Don't know if they've been seen but here are the excerpts from the Edinburgh Controller interviews which are coming up tomorrow and Thursday:
BBC - Charlotte Moore
Quote:
“Charlotte Moore emerged victorious in a battle the rest of us were unaware was going on – becoming controller of all BBC TV channels and I-Player. This new position is a huge vote of confidence in the job Moore’s been doing at BBC1, last year’s Channel of the Year at Edinburgh. As are BAFTA wins including Big Blue Live, Strictly Come Dancing and EastEnders. But it’s the biggest creative job in British television and not without its challenges. Will the new Culture Secretary Karen Bradley agree with John Whittingale’s accusation of a lack of ‘distinctiveness’?. How will Moore refresh the parts of the schedule that feel tired? Will an original entertainment format break through? In this crucial session Moore will set out her priorities.”
ITV - Kevin Lygo
Quote:
“His CV reads like a ‘Guide to Great British Television’. From TFI Friday to Jamie’s School Dinners, So Graham Norton to Men Behaving Badly, Deal or No Deal to Shameless. But what has Kevin Lygo, the industry’s most recently appointed controller, got in store for Britain’s biggest commercial channel?
Anxious not to dwell on the past, Lygo’s first ITV Edinburgh session will reveal his grand plan. He will explain how his new commissioning team and structure is gearing up to deliver his wish-list, which includes more midweek entertainment, a hit food franchise, non-scripted returners, longer runs. The former ITV Studios boss will also explain the part in-house production plays in his vision.
Lygo’s famous charisma and risk-taking approach (this was the man that both commissioned and axed Big Brother at C4), will stand him in good stead as he battles to boost ITV’s declining share. Indeed, the only Cold Feet at ITV this year will be the drama.”
Channel 4 - Jay Hunt
Quote:
“It’s been a hugely successful 12 months for Channel 4’s Chief Creative Officer, Jay Hunt. Hits including Humans, Catastrophe, Hunted, The Island, First Dates and Gogglebox have helped Channel 4 drive record revenues and left its awards cabinet bursting. What’s more, after years of steady decline, overall share in peak was up 8% in 2015 compared to 2014 figures. It’s not all been plain sailing however with the channel losing Black Mirror to Netflix – not to mention the small matter of privatisation/part-privatisation and even a move to Birmingham mooted. Five years into the role, Hunt has outlined how she changed the creative culture of the organisation and the Controller Session will be an opportunity to hear about her wishlist going forward; the impact of her ‘creative breakfasts’; the blurring of genres at C4, and how the channel can keep innovating.”
Channel 5 - Ben Frow
Quote:
“Under Ben Frow’s leadership, the Channel 5 portfolio is on course for a record year with young viewers and is once again out-performing terrestrial rivals in audience growth thanks to a string of new hit shows and supersized commissions of existing brands. And there’s been the small matter of a rebrand – all of which has seen the channel gain a rightful place on the Channel of the Year shortlist at this year’s Edinburgh TV Awards.
As industry recognition starts to grow – too slowly for Ben’s liking – he will talk about building reputation, a new aspirational programming tone and discuss how the channel is evolving into new genres, ranging from comedy to entertainment, history to natural history.
He’ll also talk about life under Viacom’s ownership, co-commissioning with the other brands in the group and will give his thoughts on Channel 5 HQ moving from The City to Camden this Autumn.
As ever, Frow’s controller session is not one to be missed.”
For me the most interesting parts are going to be hearing Kevin Lygo... "Lygo’s first ITV Edinburgh session will
reveal his grand plan. He will explain how his new commissioning team and structure is gearing up to deliver his wish-list, which includes more midweek entertainment, a hit food franchise, non-scripted returners, longer runs." Here's hoping he announces a schedule overhaul from January 2017 - Sunday nights need fixing in my opinion with the soap block returning and aiming for drama at 8pm and 9pm like the old days.
Also Charlotte Moore's session will be interesting: "How will Moore refresh the parts of the schedule that feel tired? Will an original entertainment format break through?" Not holding out much hope for substance from Frow or Hunt. Even those descriptions sound like hot air.
But nonetheless look forward to hearing what they're all up to.
Also think the Poldark/Victoria and Cold Feet/Our Girl clashes are regrettable. We spend so much of the year with shit all on then the biggest dramas of the year go head to head. Why can't the channels give each other victories and offer complimentary scheduling? If they did we'd be seeing much higher overnight audiences.
As irrelevant as overnights are I do wish we'd see another 2010-2012 style resurgence of broadcast TV.