verse but there was nothing that needed to be censored. I can only assume there was problems with the quality of the video tape at the beginning - not that the rest is great.
Great to see Land Of Make Believe at no. 1 but I can't understand why they repeated the "panto" performance with the Christmas background, rather than the one from the previous week's yewtreed performance.
Good choice of Shakatak's Easier Said Than Done as the play-out tune,
Not off to a good start with Gillan. I don't mind a loud rock song but not if I can't make out nearly all of the lyrics. It's not like they're appealling to look at to make up for this - where were the dancers to obscure them!
At least things improved with Jon and Vaneglis, even though their performance was a repeat.
Not that keen on the Yellow Pearl video, but it was better than seeing the dancers. Whenever I hear this, I can't resist prentending I'm a TOTP presenter and doing a fake 80s chart countdown.
Talking of TOTP presenters, the curse strikes again, with Kid confidently predicteding Drowining In Berlin won't be the Mobiles last hit.
Meatloaf and Cher video again, cut for timing issues this time, or deliberately censored?
I'm not that familiar with Ticket To The Moon and found it quite dreary. The dacne routine didn't do much to hold my interest either.
Love Senses Working Overtime! I always think of it being used in the Rock And Roll Years over footage over the freezing weather the UK was having at the time - "and buses might skid on black ice".
I wouldn't mind Maid Of Orleans if it wasn't for the unlistenable intro that sounds like a video game loading. Andy McCluskey's dancing is always fun to watch, though.
I've never got round to seeing the film, but I do think Arthur's Theme is a lovely sung really well sung. Definitely one of the very few highlights in this show for me.
I youtubed the Foreigner video to see if there was any reason why they only played it from the second verse but there was nothing that needed to be censored. I can only assume there was problems with the quality of the video tape at the beginning - not that the rest is great.
Great to see Land Of Make Believe at no. 1 but I can't understand why they repeated the "panto" performance with the Christmas background, rather than the one from the previous week's yewtreed performance.
Good choice of Shakatak's Easier Said Than Done as the play-out tune,
Originally Posted by ClareB:
“Love Senses Working Overtime! I always think of it being used in the Rock And Roll Years over footage over the freezing weather the UK was having at the time - "and buses might skid on black ice".”
“Love Senses Working Overtime! I always think of it being used in the Rock And Roll Years over footage over the freezing weather the UK was having at the time - "and buses might skid on black ice".”
That line was actually edited out of the single version (which only has "and birds might fall from black skies" and "and bullies might give you black eyes")!
Originally Posted by ianradioian:
“I remember in the mid 80s a newspaper feature talking about complaints from BBC viewers about the poor picture of the American soap Dallas. The newer tv sets were by then capable of very good pictures, and the standards transfer of the time really showed up quite badly on-screen.”
“I remember in the mid 80s a newspaper feature talking about complaints from BBC viewers about the poor picture of the American soap Dallas. The newer tv sets were by then capable of very good pictures, and the standards transfer of the time really showed up quite badly on-screen.”
I believe I have heard about that, I think it was - like the Meatloaf video - down to being shot on film, then transferred to videotape at some point before broadcast. Apparently the Dallas production team changed to transmitting from videotape. If the Dallas distributors decided to distribute on videotape then that was their decision, not the BBC's, so what I think would have happened was that the BBC would have alerted the distributors to all these complaints (whether they got complaints from other broadcasters I don't know) and I think the distributors eventually relented and went back to distributing on film for those broadcasters that were willing to pay for them on film.
Certainly the BBC, having pro/broadcast quality monitors and other equipment, would have been even more aware of the shortcomings of the picture quality than the viewers, a top £50K Sony broadcast monitor would display a much better picture than most if not all domestic television sets at the time.
One consequence of the Jonathan King segments being edited out is that there will be a few US songs appearing in the charts shortly which will seem to have come out of nowhere, e.g. J.Geils Band "Centerfold", which would probably have got nowhere near our top 40 had JK not featured it in his roundup.
Looking ahead a few weeks - what on earth is this - a Bucks Fizz parody? No memory at all of it.
CHAMPAGNE D’ORANGE – C’est Seulement Une Wynd Oop (video)
Looking ahead a few weeks - what on earth is this - a Bucks Fizz parody? No memory at all of it.
CHAMPAGNE D’ORANGE – C’est Seulement Une Wynd Oop (video)
It would make an interesting survey to find out how many of us watch in HD, or SD. Personally, i switched to HD in the last six months, and while i'd definitely say the picture was an improvement on SD, it is generally nowhere near more general HD quality. In fact with some episodes i can only spot a marginal difference (HD always appears much smoother), but for extra detail, i don't believe HD offers much advancement. However, i thought the episode from last night, from the outset in HD, was the sharpest i have seen up until now.
Originally Posted by ClareB:
“I'd give last night's edition a 7 and three quarters, an extra quarter for it being the Kid in charge, not Mike Read.”
