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The Ratings Thread (Part 68) |
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#2226 |
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Quote:
Fantastic post, good on you for at least trying to talk about positives...!
I really think he'd be a fool not to put the CS at 7.30pm on Sunday. There should be an effort to bring back procedural drama at 8pm midweek (a new Waterloo Road/Bill type show) with initial pilot runs of say 16. Lygo seems keen to really use top talent only so perhaps could try and bag Russell T Davies or someone could architect a new pre-watershed drama series that could run and run even if he eventually steps down. There's a real opportunity now to restore the old Corrie/Heartbeat/Big Drama block which worked so well on Sunday nights. The Durrells can be the new Heartbeat (with other commissions for that slot round the year) and all lead-in nicely to a strong big-budget 9pm drama. ITV should never have let Sundays go, and they should claw it back. This would also strengthen Saturdays and stop the need to try and spread the LE output over two nights. It's abundantly clear viewers of ITV do not want light entertainment on Sunday night, they want drama to get lost in before the new work week begins. Dawn French/Harry Hill are good signings. I reckon Dawn's show will go 8pm on Wednesday, which is possibly a good idea unless it's paired with something like Saturday Night Takeaway. We also have the new Jack Dee sitcom too which is promising. I'd agree they could definitely use a new pre-watershed drama. It would enable them to put the sixth Corrie on Sundays at 7.30pm and move the second Thursday Emmerdale to Sunday at 7pm. The new drama could then go on Thursdays at 8pm and they'd then have decent building blocks on both nights. I think the Sunday Corrie could find it more difficult than you'd expect starting halfway through Countryfile, so having Emmerdale there as well could definitely help. Not sure they'll go for a new pre-watershed drama though, he's not said anything about it. I also don't know what sort of presence The Voice is going to have on Sundays. With Saturday Night Takeaway and possibly Dance Dance Dance on Saturdays it might have to go on Sundays in some form, which could make it difficult to find room for Corrie. I do think that whilst things like The Durrells and Vera have done very well on Sundays at 8pm, they'd have done even better with Corrie on before them. Between The X Factor, The Durrells, Vera and Endeavour they've actually got the Sunday 8pm slot covered for 30 weeks of the year. You wouldn't want to commit to a fixture in June because of the football tournaments and then there's Christmas so there's probably around 16 weeks of Sundays at 8pm left to fill and possibly less than that if The Voice lands there in some way, so they might do one more new drama there but there isn't that much space. I don't think it's true that the audience doesn't want LE on Sundays, The X Factor and Dancing on Ice surely disprove that. It just needs to be better light entertainment than dross like Get Your Act Together, just like the dramas they out there need to be better than flops like Beowulf. They'll still of course have 9pm drama on Sundays for most of the year. Pairing up The Durrells with The Good Karma Hospital is the obvious move they should make, for me. I could see an argument for putting the sixth episode of Corrie on Tuesdays as well, but I don't know where you'd put it. 8pm would lead to a really odd looking Corrie schedule and 8.30pm is halfway through everything else so it wouldn't do that well. I am intrigued to see what they do with Tuesdays as they just aren't good enough at the moment, Yes I think Little Big Shots will land on Wednesdays at 8pm. Big Star's Little Star has done alright there and this sounds better (and has done well in the US). I'm not sure if Meet The Parents (the new Holly Willougby dating show) is due to land midweek or on Saturdays either. |
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#2227 |
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Join Date: Jul 2008
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BIB 1 & 2 - I suspect the extra Corrie will play on Sundays (with the deliberate intention of clashing with the Strictly results show), but Tuesdays at 8pm would be the perfect means of bringing down a BBC show that forever limps on aimlessly: Holby City. ITV has failed to exploit that weakness for way too long, and could easily use Emmerdale, if not Corrie, to diminish it significantly over a long period of time … and then even restore drama to Tuesdays, in the way it used to rule supreme on ITV in the days of Soldier, Soldier and Peak Practice.
