Originally Posted by H of De Vil:
“I didn't even suggest it, you did.”
Fair enough, but what are you suggesting? You were bemoaning that Pointless is on repeats (even though it wasn't) and "they rate just the same", as if that was a bad thing. But if the audience wants to watch them, what's the problem? If they didn't want to watch repeats, they wouldn't. So it sounds like you're blaming the audience for sitting through repeats.
Originally Posted by Andy23:
“The content on Children in Need was very thinly spread,tired and weak, and the presenting cupboard was obviously very bare as they had to get non BBC presenters to present the BBC's flagship event of the year.”
"Non-BBC presenters"? How have we had years and years of freelancers on all channels and still people are suggesting there's such a thing as a BBC or ITV presenter. As mentioned, of the six main presenters, five of them have regularly hosted BBC programmes in the past year, and the other one has regularly appeared on the BBC. Most presenters happily work across all channels. What's the issue? The audience don't care.
Originally Posted by A.D.P:
“It's about brining the country together to make children's lives better, this programme is measured by £46 million not 6.3 million.”
Originally Posted by iaindb:
“BIB Yes, very much so. Unless it can be proved that the perceived poor quality of the main show and its fallen ratings are damaging its money making ability, there's no incentive/need for the BBC to improve it. And as the charity broke its own personal best, it's not easy to prove it.”
Indeed, and what gets me is that I doubt anyone moaning about the quality of the programme would donate a single penny more if it was any more to their liking. The rating might be a bit lower than in previous years but how many other nights does BBC1 get 6.30 million over two and a half hours, opposite the soaps and I'm A Celebrity? Amazing it even gets that. And it's a million miles ahead of the nineties when it was beaten by ITV every year and had virtually no publicity. In 1992 the total raised actually went down five million pounds from the previous year.
Originally Posted by sunbeam007:
“True. I just thought they'd run late and happily clash with XF. Maybe it's hard for SCD to run late being a live show.”
There was no way Strictly was going to start late last night, of all the programmes on BBC1 this week, that was the one that had to absolutely start on time. As soon as the tennis overran I knew CiN was going to be dropped. Of course it was shifted over to BBC2 last year to make way for an extended news, the day after the Paris attacks, and an ancient episode of Pointless.
Originally Posted by iaindb:
“Got Michael McIntyre's Big Show on at the moment. A very lively, feel-good programme but, somehow, I can't help feeling that it would fare better if it was made in a big shiny-floor TV studio (a la Saturday Night Takeaway) rather than in a theatre (a la Tonight At The London Palladium.)”
Hmm, I wonder about this too, sometimes it doesn't always come across very well if the space is too big. It reminds me a bit of Jack Dee's Saturday Night from 1995, which was a similar show and was a blatant attempt by ITV to attract a younger audience on a Saturday night. It was a huge flop, partly because it was an uncomfortable mix of new and old, but also because it was filmed in a theatre and it had all the atmosphere of a morgue.
Originally Posted by Ash_M1:
“The not-so secret with BBC Strictly (and probably IAC too, although it doesn't appeal to me) is that it is a family show which appeals to all, hence it's high ratings. If you target a specific demo at the expense of the rest, ratings will be affected.
BBC One has a strong and loyal following because the quality and variety is there...and it is a trusted brand. The nation knows (by-and-large) that BBC One will deliver. People won't watch and stay with a channel if the output is narrow and the quality is inconsistent.”
And of course I have a Radio Times from 2000 where Claudia Rosencrantz, ITV's Head of Entertainment, says they wouldn't have commissioned Friends Like These because it was a young-skewing show that only appealed to a certain demographic and they wanted shows that did volume across all demos, like Blind Date.