“I'd give last night's edition a 7 and three quarters, an extra quarter for it being the Kid in charge, not Mike Read.”
Yes Clare, i'd certainly agree with your rating for this episode, and i like the extra quarter you give for Kid taking on the presenting, and not as originally planned, Mike Read. Kid isn't quite at his best here, because i think he works more effectively when he's a little more relaxed (and less harassed by the party atmosphere), but he's definitely better than his previous rather shouty live Christmas Eve edition. Even when he's not as good as he could be, he's still better than many of the other Top Of The Pops presenters (although i possibly thought DLT was superior the previous week).
It is rare to go three weeks without one or two tracks i have strong reservations about, but i think for consistency, these first three episodes of 1982 have all been pretty good, and that's well above average, for me. Personally, i don't mind the Gillan track ''Restless''. I find this track rather more interesting, than many of their other heavy rock numbers, and it strikes me as being perhaps a little less cliched, too.
I am going to go slightly against popular opinion in not being as blown away by Phil Lynott's ''Yellow Pearl'', and XTC's ''Senses Working Overtime'', although i certainly don't mind them. I am a bigger fan of Thin Lizzy songs like ''Sarah'' and ''Dancin' In The Moonlight'', although i like ''Yellow Pearl'' more than some of Lizzy's more macho type songs. I think i also have a strong preference for XTC's ''Making Plans For Nigel'' over ''Senses Working Overtime''. Sometimes i believe i am not the biggest fan of Andy Partridge's voice. ELO have definitely done much better than ''Ticket To The Moon'', too.
AOR, during 1981, i believe, hadn't quite gone as bland and overwrought as it would in the years that followed. I quite like Foreigner's ''Waiting For A Girl Like You'', and Christopher Cross' ''Arthur's Theme'' (i never did get to see the film!). I believe Burt Bacharach had a hand in the writing of the song with Chris (amongst others). It is not nearly as subtle as Burt's work from the sixties, but is still nice, and Chris does a good job of singing it.
I am also pleased in the last couple of shows we've had a little respite, from the full on party atmosphere. It isn't too much of an issue when discretion is used a little more in when it is applicable. However, this wouldn't prove to be true for the immediate months/years ahead, unfortunately.
Countdown Capers
Top of the Pops 14th January 1982
Following last Weeks' display of Circus/Fairground-themed events which are now permanently etched in my cerebral cortex and not in a good way, a marginally more restrained & dignified event this episode as our head Zoo-keeper for this evening's entertainment is the stoic DLT.
Armed with a compact to shine at the viewing audience to drive home the point, the first turn tonight is...
(4) DOLLAR – Mirror Mirror (Mon Amour)
DLT does some superb 'Dad-Dancing' to the intro and we're off!
Wearing a lovely pink bow also used when wrapping a small family hatchback on delivery from a car dealership to one careful lady owner, the gift that keeps on giving in the shape of Thereze gives a typically enthusiastic and happy performance whilst Mr. vD is allocated the bow that's shrunk in the wash, as the big one would just look daft on him.
The lyrics 'and I want you to know that I like what I see' are hard to contest, even if DvD did take the title of the track somewhat literally at times.
A solid opener, great song with a fabulous hook & confident performance to match.
Mirrors aloft!
(57) ELKIE BROOKS – Fool If You Think It’s Over
DLT informs us in no uncertain terms he adores both the singer and song, and with her silky smooth live vocals it's hard to disagree. Going for a 'straight from the hack' look with the horse presumably tethered outside the studio, it's no wonder the Two Ronnies employed EB's services for such a long while as she always delivers, and whilst not my first choice of music I can appreciate her output. The studio audience totally perplexed throughout, but I thought overall a good job.
I may have spoke too soon of the demise of the Circus/fairground theme, as DLT has some seriously hairy competition from another escapee from the TOTP enclosure.
An enthusiastic sabre-toothed tiger this time, who's been released from captivity in time for...
(13) SHAKIN’ STEVENS – Oh Julie
Shaky doesn't get much of a look in for this performance as he's subject to some serious videobombing with little mercy. One giddy stage-squatter even seems to have taken up permanent residence on the stage. No respect these young 'uns!
The instrumental break gives an opportunity for Oh Julie Zoo (one of the Page 3 stunnas?) to do a solo jig, egged on by a Fairbrass in camouflage whilst Shaky gets on with his own business with the aid of his Shaky legs. The floor manager eventually twigs the giddy stage-squatter and orders her to schnell, giving Shaky the opportunity to take his rightful place in the spotlight. The guy's a trooper!
Prior to the next turn, DLT puts his personal safety at great risk by teasing a traumatised gorilla, maybe the same one that does Phil Collins' drumming. DLT's no Dian Fossey that's for sure, but the gorilla gives an indication he's a fan of the next band so no harm done...