BIB3 - ironic that Lygo should be so pro-The Durrells when it was commissioned by former drama head Steve November … whom Lygo dismissed earlier this year - just before The Durrells premiered. ![]() Yes, there is some irony there. They've just renewed Marcella as well, another November commission. He hasn't exactly raved about the rest of the drama slate though. Indeed, the two others he singled out were Doc Martin and Benidorm, both of which started way before November's time and the latter isn't even from the drama department. Interesting he spoke about the tendency for dramas to overnight below 5 million and re-assessing what a hit is when talking about axing Home Fires. I guess it depends on the slot and cost. A 4 million overnight (and unexceptional timeshifting) probably wasn't good enough for expensive Sunday period drama like Home Fires, but is probably enough to led a midweek crime series like DCI Banks plod on, although that could always change. He renewed Grantchester and Marcella, both of which did settle below 5 million, but not by much (and Grantchester did better than most Wednesday dramas have done) and both consolidated well. So it's a bit of a grey area at the moment it seems, just what is a hit in drama? No word yet on Brief Encounters. It looks like a 50/50 decision to me. Had it got those numbers on Winter Mondays it'd look shaky but for a Summer show they might be enough. Quote:
I have no idea whether its an issue or an interest with ITV or not, but I wouldn't entirely rule out the possibility of Champions League Football making a comeback on terrestrial television in a couple of as there have been a few noises that UEFA aren't entirely happy with BT ratings. BT will probably offer too much to be turned down ofcourse but I wonder whether that element is in the back of anybody's mind at ITV.
As for Coronation Street on Sundays, it will be interesting as not only will it have Strictly in quarter 4 it will have the well embedded Countryfile as well. Its not the easiest slot to re-establish itself in. Agree that it'd be a tough place for Corrie to re-establish itself. I'd probably launch it around now (it's supposed to be next Autumn) so it would have a good few weeks to bed in before Strictly arrives. |
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#2228 |
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Join Date: Aug 2009
Posts: 7,534
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I think at the start of a new era for the channel there should be an optimistic outlook. Had Lygo bombed in Thursday it might be a different story but I thought he did well.
I'd agree they could definitely use a new pre-watershed drama. It would enable them to put the sixth Corrie on Sundays at 7.30pm and move the second Thursday Emmerdale to Sunday at 7pm. The new drama could then go on Thursdays at 8pm and they'd then have decent building blocks on both nights. I think the Sunday Corrie could find it more difficult than you'd expect starting halfway through Countryfile, so having Emmerdale there as well could definitely help. Not sure they'll go for a new pre-watershed drama though, he's not said anything about it. I also don't know what sort of presence The Voice is going to have on Sundays. With Saturday Night Takeaway and possibly Dance Dance Dance on Saturdays it might have to go on Sundays in some form, which could make it difficult to find room for Corrie. I do think that whilst things like The Durrells and Vera have done very well on Sundays at 8pm, they'd have done even better with Corrie on before them. Between The X Factor, The Durrells, Vera and Endeavour they've actually got the Sunday 8pm slot covered for 30 weeks of the year. You wouldn't want to commit to a fixture in June because of the football tournaments and then there's Christmas so there's probably around 16 weeks of Sundays at 8pm left to fill and possibly less than that if The Voice lands there in some way, so they might do one more new drama there but there isn't that much space. I don't think it's true that the audience doesn't want LE on Sundays, The X Factor and Dancing on Ice surely disprove that. It just needs to be better light entertainment than dross like Get Your Act Together, just like the dramas they out there need to be better than flops like Beowulf. They'll still of course have 9pm drama on Sundays for most of the year. Pairing up The Durrells with The Good Karma Hospital is the obvious move they should make, for me. I could see an argument for putting the sixth episode of Corrie on Tuesdays as well, but I don't