Originally Posted by Roscoe Barnes:
“It's not the best is it.
Just when it appears to be showing some form of promise they instantly lose any form of momentum and ratings go down to low levels (by Corrie standards). It hard to think that just a few years ago (2013 to be precise), at this time of year, it was rating between 8-9m a night. Now it's down to 6m. It's sad how it's lost so many viewers and I do agree that under Blackburn it was mostly terrible. Kate Oates needs time to try and turn it around but with so many characters the viewers don't care about this will be a very tricky task. It's hard to imagine it ever getting back to normal as to do this will require drastic action, character and writing wise.”
“It's not the best is it.
Just when it appears to be showing some form of promise they instantly lose any form of momentum and ratings go down to low levels (by Corrie standards). It hard to think that just a few years ago (2013 to be precise), at this time of year, it was rating between 8-9m a night. Now it's down to 6m. It's sad how it's lost so many viewers and I do agree that under Blackburn it was mostly terrible. Kate Oates needs time to try and turn it around but with so many characters the viewers don't care about this will be a very tricky task. It's hard to imagine it ever getting back to normal as to do this will require drastic action, character and writing wise.”
It needs a complete clearout like SOC is doing with EE. Then sart afresh.
If you keep all these deadwood in the show trying to find storylines for them, it just creates a sea of dull drama with dull characters.
If I was producer, my first task would be to determine which characters have life left, and which need to be removed ASAP! Those characters exit storyline would collide in a big event (like the Tram Crash).