(7) ALTERED IMAGES – I Could Be Happy
DLT throws down the gauntlet to the camera crew who struggle to keep up with the bouncy & delightful Ms. Grogan, so DLT won that bet easily. The camera crew didn't stand a chance & the gorilla enjoyed it too! Bonus!
Revisiting the back catalogue of Altered Images has been a pleasure in the last few Weeks, a sorely underrated band. Pinky Blue & Bite worth revisiting, although a cover of "Song Sung Blue" a blot on an otherwise relatively blemish-free copybook I feel.
(25) THE STRANGLERS – Golden Brown
The Stranglers have a harpsichord and they're not afraid to use it!
Resistance is futile to this meandering piece, dream-like in melody and soothing to the soul although the band haven't taken heed of the lyrics 'never a frown', probably because they've got mild hypothermia as Herr Hurll's attacking them with his stock of dry ice on a cold January Thursday. At least Zoo could dance around to keep warm.
Shivering on...
(3) KOOL & THE GANG – Get Down On It
This headache-inducing video from Kool & the Gang is never an enjoyable experience, and time hasn't improved matters. Happily, most of their music on the other hand I still enjoy, this track being no exception even though I'm sure Jedikiah must have winced at the studio "Woos" throughout the studio dancing sections.
If anyone finds out what the 'It' is in "Get Down on It" please post but keep it clean! A great track but a studio performance would've been much better.
DLT congratulates the Team Disco Champions 1981 (Amateur), & 'encourages' the lead dancer into declaring Zoo are his favourite (Professional?) dance troupe, presumably under considerable duress as otherwise gorilla, sabre-toothed tiger, not to mention Elkie Brooks' horse will be unleashed on 'em!
(23) THE FOUR TOPS – Don’t Walk Away
Oops! The telly's not fully recovered from the Kool & the Gang video, the wonky intro pans back to a couple of Zoo males, one of them forgetting their Zoo kit & having to perform in someone else's underpants whilst the rest look like they've had a good rummage through lost property as no colour co-ordination is present.
Another winning track from the Four Tops & another one I'd nearly forgotten about.
(20) BROWN SAUCE – I Wanna Be A Winner
Is it Saturday already? The Fun Sauce Three are on the Pops in video form with their aspirational ditty highlighting the icons of the day (though I always thought the lyrics 'On Safari with the Biggins' should've been used to juxtapose Hurricane Higgins). There's a phrase you don't see very often, and the sauce were very wise indeed in hindsight not to 'Go Nationwide with Frank Bough'.
I'm still waiting for Cheggers to rock up at the Bay Leisure Centre so I can offload my Stretch Armstrong, who's never been the same since he was involved in a tug of war between our garage door and the tow bar of my Dad's Triumph Acclaim, though I suspect I'm a little optimistic wanting a three-bedroom property in the Cotswolds complete with thatched roof, but I digress.
A few questions I have are:
Can Noel really play the drums & keyboards?
Was that real champagne Noel was shaking furiously & was a full risk assessment completed pre-shake?
How fine is Maggie Philbin?
and what the heck is an 'Eric'?
(10) KRAFTWERK – The Model
Unbelievably 3 Years old by this point, Kraftwerk finally got the recognition they deserved with this stunning piece of electronica, together with the equally good flipside Computer Love. "The Man Machine" album, along with the much sampled "Trans-Europe Express" still remain IMO a blueprint for modern music, even after nearly 40 Years and are rightly lauded. For officionados of Electro, the Francois Kevorkian 12'' Remix of "Tour de France" takes some beating. Fabulous.
(1) BUCKS FIZZ – The Land Of Make Believe
Bookended with Dollar at the start, pop was in a rich vein of form during this time and 'ver Fizz were right at the top of their game. Confidence exuding for this performance with plenty of running on the spot (for the Sun newspaper?), they'd even borrowed Ken Barlow's entire Kimono collection to celebrate, though presumably on a short-term contract.
I'd concede Rita does rock the kimono (Clash song?), but still Team Jay I'm afraid as with Jay less is most certainly more, but on the strength of this you'd be churlish not to want to visit 'the Land of Make Believe' accompanied by the Fizz. Just edit the annoying twee kid out of the ending.
An outnumbered DLT has no further opportunity for any Dad-dancing save waving a lone balloon while he's Being Boiled, whilst the Floor Manager's Blood Boiled as his orders from Herr Hurll require the studio audience to, and I quote, "MOOOVE IIIIIT".
The Team Disco Champions 1981 (Amateur) duly oblige, waving a TOTP Red Flag.
The revolution has been televised, and another episode is in the can.
Overall rating 8.5/10 due to the lack of respect for the much maligned Shaky and the ruination of the Four Tops by Zoo, but a plus that no animals or Team Disco Champions 1981 (Amateur) were harmed during the production of this episode.
Tune in tonight for more countdown capers pop pickers!