know where you'd put it. 8pm would lead to a really odd looking Corrie schedule and 8.30pm is halfway through everything else so it wouldn't do that well. I am intrigued to see what they do with Tuesdays as they just aren't good enough at the moment, Yes I think Little Big Shots will land on Wednesdays at 8pm. Big Star's Little Star has done alright there and this sounds better (and has done well in the US). I'm not sure if Meet The Parents (the new Holly Willougby dating show) is due to land midweek or on Saturdays either. I agree with you about moving that pesky second Thursday Emmerdale to Sunday as well. A strong 7pm hour there will really help the 8 and 9pm offerings whether that be X Factor, The Durrells or Vera. Remember also there's a new series of Midsomer Murders coming in 2017 that'd be prime for 8pm after Coronation Street on Sunday. Saturdays could be really strong with Ninja Warrior, The Voice, Takeaway, Dance Dance Dance. Wonder where Harry Hill will go. Also wonder if the Jack Dee sitcom is pre or post watershed. Friday at 8.30pm might be good for it if the former, if Corrie has moved to Sunday nights and Dee launches before the sixth CS arrives. |
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#2229 |
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Join Date: Mar 2015
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Torn between Casualty and X Factor. Had planned on watching X Factor, but will probably watch Casualty, as it's such a big episode. Will probably watch X Factor tomorrow on catchup.
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#2230 |
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Join Date: Jul 2004
Posts: 16,670
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I think AYBS, Porridge and Young Hyacinth will get a series but unsure about Goodnight Sweetheart, think that one might remain a one-off or just specials
I wouldn't be surprised if we get another round of sitcoms being revived next year. Up Pompeii was meant for this season but I think had casting issues, the other sitcoms I could see return are The Brittas Empire and Men Behaving Badly, the latter has its 25th anniversary next year so could see a special of some sorts if they can the cast together with a decent script by Simon Nye However, this has the full original cast and writers going for it and it has had the most positive interest in this part of the forum with several threads about it. The set up promises an interesting new twist on the story leaving the World War Two era behind.
Spoiler
We will see if it works but as the only actual revival rather than a remake, prequel or sequel then it has an advantage of not having to face comparisons with the original. They wanted Miranda Hart to play Lurcio in Up Pompeii but she said no. I think that was the main problem. But I agree we might see more like this IF the series gathers viewer interest. Which remains to be seen. It might fall flat given it is August. |
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#2231 |
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Join Date: Mar 2006
Posts: 31,434
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John Cleese is in talks with the BBC to appear in a new sitcom according to the Telegraph. He once vowed never to work for the BBC again after criticising their commissioning editors.
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#2232 |
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Join Date: Dec 2002
Posts: 1,391
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Now our Sporty summer has drawn to a close, here's the latest Year-To-Date shares for the terrestrials (with last years equivalent YTD figures in brackets):
BBC One: 22.13% (22.03%) UP 0.45% BBC Two: 5.93% (5.78%) UP 2.60% ITV: 15.16% (14.44%) UP 4.99% C4: 5.50% (5.65%) DOWN 2.65% C5: 3.81% (3.95%) DOWN 3.54% Figures include HD and +1 and are for w/c 15/08.16. Source: Broadcast No real surprises, what with Euros bolstering BBC and ITV and Olympics helping the BBC channels. What is interesting is that BBC ONE is only 0.45% up which I think is telling of a relatively poor Q2. |
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#2233 |
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Join Date: Jan 2005
Location: London
Posts: 9,020
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Quote:
Holby does come across as a bit of a sitting duck at this point and hardly ever faces anything of note. ITV have no footing on Tuesdays at the moment but if they were to establish one I do think Holby would take a hit.
