Originally Posted by H of De Vil:
“But Meet The Parents wasn't getting 1-3m. It was getting 1-2m. An awful, awful rating for a programme in a 7pm slot.
I don't see what good bringing back all those above would be. Go For It came back for a one-off special and got 1.6m.
Even if MTP is pulling in 300-400k in the 16-34 demo, the overall numver is no good. It also does no good leading into big programmes at 8pm.
Diversity doesn't deserve a return either. ITV need a cleaner schedule of hits. Not make do with flops, just because they skew younger.”
“But Meet The Parents wasn't getting 1-3m. It was getting 1-2m. An awful, awful rating for a programme in a 7pm slot.
I don't see what good bringing back all those above would be. Go For It came back for a one-off special and got 1.6m.
Even if MTP is pulling in 300-400k in the 16-34 demo, the overall numver is no good. It also does no good leading into big programmes at 8pm.
Diversity doesn't deserve a return either. ITV need a cleaner schedule of hits. Not make do with flops, just because they skew younger.”
You can grow a show though, look at the BBC with Michael Mcintyre, its first series wasn't superbly well received and it dropped throughout its run but it was very compatible with its strictly lead in and consolidated well over 7m for its second run and won the Christmas Eve overnights anchoring it on its own. A bona fide hit that would likely now do a job for them without Strictly. (I'm assuming it will share the winter slot again though with His Dark Materials)
Meet the Parents probably doesn't deserve another go, but it can't be that expensive to make so I'd try it midweek without Strictly Strangling it and see how it does. You could put it on a Tuesday as something a bit different against Holby instead of terrible factual that doesn't rate anyway.
Diversity on the other hand probably does deserve a run, it was flung out in a fairly unpromoted NYE slot and it did respectably enough. It might make for a more exciting schedule if it lead out of BGT instead of the god awful Play to the Whistle which does terribly anyway. Clever scheduling also got NWUK off the ground which did a very respectable job against The Voice once it had established itself as a brand.
What I'm saying in a very long winded way is that just because something might flop once, there are other reasons it may do so and often it may be worth giving something a second chance.