Top of the Pops 14th January 1982
Following last Weeks' display of Circus/Fairground-themed events which are now permanently etched in my cerebral cortex and not in a good way, a marginally more restrained & dignified event this episode as our head Zoo-keeper for this evening's entertainment is the stoic DLT.
Armed with a compact to shine at the viewing audience to drive home the point, the first turn tonight is...
(4) DOLLAR – Mirror Mirror (Mon Amour)
DLT does some superb 'Dad-Dancing' to the intro and we're off!
Wearing a lovely pink bow also used when wrapping a small family hatchback on delivery from a car dealership to one careful lady owner, the gift that keeps on giving in the shape of Thereze gives a typically enthusiastic and happy performance whilst Mr. vD is allocated the bow that's shrunk in the wash, as the big one would just look daft on him.
The lyrics 'and I want you to know that I like what I see' are hard to contest, even if DvD did take the title of the track somewhat literally at times.
A solid opener, great song with a fabulous hook & confident performance to match.
Mirrors aloft!
(57) ELKIE BROOKS – Fool If You Think It’s Over
DLT informs us in no uncertain terms he adores both the singer and song, and with her silky smooth live vocals it's hard to disagree. Going for a 'straight from the hack' look with the horse presumably tethered outside the studio, it's no wonder the Two Ronnies employed EB's services for such a long while as she always delivers, and whilst not my first choice of music I can appreciate her output. The studio audience totally perplexed throughout, but I thought overall a good job.
I may have spoke too soon of the demise of the Circus/fairground theme, as DLT has some seriously hairy competition from another escapee from the TOTP enclosure.
An enthusiastic sabre-toothed tiger this time, who's been released from captivity in time for...
(13) SHAKIN’ STEVENS – Oh Julie
Shaky doesn't get much of a look in for this performance as he's subject to some serious videobombing with little mercy. One giddy stage-squatter even seems to have taken up permanent residence on the stage. No respect these young 'uns!
The instrumental break gives an opportunity for Oh Julie Zoo (one of the Page 3 stunnas?) to do a solo jig, egged on by a Fairbrass in camouflage whilst Shaky gets on with his own business with the aid of his Shaky legs. The floor manager eventually twigs the giddy stage-squatter and orders her to schnell, giving Shaky the opportunity to take his rightful place in the spotlight. The guy's a trooper!
Prior to the next turn, DLT puts his personal safety at great risk by teasing a traumatised gorilla, maybe the same one that does Phil Collins' drumming. DLT's no Dian Fossey that's for sure, but the gorilla gives an indication he's a fan of the next band so no harm done...
(7) ALTERED IMAGES – I Could Be Happy
DLT throws down the gauntlet to the camera crew who struggle to keep up with the bouncy & delightful Ms. Grogan, so DLT won that bet easily. The camera crew didn't stand a chance & the gorilla enjoyed it too! Bonus!
Revisiting the back catalogue of Altered Images has been a pleasure in the last few Weeks, a sorely underrated band. Pinky Blue & Bite worth revisiting, although a cover of "Song Sung Blue" a blot on an otherwise relatively blemish-free copybook I feel.
(25) THE STRANGLERS – Golden Brown
The Stranglers have a harpsichord and they're not afraid to use it!
Resistance is futile to this meandering piece, dream-like in melody and soothing to the soul although the band haven't taken heed of the lyrics 'never a frown', probably because they've got mild hypothermia as Herr Hurll's attacking them with his stock of dry ice on a cold January Thursday. At least Zoo could dance around to keep warm.
Shivering on...
(3) KOOL & THE GANG – Get Down On It
This headache-inducing video from Kool & the Gang is never an enjoyable experience, and time hasn't improved matters. Happily, most of their music on the other hand I still enjoy, this track being no exception even though I'm sure Jedikiah must have winced at the studio "Woos" throughout the studio dancing sections.
If anyone finds out what the 'It' is in "Get Down on It" please post but keep it clean! A great track but a studio performance would've been much better.
DLT congratulates the Team Disco Champions 1981 (Amateur), & 'encourages' the lead dancer into declaring Zoo are his favourite (Professional?) dance troupe, presumably under considerable duress as otherwise gorilla, sabre-toothed tiger, not to mention Elkie Brooks' horse will be unleashed on 'em!
(23) THE FOUR TOPS – Don’t Walk Away
Oops! The telly's not fully recovered from the Kool & the Gang video, the wonky intro pans back to a couple of Zoo males, one of them forgetting their Zoo kit & having to perform in someone else's underpants whilst the rest look like they've had a good rummage through lost property as no colour co-ordination is present.
Another winning track from the Four Tops & another one I'd nearly forgotten about.
(20) BROWN SAUCE – I Wanna Be A Winner
Is it Saturday already? The Fun Sauce Three are on the Pops in video form with their aspirational ditty highlighting the icons of the day (though I always thought the lyrics 'On Safari with the Biggins' should've been used to juxtapose Hurricane Higgins). There's a phrase you don't see very often, and the sauce were very wise indeed in hindsight not to 'Go Nationwide with Frank Bough'.
