Macedonia - Why do I know the name Viktoria Loba? The song could have been alright, but the production is all wrong. In the chorus her voice is barely audible. Shame, as compositionally, its one of the most listenable Macedonian entries we've had.
Sweden - I quite like Niki and the Dove's quirky nature. The space-y (spatial?) blips that run through, however, I'm not so fond of. I really like her voice though.
Iran - Nothing will ever beat the wonder that is Azizami, particularly when this is much more safe than that. Having said that, it's still quite a rousing little number at times, and her voice is rather strong on the higher notes.
Armenia - While the artist is a fairly safe choice, it's refreshing to get the ballad side of Sirusho, as she does it rather well. It also grows really nicely throughout, but perhaps suffers from the lack of a video.
Åland Islands - That kind of ethereal background music is losing its charm on me tbh. I also don't particularly like his voice, and it disappoints me that there's no vocal harmony between the two.
Greece - I've personally lost interest in Marina and the Diamonds since The Family Jewels. It's not bad though, and it's probably one of the better of her newer songs that I've heard, I'm just sort of over Marina.
Luxembourg - Even though this is from 2009, it feels older. I never really got into this kind of song either, so it's just passing me by.
Austria - Those synth noises at the beginning (and throughout) are very reminiscent of the 80s, and it borders on the annoying on occasions. However, her voice is strong, and the clappy style drums are a welcome addition.
Scotland - Nina Nesbitt has often passed me by a little, but I like the edge that this verses have. The bridge and the chorus are much more pretty, and don't interest me quite as much, even though they're still nice enough.
Slovenia - Her voice still confuses me. Nice to see she's lost the headphones though. This is probably my favourite so far; the bassline is moreish, I'm getting used to her voice, and the melody is strong. Pity there's not a studio version yet though.
Israel - The opening strings got me excited, but it doesn't really follow it up with anything quite as grand as I wanted. It plods along but doesn't do much for me.
Slovakia - I quite like sung Slovak and I'm not really sure what about it it is that I like. As opposed to Israel, this is using its strings quite effectively, The melody of the verse sometimes meanders around without really getting there, but the chorus seems to have more of a purpose.
Faroe Islands - I often find Fifth Harmony incredibly irritating. I only find this somewhat irritating. I don't know what it is about them, but I have no time for them.
Poland - Cleo is one of the better things to have come out of Eurovision over the last few years imo. As far as her ballads are concerned, though, I much prefer Sztorm to this, which I see as being much more generic.
Denmark - I have little time for this kind of song but it's not awful.
Australia - While I feel like I've heard this numerous times before, it's strong in what it does.
Moldova - Another song which suffers from The Four Chord Syndrome, it's nonetheless surprisingly pleasant, particularly for a song from Moldova.
QF 1 is still my favourite.