Latvia - So in Eurovision proper, I'd disliked every single Latvian entry ever, until 2015, and now I have two that I love. In DSFE, it's very rare that I like a Latvian entry, but this isn't too bad. Their voices seem to work well together, although the harmony that they choose at the end isn't really what I would have picked. Decent opener.
San Marino - I adore Annalisa so much, but the last song that was entered of hers was weak. This is a step in the right direction, but I'm still waiting for something as marvellous as Scintille.
Turkey - A few years back, I got into some trouble for jokingly asking why Turkish singers insisted on singing in Turkish. I still say that Turkish isn't a nice language to sing in (disclaimer: I say the same about Welsh and I speak it fluently), but this song is also too 'ethnic' to work in English. Turkey's a difficult country at times and I sympathise but this isn't doing much for me.
Romania - I'm never really a fan of girl bands, unless they really know how to harmonise. XOXO seemingly don't. The song is a little generic and as such it never really grabs me.
Ukraine - The Erised? Is this a Harry Potter reference? It started in a really interesting manner but it didn't really continue on that path. The synth in the chorus gets irritating, and the verse is slightly too stripped back to be memorable.
Germany - This suffers from both four chord syndrome and the irritating voice breaks between vowels in the chorus. It's pretty, but simplistic.
New Zealand - He doesn't pronounce the letter P at the end of the word 'Up', and that's odd. It's got an interesting beat but I thought the chorus was going to be bigger than it was. Not bad at all though.
Iceland - Icelandic music is some of my favourite in the world, but this isn't part of the reason why. I'm not really sold on her voice, and the song is alright but not much more.
Montenegro - Montenegro isn't a great country to find music for. That top though...
Svalbard - Another 'four chord song', it nonetheless has more power than Germany does. The slight vocal effects are reminiscent every now and then of Imogen Heap, which is quite nice.
North Africa - The 'Take Me Far Away' part sounds just like anything that is in the charts at the moment, but the rest of it doesn't necessarily. Unsure of how I stand on this yet.
France - Vocal harmony is always appreciated. I enjoy his voice more than hers, but they work together well, and they add extra interest to the song. Probably my favourite so far.
Wales - I enjoy folk music, and the fact that there's a harp makes it even nicer. It perhaps goes on a bit, but the proper fiddle tune that comes in later is a welcome addition. Highly doubt this is qualifying, and I feel I'd enjoy it much more in a live setting, but I quite like it.
Northern Ireland - I think I'm just in a bad mood. The 'oh-oh-oh-oh-oh-oh-oh's are annoying me, and the rest of the song fails to interest me, with the exception of the slight brass interceptions every now and then.
England - I didn't particularly know of Radiohead until recently, but my friend is obsessed so I haven't had much of a choice since. However, this has literally everything I enjoy in a song - strings, angst, and lots of changes between major and minor.
Czech Republic - This also has slight changes between major and minor in the verses, and I like them here too. I'm not keen on the effect used on the drums, but it's quite a pretty song.
Jersey - Also confused as to why Adele has been used, but there's no denying that her voice is great. It's also refreshing to see Adele being upbeat, although on the flip side there's a reason this didn't make the Top 40 (besides the fact that everybody already had her album).
EDIT: I've now read some other reviews, who all seem to agree that this QF is better than QF 1. I couldn't disagree more.
