Originally Posted by Steve Williams:
“If it was that easy to create a killer schedule, why aren't they doing it already?”
That's a weird sort of appeal to authority line of reasoning. Hi by the way, I'm the person whose points you disagree with.
Originally Posted by Steve Williams:
“Well, yes, and I think the suggestions that certain nights are devoted to certain genres are a bit daft. It means you're commissioning stuff for the sake of it and to fill slots rather than considering what works best. And it makes schedules incredibly boring.”
I don't look at it that way. I look at like building viewer habits through a predictable schedule in terms of where you can expect to find specific genres, then offering a wide variety of programming within this genre in those expected slots.
I don't think it's boring to move from Broadchurch to Cold Feet, for example, on a Monday night or Victoria to Grantchester on Sundays. Big bold dramas, different in scope, but in a slot viewers expect to find good drama.
I don't see the point of throwing things to the slaughter, especially since the BBC has Tuesday nights - Our Girl for example could probably have gone out on Tuesdays at 9pm after Holby and done better. Why? Because the BBC1 schedule architecture is built for Tuesday night at 9pm to be a drama slot.
Originally Posted by Steve Williams:
“There was a great example from ITV themselves in 2001 when they decided to make Monday the home of young-skewing comedy and drama, it lasted five weeks before they started worrying the ratings were dropping and started sticking Alright on the Night and Millionaire back there again.”
Wouldn't happen again because they've learned the lesson on Mondays - trouble is they've not learned it elsewhere.
Originally Posted by Steve Williams:
“Maybe Mondays are a good night for dramas, but that's because of the individual dramas, not because they become any better on a Monday.”
It's that, and the fact that viewers have been trained to subconsciously expect drama on Monday night on ITV. I think a lot of them would have performed worse in another slot. Putting Broadchurch on Thursday at 9pm wouldn't have helped it, IMO. Thursday night is not a drama night on ITV. It just feels wrong.
Originally Posted by Steve Williams:
“A flop drama will flop in any slot. And people don't turn into them because it's a Monday, nobody can remember what day anything is on, or when it was on last time round. People tune in because they like that particular programme. That's even more true now in the days of box sets and iPlayer when they could be watching it at any time.”
We have totally different lines of reasoning. I'm talking about maximising overnight ratings, and to do that shows should be scheduled where they are to be expected to air.
Victoria is a good example. ITV could have run scared of the imminent Poldark threat and aired on Monday night or Friday night or something but it's a quintessential. It 'feels' like a Sunday show. Just like Broadchurch 'feels' like a Monday show. I'm saying ITV should focus on Sunday and Monday for drama, reintroducing Wednesday as well - but only if they implement some pre-watershed drama there again.
And leave Tuesdays and Thursdays for factual, develop and build great factual formats there and grow that audience. Shows like POG's Dogs have shown factual suits these nights. Putting Trevor McDonald shows there too would do well, and the Love Your Garde-esque formats.
I look at it more strategically than you clearly - I think your line of reasoning is a bit 'eternal optimist'... sort of like "good shows will do well anywhere, so just make good shows!" I don't agree with that. It's about putting aces in places, and not just chucking shows anywhere.
Schedule integrity is key, more key than opposition I'd say - it should be the priority, building viewer habits and scheduling within that. There's plenty of flexibility within that structure, to say otherwise is misleading.
Originally Posted by Steve Williams:
“A good slot can make the difference but it's not a question of blithely putting everything in one slot without any consideration of whether it's right for that slot or, indeed, what the other channels are doing. By this theory, because Wednesday was BBC1's weakest night a few years back, it would be just stuffed with cheap factual forever. Look what BBC1 are getting on Wednesdays now.”
Weak argument - can you point me towards a show other than Bake Off that's made Wednesdays so incredible for BBC1? Cuffs maybe?
Slots 'feel' right after a long period of almost training viewers to expect certain genres there. I firmly believe in sticking to genre in slots, as I think it helps with the overnights and viewer engagement. ITV let Sunday and Wednesday go, it's time to try and get them back, and build Tuesdays and Thursdays up in other areas.
Originally Posted by Steve Williams:
“It's easy to come up with ideas for new schedules but the vast majority of scheduling involves avoiding what other channels are doing and working around sporting events and other things, so you can't have things set in stone.”
Now you're being patronising. I was never suggesting I'd just done something akin to curing cancer with a quick schedule outline, I was simply trying to lay out my argument for a stricter
overall schedule
framework - which of course can be deviated from for big events like sport and huge opposition, but with which the channel's core audience can get into the habit of knowing where to find things each week.
Viewers are creatures of habit, put shows in the right place and they stand a much better chance of doing well, or better if they already do well.
Originally Posted by Steve Williams:
“In addition, budgets mean that you do have to have several nights where you have to cobble together enough stuff to get you from teatime to bedtime without spending too much money.”
Which is precisely why I am saying to avoid drama on Tuesdays, Thursdays and Fridays at all, sticking to Sunday, Monday and Wednesday which 'feel' like drama nights on ITV (particular the first two). Budget-wise, working with 3 nights for big drama and sticking to that as a rule of thumb, will not only be more financially viable but also help build viewer habits and open up all the slots on the other nights for different formats (entertainment on Fri/Sat, docs on Tue/Thu, etc).
I do think the idea I came up with is far more intuitive and logical than your patronising "I know everything about how TV works" post has suggested. It's also not that far removed from what we have now - when was the last time you saw new drama on ITV on Tuesday, Thursday or Friday anyway? It's about strengthening Sundays and Wednesdays at 8pm leading into the drama we can expect anyway, and bolstering Wednesday at 9pm.
Originally Posted by Steve Williams:
“It's not for want of trying but you can't have blockbusters every night, there isn't the cash for it.”
Getting bored now. My whole point was NOT to air blockbusters every night, hence the 'banning drama on Tue/Thu/Fri' comment. Stick to Sun/Mon/Wed and leave other formats and genres to the other nights (Factual on Tue/Thu, entertainment on Fri/Sat).
Originally Posted by Steve Williams:
“Some nights are going to be weaker than others.”
The more I read the more I think we agree then.

Tuesdays and Thursdays are always going to be weaker as they can't spread themselves too thin, so put factual on then and try and attract a different audience those nights. Cheaper too.
Originally Posted by Steve Williams:
“If it was that easy to create a killer schedule, why aren't they doing it already?”
Just because it's not been done or being done already doesn't mean it's not a good idea.
That's like saying all good ideas in the world have already been tried and tested and we're working with the best possible way of doing things right now and just doing the best we can with it. I don't agree.
I'm not saying it needs to be so strict there is no deviation, but at the moment ITV's schedule has such a weak skeleton and foundation that - bar Mondays - it's harder than it could be for them to build viewer habits.