I'm still waiting for Cheggers to rock up at the Bay Leisure Centre so I can offload my Stretch Armstrong, who's never been the same since he was involved in a tug of war between our garage door and the tow bar of my Dad's Triumph Acclaim, though I suspect I'm a little optimistic wanting a three-bedroom property in the Cotswolds complete with thatched roof, but I digress.
A few questions I have are:
Can Noel really play the drums & keyboards?
Was that real champagne Noel was shaking furiously & was a full risk assessment completed pre-shake?
How fine is Maggie Philbin?
and what the heck is an 'Eric'?
(10) KRAFTWERK – The Model
Unbelievably 3 Years old by this point, Kraftwerk finally got the recognition they deserved with this stunning piece of electronica, together with the equally good flipside Computer Love. "The Man Machine" album, along with the much sampled "Trans-Europe Express" still remain IMO a blueprint for modern music, even after nearly 40 Years and are rightly lauded. For officionados of Electro, the Francois Kevorkian 12'' Remix of "Tour de France" takes some beating. Fabulous.
(1) BUCKS FIZZ – The Land Of Make Believe
Bookended with Dollar at the start, pop was in a rich vein of form during this time and 'ver Fizz were right at the top of their game. Confidence exuding for this performance with plenty of running on the spot (for the Sun newspaper?), they'd even borrowed Ken Barlow's entire Kimono collection to celebrate, though presumably on a short-term contract.
I'd concede Rita does rock the kimono (Clash song?), but still Team Jay I'm afraid as with Jay less is most certainly more, but on the strength of this you'd be churlish not to want to visit 'the Land of Make Believe' accompanied by the Fizz. Just edit the annoying twee kid out of the ending.
An outnumbered DLT has no further opportunity for any Dad-dancing save waving a lone balloon while he's Being Boiled, whilst the Floor Manager's Blood Boiled as his orders from Herr Hurll require the studio audience to, and I quote, "MOOOVE IIIIIT".
The Team Disco Champions 1981 (Amateur) duly oblige, waving a TOTP Red Flag.
The revolution has been televised, and another episode is in the can.
Overall rating 8.5/10 due to the lack of respect for the much maligned Shaky and the ruination of the Four Tops by Zoo, but a plus that no animals or Team Disco Champions 1981 (Amateur) were harmed during the production of this episode.
Tune in tonight for more countdown capers pop pickers!
Enjoyed reading your reviews Clare and Jedikiah.
EDIT: Just as Andy's one pops up! Give me a few minutes.
EDIT: Just as Andy's one pops up! Give me a few minutes.
Evening again! I think I've seen this episode before in the 90s when it was on UK Gold. I didn't have satellite at that time but someone lent me the video.
Originally Posted by andyd1302:
“Countdown Capers
Top of the Pops 14th January 1982
Following last Weeks' display of Circus/Fairground-themed events which are now permanently etched in my cerebral cortex and not in a good way, a marginally more restrained & dignified event this episode as our head Zoo-keeper for this evening's entertainment is the stoic DLT.
Armed with a compact to shine at the viewing audience to drive home the point, the first turn tonight is...
(4) DOLLAR – Mirror Mirror (Mon Amour)
DLT does some superb 'Dad-Dancing' to the intro and we're off!
Wearing a lovely pink bow also used when wrapping a small family hatchback on delivery from a car dealership to one careful lady owner, the gift that keeps on giving in the shape of Thereze gives a typically enthusiastic and happy performance whilst Mr. vD is allocated the bow that's shrunk in the wash, as the big one would just look daft on him.
The lyrics 'and I want you to know that I like what I see' are hard to contest, even if DvD did take the title of the track somewhat literally at times.
A solid opener, great song with a fabulous hook & confident performance to match.
Mirrors aloft!
(57) ELKIE BROOKS – Fool If You Think It’s Over
DLT informs us in no uncertain terms he adores both the singer and song, and with her silky smooth live vocals it's hard to disagree. Going for a 'straight from the hack' look with the horse presumably tethered outside the studio, it's no wonder the Two Ronnies employed EB's services for such a long while as she always delivers, and whilst not my first choice of music I can appreciate her output. The studio audience totally perplexed throughout, but I thought overall a good job.
I may have spoke too soon of the demise of the Circus/fairground theme, as DLT has some seriously hairy competition from another escapee from the TOTP enclosure.
An enthusiastic sabre-toothed tiger this time, who's been released from captivity in time for...
(13) SHAKIN’ STEVENS – Oh Julie
Shaky doesn't get much of a look in for this performance as he's subject to some serious videobombing with little mercy. One giddy stage-squatter even seems to have taken up permanent residence on the stage. No respect these young 'uns!