Yes, there is some irony there. They've just renewed Marcella as well, another November commission. He hasn't exactly raved about the rest of the drama slate though. Indeed, the two others he singled out were Doc Martin and Benidorm, both of which started way before November's time and the latter isn't even from the drama department. Interesting he spoke about the tendency for dramas to overnight below 5 million and re-assessing what a hit is when talking about axing Home Fires. I guess it depends on the slot and cost. A 4 million overnight (and unexceptional timeshifting) probably wasn't good enough for expensive Sunday period drama like Home Fires, but is probably enough to led a midweek crime series like DCI Banks plod on, although that could always change. He renewed Grantchester and Marcella, both of which did settle below 5 million, but not by much (and Grantchester did better than most Wednesday dramas have done) and both consolidated well. So it's a bit of a grey area at the moment it seems, just what is a hit in drama? No word yet on Brief Encounters. It looks like a 50/50 decision to me. Had it got those numbers on Winter Mondays it'd look shaky but for a Summer show they might be enough.. |
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#2234 |
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Join Date: Jul 2004
Posts: 16,670
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Further to my post above, Goodnight Sweetheart will suffer because of its rather bizarre very late inclusion. They are filming so close to transmission it has not featured in the previews at all which is bound to cost it viewers,
As it is the one show the writers (Marks and Gran) always wanted to bring back and were planning on making into a touring theatre musical if not on TV then it is odd this has become the afterthought. Maybe it was drafted in to replace something that was not followed through (like Up Pompeii perhaps) as the BBC have been promoting this sit com season at least in advance notices for months. The Sun today reviews out of 5 all the other sit coms apart from Goodnight Sweetheart because of its unavailability for review or promotion. They love Are You Being Served, Hancock's Half Hour and Till Death us Do Part (bemoaning the latter two being on BBC 4 not BBC1). All get 4 stars with praise for Sheree Hewson, John Challis, Roy Barraclough and Jason Watkins and writer Derren Litten for Are You Being Served? They love Kevin McNally as Hancock and Jon Culshaw as Sid James in Hancock and also find Simon Day great as Alf Garnett with praise for the original script (this is a remake of a lost episode). Of the rest, Porridge gets 3 stars and love Kevin Bishop as Fletch but they seem to think it does not work completely as it is intentionally different from the original and modern day prison life just does not seem as funny. 'A little lumpy and cold' they call it. The two clunkers (two stars each) - they say - are the remake of a famous Steptoe and Son episode - with Jeff Rawle and Ed Coleman in the roles. But because the whole episode is a like for like version of the original - they say - it just looks dull and muted and compares unfavourably with the original. Plus its humour has aged the least well. The other is Young Hyacinth - which they say Patricia Routledge made the right decision when saying she will not watch as the BBC 'must be desperate'. Hammy acting, imitations that work and don't work and a 'charmless' script are almost saved by the best thing in it - Mark Addy as Hyacinth's dad, they say. They also do not like the complete rewrite of sister Daisy's role. |
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#2235 |
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Join Date: Jun 2008
Posts: 10,948
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I've just seen a trailer for Paranoid on ITV3. Another search for a serial killer drama I see
(yawn and that DS have removed the yawn smilie.)Zero out of ten for originality. Hope it flops. |
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#2236 |
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Forum Member
Join Date: Nov 2005
Posts: 12,020
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Quote:
Further to my post above, Goodnight Sweetheart will suffer because if its rather bizarre very late inclusion. They are filming so close to transmission it has not featured in the previews at all which is bound to cost it viewers,
As it is the one show the writers (Marks and Gran) always wanted to bring back and were planning on making into a touring theatre musical if not on TV then it is odd this has become the afterthought. Maybe it was drafted in to replace something that was not followed through (like Up Pompeii perhaps) as the BBC have been promoting this sit com season at least in advance notices for months. The Sun today reviews out of 5 all the other sit coms apart from Goodnight Sweetheart because of its unavailability for review or promotion. They love Are You Being Served, Hancock's Half Hour and Till Death us Do Part (bemoaning the latter two being on BBC 4 not BBC1). All get 4 stars with praise for Sheree Hewson, John Challis, Roy Barraclough and Jason Watkins and writer Derren Litten for Are You Being Served? They love Kevin McNally as Hancock and Jon Culshaw as Sid James in Hancock and also find Simon Day great as Alf Garnett with praise for the original script (this is a remake of a lost episode). Of the rest, Porridge gets 3 stars and love Kevin Bishop as Fletch but they seem to think it does not work completely as it is intentionally different from the original and modern day prison life just does not seem as funny. 