The instrumental break gives an opportunity for Oh Julie Zoo (one of the Page 3 stunnas?) to do a solo jig, egged on by a Fairbrass in camouflage whilst Shaky gets on with his own business with the aid of his Shaky legs. The floor manager eventually twigs the giddy stage-squatter and orders her to schnell, giving Shaky the opportunity to take his rightful place in the spotlight. The guy's a trooper!
Prior to the next turn, DLT puts his personal safety at great risk by teasing a traumatised gorilla, maybe the same one that does Phil Collins' drumming. DLT's no Dian Fossey that's for sure, but the gorilla gives an indication he's a fan of the next band so no harm done...
(7) ALTERED IMAGES – I Could Be Happy
DLT throws down the gauntlet to the camera crew who struggle to keep up with the bouncy & delightful Ms. Grogan, so DLT won that bet easily. The camera crew didn't stand a chance & the gorilla enjoyed it too! Bonus!
Revisiting the back catalogue of Altered Images has been a pleasure in the last few Weeks, a sorely underrated band. Pinky Blue & Bite worth revisiting, although a cover of "Song Sung Blue" a blot on an otherwise relatively blemish-free copybook I feel.
(25) THE STRANGLERS – Golden Brown
The Stranglers have a harpsichord and they're not afraid to use it!
Resistance is futile to this meandering piece, dream-like in melody and soothing to the soul although the band haven't taken heed of the lyrics 'never a frown', probably because they've got mild hypothermia as Herr Hurll's attacking them with his stock of dry ice on a cold January Thursday. At least Zoo could dance around to keep warm.
Shivering on...
(3) KOOL & THE GANG – Get Down On It
This headache-inducing video from Kool & the Gang is never an enjoyable experience, and time hasn't improved matters. Happily, most of their music on the other hand I still enjoy, this track being no exception even though I'm sure Jedikiah must have winced at the studio "Woos" throughout the studio dancing sections.
If anyone finds out what the 'It' is in "Get Down on It" please post but keep it clean! A great track but a studio performance would've been much better.
DLT congratulates the Team Disco Champions 1981 (Amateur), & 'encourages' the lead dancer into declaring Zoo are his favourite (Professional?) dance troupe, presumably under considerable duress as otherwise gorilla, sabre-toothed tiger, not to mention Elkie Brooks' horse will be unleashed on 'em!
(23) THE FOUR TOPS – Don’t Walk Away
Oops! The telly's not fully recovered from the Kool & the Gang video, the wonky intro pans back to a couple of Zoo males, one of them forgetting their Zoo kit & having to perform in someone else's underpants whilst the rest look like they've had a good rummage through lost property as no colour co-ordination is present.
Another winning track from the Four Tops & another one I'd nearly forgotten about.
(20) BROWN SAUCE – I Wanna Be A Winner
Is it Saturday already? The Fun Sauce Three are on the Pops in video form with their aspirational ditty highlighting the icons of the day (though I always thought the lyrics 'On Safari with the Biggins' should've been used to juxtapose Hurricane Higgins). There's a phrase you don't see very often, and the sauce were very wise indeed in hindsight not to 'Go Nationwide with Frank Bough'.
I'm still waiting for Cheggers to rock up at the Bay Leisure Centre so I can offload my Stretch Armstrong, who's never been the same since he was involved in a tug of war between our garage door and the tow bar of my Dad's Triumph Acclaim, though I suspect I'm a little optimistic wanting a three-bedroom property in the Cotswolds complete with thatched roof, but I digress.
A few questions I have are:
Can Noel really play the drums & keyboards?
Was that real champagne Noel was shaking furiously & was a full risk assessment completed pre-shake?
How fine is Maggie Philbin?
and what the heck is an 'Eric'?
(10) KRAFTWERK – The Model
Unbelievably 3 Years old by this point, Kraftwerk finally got the recognition they deserved with this stunning piece of electronica, together with the equally good flipside Computer Love. "The Man Machine" album, along with the much sampled "Trans-Europe Express" still remain IMO a blueprint for modern music, even after nearly 40 Years and are rightly lauded. For officionados of Electro, the Francois Kevorkian 12'' Remix of "Tour de France" takes some beating. Fabulous.
(1) BUCKS FIZZ – The Land Of Make Believe
Bookended with Dollar at the start, pop was in a rich vein of form during this time and 'ver Fizz were right at the top of their game. Confidence exuding for this performance with plenty of running on the spot (for the Sun newspaper?), they'd even borrowed Ken Barlow's entire Kimono collection to celebrate, though presumably on a short-term contract.
I'd concede Rita does rock the kimono (Clash song?), but still Team Jay I'm afraid as with Jay less is most certainly more, but on the strength of this you'd be churlish not to want to visit 'the Land of Make Believe' accompanied by the Fizz. Just edit the annoying twee kid out of the ending.
An outnumbered DLT has no further opportunity for any Dad-dancing save waving a lone balloon while he's Being Boiled, whilst the Floor Manager's Blood Boiled as his orders from Herr Hurll require the studio audience to, and I quote, "MOOOVE IIIIIT".
The Team Disco Champions 1981 (Amateur) duly oblige, waving a TOTP Red Flag.
The revolution has been televised, and another episode is in the can.
Overall rating 8.5/10 due to the lack of respect for the much maligned Shaky and the ruination of the Four Tops by Zoo, but a plus that no animals or Team Disco Champions 1981 (Amateur) were harmed during the production of this episode.
Tune in tonight for more countdown capers pop pickers!”
“Countdown Capers
Top of the Pops 14th January 1982
Following last Weeks' display of Circus/Fairground-themed events which are now permanently etched in my cerebral cortex and not in a good way, a marginally more restrained & dignified event this episode as our head Zoo-keeper for this evening's entertainment is the stoic DLT.
Armed with a compact to shine at the viewing audience to drive home the point, the first turn tonight is...
(4) DOLLAR – Mirror Mirror (Mon Amour)
DLT does some superb 'Dad-Dancing' to the intro and we're off!
Wearing a lovely pink bow also used when wrapping a small family hatchback on delivery from a car dealership to one careful lady owner, the gift that keeps on giving in the shape of Thereze gives a typically enthusiastic and happy performance whilst Mr. vD is allocated the bow that's shrunk in the wash, as the big one would just look daft on him.
The lyrics 'and I want you to know that I like what I see' are hard to contest, even if DvD did take the title of the track somewhat literally at times.
A solid opener, great song with a fabulous hook & confident performance to match.
Mirrors aloft!
(57) ELKIE BROOKS – Fool If You Think It’s Over
DLT informs us in no uncertain terms he adores both the singer and song, and with her silky smooth live vocals it's hard to disagree. Going for a 'straight from the hack' look with the horse presumably tethered outside the studio, it's no wonder the Two Ronnies employed EB's services for such a long while as she always delivers, and whilst not my first choice of music I can appreciate her output. The studio audience totally perplexed throughout, but I thought overall a good job.
I may have spoke too soon of the demise of the Circus/fairground theme, as DLT has some seriously hairy competition from another escapee from the TOTP enclosure.
An enthusiastic sabre-toothed tiger this time, who's been released from captivity in time for...
(13) SHAKIN’ STEVENS – Oh Julie
Shaky doesn't get much of a look in for this performance as he's subject to some serious videobombing with little mercy. One giddy stage-squatter even seems to have taken up permanent residence on the stage. No respect these young 'uns!
The instrumental break gives an opportunity for Oh Julie Zoo (one of the Page 3 stunnas?) to do a solo jig, egged on by a Fairbrass in camouflage whilst Shaky gets on with his own business with the aid of his Shaky legs. The floor manager eventually twigs the giddy stage-squatter and orders her to schnell, giving Shaky the opportunity to take his rightful place in the spotlight. The guy's a trooper!
Prior to the next turn, DLT puts his personal safety at great risk by teasing a traumatised gorilla, maybe the same one that does Phil Collins' drumming. DLT's no Dian Fossey that's for sure, but the gorilla gives an indication he's a fan of the next band so no harm done...
(7) ALTERED IMAGES – I Could Be Happy
DLT throws down the gauntlet to the camera crew who struggle to keep up with the bouncy & delightful Ms. Grogan, so DLT won that bet easily. The camera crew didn't stand a chance & the gorilla enjoyed it too! Bonus!
Revisiting the back catalogue of Altered Images has been a pleasure in the last few Weeks, a sorely underrated band. Pinky Blue & Bite worth revisiting, although a cover of "Song Sung Blue" a blot on an otherwise relatively blemish-free copybook I feel.
(25) THE STRANGLERS – Golden Brown
The Stranglers have a harpsichord and they're not afraid to use it!
Resistance is futile to this meandering piece, dream-like in melody and soothing to the soul although the band haven't taken heed of the lyrics 'never a frown', probably because they've got mild hypothermia as Herr Hurll's attacking them with his stock of dry ice on a cold January Thursday. At least Zoo could dance around to keep warm.
Shivering on...
(3) KOOL & THE GANG – Get Down On It
This headache-inducing video from Kool & the Gang is never an enjoyable experience, and time hasn't improved matters. Happily, most of their music on the other hand I still enjoy, this track being no exception even though I'm sure Jedikiah must have winced at the studio "Woos" throughout the studio dancing sections.
If anyone finds out what the 'It' is in "Get Down on It" please post but keep it clean! A great track but a studio performance would've been much better.
DLT congratulates the Team Disco Champions 1981 (Amateur), & 'encourages' the lead dancer into declaring Zoo are his favourite (Professional?) dance troupe, presumably under considerable duress as otherwise gorilla, sabre-toothed tiger, not to mention Elkie Brooks' horse will be unleashed on 'em!