'A little lumpy and cold' they call it. The two clunkers (two stars each) - they say - are the remake of a famous Steptoe and Son episode - with Jeff Rawle and Ed Coleman in the roles. But because the whole episode is a like for like version of the original - they say - it just looks dull and muted and compares unfavourably with the original. Plus its humour has aged the least well. The other is Young Hyacinth - which they say Patricia Routledge made the right decision when saying she will not watch as the BBC 'must be desperate'. Hammy acting, imitations that work and don't work and a 'charmless' script are almost saved by the best thing in it - Mark Addy as Hyacinth's dad, they say. They also do not like the complete rewrite of sister Daisy's role. |
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#2237 |
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Join Date: Nov 2005
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As an aside the Express have come up with a list of big name actors who's careers were part started with an association with Casualty:
Orlando Bloom Christopher Eccleston Martin Freeman Robson Green Minnie Driver David Walliams Kate Winslet Helen Baxendale Tom Hiddleston Daisy Ridley Quite a list. |
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#2238 |
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Join Date: Nov 2005
Posts: 12,020
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Quote:
Disagree there. Though I am biased as I asked for this to be revived on here a few times. So my opinion is likely not reflective.
However, this has the full original cast and writers going for it and it has had the most positive interest in this part of the forum with several threads about it. The set up promises an interesting new twist on the story leaving the World War Two era behind.
Spoiler
We will see if it works but as the only actual revival rather than a remake, prequel or sequel then it has an advantage of not having to face comparisons with the original. They wanted Miranda Hart to play Lurcio in Up Pompeii but she said no. I think that was the main problem. But I agree we might see more like this IF the series gathers viewer interest. Which remains to be seen. It might fall flat given it is August. That would have been interesting-they keep trying to get Miranda Hart a new vehicle but she isn't tempted. |
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#2239 |
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Join Date: Aug 2016
Location: The North!
Posts: 2,201
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I've just seen a trailer for Paranoid on ITV3. Another search for a serial killer drama I see
(yawn and that DS have removed the yawn smilie.)Zero out of ten for originality. Hope it flops. |
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#2240 |
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Forum Member
Join Date: Aug 2016
Location: The North!
Posts: 2,201
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Further to my post above, Goodnight Sweetheart will suffer because of its rather bizarre very late inclusion. They are filming so close to transmission it has not featured in the previews at all which is bound to cost it viewers,
As it is the one show the writers (Marks and Gran) always wanted to bring back and were planning on making into a touring theatre musical if not on TV then it is odd this has become the afterthought. Maybe it was drafted in to replace something that was not followed through (like Up Pompeii perhaps) as the BBC have been promoting this sit com season at least in advance notices for months. The Sun today reviews out of 5 all the other sit coms apart from Goodnight Sweetheart because of its unavailability for review or promotion. They love Are You Being Served, Hancock's Half Hour and Till Death us Do Part (bemoaning the latter two being on BBC 4 not BBC1). All get 4 stars with praise for Sheree Hewson, John Challis, Roy Barraclough and Jason Watkins and writer Derren Litten for Are You Being Served? They love Kevin McNally as Hancock and Jon Culshaw as Sid James in Hancock and also find Simon Day great as Alf Garnett with praise for the original script (this is a remake of a lost episode). Of the rest, Porridge gets 3 stars and love Kevin Bishop as Fletch but they seem to think it does not work completely as it is intentionally different from the original and modern day prison life just does not seem as funny. 'A little lumpy and cold' they call it. The two clunkers (two stars each) - they say - are the remake of a famous Steptoe and Son episode - with Jeff Rawle and Ed Coleman in the roles. But because the whole episode is a like for like version of the original - they say - it just looks dull and muted and compares unfavourably with the original. Plus its humour has aged the least well. The other is Young Hyacinth - which they say Patricia Routledge made the right decision when saying she will not watch as the BBC 'must be desperate'. Hammy acting, imitations that work and don't work and a 'charmless' script are almost saved by the best thing in it - Mark Addy as Hyacinth's dad, they say. They also do not like the complete rewrite of sister Daisy's role. I wouldn't even use that paper to line my hamster's cage! I've only seen Young Hyacinth of the sitcoms and I thought it was half decent. The only thing that didn't work was the lack of an audience, it was shot single camera instead.