(23) THE FOUR TOPS – Don’t Walk Away
Oops! The telly's not fully recovered from the Kool & the Gang video, the wonky intro pans back to a couple of Zoo males, one of them forgetting their Zoo kit & having to perform in someone else's underpants whilst the rest look like they've had a good rummage through lost property as no colour co-ordination is present.
Another winning track from the Four Tops & another one I'd nearly forgotten about.
(20) BROWN SAUCE – I Wanna Be A Winner
Is it Saturday already? The Fun Sauce Three are on the Pops in video form with their aspirational ditty highlighting the icons of the day (though I always thought the lyrics 'On Safari with the Biggins' should've been used to juxtapose Hurricane Higgins). There's a phrase you don't see very often, and the sauce were very wise indeed in hindsight not to 'Go Nationwide with Frank Bough'.
I'm still waiting for Cheggers to rock up at the Bay Leisure Centre so I can offload my Stretch Armstrong, who's never been the same since he was involved in a tug of war between our garage door and the tow bar of my Dad's Triumph Acclaim, though I suspect I'm a little optimistic wanting a three-bedroom property in the Cotswolds complete with thatched roof, but I digress.
A few questions I have are:
Can Noel really play the drums & keyboards?
Was that real champagne Noel was shaking furiously & was a full risk assessment completed pre-shake?
How fine is Maggie Philbin?
and what the heck is an 'Eric'?
(10) KRAFTWERK – The Model
Unbelievably 3 Years old by this point, Kraftwerk finally got the recognition they deserved with this stunning piece of electronica, together with the equally good flipside Computer Love. "The Man Machine" album, along with the much sampled "Trans-Europe Express" still remain IMO a blueprint for modern music, even after nearly 40 Years and are rightly lauded. For officionados of Electro, the Francois Kevorkian 12'' Remix of "Tour de France" takes some beating. Fabulous.
(1) BUCKS FIZZ – The Land Of Make Believe
Bookended with Dollar at the start, pop was in a rich vein of form during this time and 'ver Fizz were right at the top of their game. Confidence exuding for this performance with plenty of running on the spot (for the Sun newspaper?), they'd even borrowed Ken Barlow's entire Kimono collection to celebrate, though presumably on a short-term contract.
I'd concede Rita does rock the kimono (Clash song?), but still Team Jay I'm afraid as with Jay less is most certainly more, but on the strength of this you'd be churlish not to want to visit 'the Land of Make Believe' accompanied by the Fizz. Just edit the annoying twee kid out of the ending.
An outnumbered DLT has no further opportunity for any Dad-dancing save waving a lone balloon while he's Being Boiled, whilst the Floor Manager's Blood Boiled as his orders from Herr Hurll require the studio audience to, and I quote, "MOOOVE IIIIIT".
The Team Disco Champions 1981 (Amateur) duly oblige, waving a TOTP Red Flag.
The revolution has been televised, and another episode is in the can.
Overall rating 8.5/10 due to the lack of respect for the much maligned Shaky and the ruination of the Four Tops by Zoo, but a plus that no animals or Team Disco Champions 1981 (Amateur) were harmed during the production of this episode.
Tune in tonight for more countdown capers pop pickers!
”
Always an entertaining read Andy.
Shame we don't get the DLT shows as he's one of my fave presenters but there you go.
Originally Posted by Jason C:
“Six months in and I'm still not used to these extra Friday episodes.”
“Six months in and I'm still not used to these extra Friday episodes.”
Hoping there are no British tennis players on at the mo!
Originally Posted by highlander1969:
“Hoping there are no British tennis players on at the mo!”
“Hoping there are no British tennis players on at the mo!”
Even if there are, they've got BBC2 available to them again tonight.
Originally Posted by Jason C:
“Even if there are, they've got BBC2 available to them again tonight.”
“Even if there are, they've got BBC2 available to them again tonight.”
Ah, of course.
Just caught up with last night's show after missing it due to EPG balls-up.
What a fantastic episode, though. After a crap start with Gillan's tedious metal-by-numbers we had a string of wonderfully crafted pop songs all the way to the end - Jon & Vangelis, Phil Lynott (where was Midge?), ELO, Meat Loaf, XTC, OMD. Even the cheesier end of things with Foreigner, Chris Cross and Bucks Fizz was a showcase for some classic 80s tunes.
In fact the whole thing (minus Gillan and the dreary Shakatak track bookending the show) played like a compilation of the best of the 80s, all in one show.
An easy 8/10 for me.
What a fantastic episode, though. After a crap start with Gillan's tedious metal-by-numbers we had a string of wonderfully crafted pop songs all the way to the end - Jon & Vangelis, Phil Lynott (where was Midge?), ELO, Meat Loaf, XTC, OMD. Even the cheesier end of things with Foreigner, Chris Cross and Bucks Fizz was a showcase for some classic 80s tunes.
In fact the whole thing (minus Gillan and the dreary Shakatak track bookending the show) played like a compilation of the best of the 80s, all in one show.
An easy 8/10 for me.
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