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#2241 |
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Join Date: Aug 2016
Location: The North!
Posts: 2,201
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http://www.itv.com/presscentre/ep6we...s-doing-dishes
No idea what they're thinking recommissioning this dross though. Didn't "Who's Doing the Dishes?" flop pretty badly? |
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#2242 |
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Forum Member
Join Date: Mar 2006
Posts: 31,434
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Victoria is riddled with historical inaccuracies according to an academic in the Telegraph. Let's hope they're not too inaccurate. I just have a funny feeling this one is not going to take off.
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#2243 |
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Forum Member
Join Date: Dec 2005
Posts: 23,344
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Quote:
Further to my post above, Goodnight Sweetheart will suffer because of its rather bizarre very late inclusion. They are filming so close to transmission it has not featured in the previews at all which is bound to cost it viewers,
As it is the one show the writers (Marks and Gran) always wanted to bring back and were planning on making into a touring theatre musical if not on TV then it is odd this has become the afterthought. Maybe it was drafted in to replace something that was not followed through (like Up Pompeii perhaps) as the BBC have been promoting this sit com season at least in advance notices for months. The Sun today reviews out of 5 all the other sit coms apart from Goodnight Sweetheart because of its unavailability for review or promotion. They love Are You Being Served, Hancock's Half Hour and Till Death us Do Part (bemoaning the latter two being on BBC 4 not BBC1). All get 4 stars with praise for Sheree Hewson, John Challis, Roy Barraclough and Jason Watkins and writer Derren Litten for Are You Being Served? They love Kevin McNally as Hancock and Jon Culshaw as Sid James in Hancock and also find Simon Day great as Alf Garnett with praise for the original script (this is a remake of a lost episode). Of the rest, Porridge gets 3 stars and love Kevin Bishop as Fletch but they seem to think it does not work completely as it is intentionally different from the original and modern day prison life just does not seem as funny. 'A little lumpy and cold' they call it. The two clunkers (two stars each) - they say - are the remake of a famous Steptoe and Son episode - with Jeff Rawle and Ed Coleman in the roles. But because the whole episode is a like for like version of the original - they say - it just looks dull and muted and compares unfavourably with the original. Plus its humour has aged the least well. The other is Young Hyacinth - which they say Patricia Routledge made the right decision when saying she will not watch as the BBC 'must be desperate'. Hammy acting, imitations that work and don't work and a 'charmless' script are almost saved by the best thing in it - Mark Addy as Hyacinth's dad, they say. They also do not like the complete rewrite of sister Daisy's role. |
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#2244 |
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Join Date: Mar 2015
Posts: 2,629
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Victoria is riddled with historical inaccuracies according to an academic in the Telegraph. Let's hope they're not too inaccurate. I just have a funny feeling this one is not going to take off.
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#2245 |
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Forum Member
Join Date: Apr 2013
Location: East Sussex
Posts: 11,456
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Victoria is riddled with historical inaccuracies according to an academic in the Telegraph. Let's hope they're not too inaccurate. I just have a funny feeling this one is not going to take off.
.....or hope. Many seems too say this about every period drama, and yet some of them go on to become hits. |
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#2246 |
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Forum Member
Join Date: Jul 2004
Posts: 16,670
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Quote:
I have said for months that Are You Being Served has the best chance of success followed by Young Hyacinth. Porridge's problem is the lack of Ronnie Barker to me. Young Hyacinth's problem is that I want to see adult Hyacinth with her slob family, her husband Richard and calling her son.
When the BBC tried to pair Ronnie Corbett with Bruce Forsyth after Ronnie Barker died to try to continue that success, you might have thought it should work as they were long term friends but somehow it lacked that spark that you can never create by design or write into a show. It either emerges or it does not. And it rarely does. Getting an audience to accept an iconic show as recast with anyone is going to be a struggle beyond more than a one off. Look at Ant and Dec as the Likely Lads. Even they could not make it work. Here - though - they seem to have taken the wise idea of subtly updating and setting the show just a couple of years after it ended on TV in an age where the tone of humour worked. So the audience has less of a reach to judge the humour in 2016 terms if they see it as a 1988 show. Possibly the flaw in the Porridge scenario outside of them not having Ronnie Barker - which is always going to be an impossible act to follow. Also surprised they did not at least bring back Christopher Biggins as an older version of the same character. Or had he been killed off? Or did he say no? Also getting a writer who, from Benidorm, knows the target audience for this show has helped. Though possibly that target audience is more ITV than BBC. Indeed, it would not amaze me to see ITV pick this up to series if the BBC do not. The Sun is aimed at that audience, too, possibly explaining why it was impressed. But in TV ratings terms it does have the best shot I would have to agree. Keeping up Appearances was so dependent on the lead actress that making it a prequel was their only option, but likely not one that will succeed in making people forget that Patricia Routledge is not there. The only way they might have succeeded is getting Angela Lansbury to take over the role. That might have worked. But even then most of the other cast are gone now, so it was pretty hopeless. You can see that they have tried a variety of options here with these shows, which is commendable. A straight new episode with old cast/old writers (Goodnight Sweetheart), remakes of old or lost episodes from original writers with new cast (Till Death, Steptoe and Hancock), Recasting of an old show with new writer (Are you being served?), a prequel with new cast (Young Hyacinth) and a sequel with new cast (Porridge), If nothing else from a pure 'the workings of TV' enthusiast perspective seeing how each concept fares against the others will be interesting. |
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#2247 |
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Forum Member
Join Date: Sep 2006
Posts: 527
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Quote:
As an aside the Express have come up with a list of big name actors who's careers were part started with an association with Casualty:
Orlando Bloom Christopher Eccleston Martin Freeman Robson Green Minnie Driver David Walliams Kate Winslet Helen Baxendale Tom Hiddleston Daisy Ridley Quite a list. |
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#2248 |
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Join Date: Jan 2005
Location: London
Posts: 9,020
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AYBS is a BBC Studios production so it wouldn't be able to go to ITV anyway
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#2249 |
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Join Date: Jul 2007
Posts: 17,541
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If the new Coronation St slot has been decided, rivals in the TV industry will already know where it's going, possibly some in the advertising industry, too. You can't keep a secret like that. It's only the viewers who will be expected to watch it who'll be kept in the dark. Quote:
When the BBC tried to pair Ronnie Corbett with Bruce Forsyth after Ronnie Barker died to try to continue that success, you might have thought it should work as they were long term friends but somehow it lacked that spark that you can never create by design or write into a show.
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#2250 |
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Join Date: Jun 2014
Posts: 9,016
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EastEnders looking very low there and it wasn't even an Emmerdale clash episode as we've been having this week on both Tuesday and Thursday.
It will be back up on Monday unless there's a significant BH effect. |
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that DS have removed the yawn smilie.)
I wouldn't even use that paper to line my hamster's cage! I've only seen Young Hyacinth of the sitcoms and I thought it was half decent. The only thing that didn't work was the lack of an audience, it was shot single camera instead.