Originally Posted by Jonwo:
“In the case of Red Dwarf, the controller of BBC Two at the time wasn't interested but BBC Worldwide was hence why it ended up on Dave
Birds of an Feather and Yes Prime Minister went to ITV and Gold because the controller of BBC One was interested but could only commit to a pilot or a special when the creators wanted a series.”
And really, who can say the Beeb were wrong with Yes Prime Minister, the revival was very bad. It's hardly a hard and fast rule anyway because at the same time the Beeb weren't commissioning these things, they were commissioning revivals of Open All Hours and Rab C Nesbitt, and they did Reginald Perrin a few years back too. If they thought they had more potential than the others, so be it.
Originally Posted by Chris1964:
“I have no idea whether its an issue or an interest with ITV or not, but I wouldn't entirely rule out the possibility of Champions League Football making a comeback on terrestrial television in a couple of years as there have been a few noises that UEFA aren't entirely happy with BT ratings. BT will probably offer too much to be turned down ofcourse but I wonder whether that element is in the back of anybody's mind at ITV.”
Originally Posted by Score:
“I guess they couldn't rule out the Champions League returning but even if it does it'd be a way off yet. Not really enough of a reason to make no effort there, I think.”
Yes, you can't write off three years in the hope it would come back, especially as it might not. The entire management team could have left by then. Even if that were the case, there are still more Tuesdays in the year without it than there are with.
Originally Posted by Dancc:
“Now the best ITV have to offer outside of a major launch is a 9 year old film repeat they screen a dozen or so times a year already across their portfolio. It's further evidence of what I was saying recently - only to be shot down - that ITV are increasingly a one trick channel, reliant on one or two key shows per night, with very little substance to the rest of the schedule.”
Peter Fincham used to say that ITV had some consultants in a few years back and they suggested they should only show one drama a week because that would be the most cost-effective thing to do, and Fincham said he rejected that idea. Although then he was responsible for several summers when we had no dramas a week for several months, so not sure how well he comes out of that story. But it is the case, I think, that it's all very well treading water in the summer and expecting the audience to come back for The X Factor, but it relies on the audience knowing The X Factor is back, which they might not. If you give the audience reasons to switch off, they'll look elsewhere and find something they might prefer.
Originally Posted by Jaycee Dove:
“ITV make shows for other channels. Have the BBC never made things for others?”
No, they're not permitted to do so in the charter. But the point of launching BBC Studios is that, as a commercial operation, they could now do so.
Originally Posted by Fudd:
“Though if they call Cowell's bluff and he decides to play them at their own game what do they have to replace it? Despite sliding backwards The X Factor is still ITV's jewel in the crown bridging the end of summer to Christmas. Still nothing comes close to it in terms of ratings or demos outside the three week run of I'm A Celebrity and, if they have a decent autumn, the soaps. They have high hopes for Victoria and Cold Feet but they both cover less hours for more expense.”
Well, they have The Voice to replace it, surely? OK, so it's a different format, but it's not that different. Get an amusing panel on there, add a few more laughs and run it in quarter four and for most people you will have a perfectly acceptable replacement. The X Factor itself was a replacement for Pop Idol, and people initially tuned in because it was Son Of Pop Idol, not for anything new X Factor was bringing to the table.
Originally Posted by Markynotts:
“Personally I would have Newzoids starting before TXF. Tone down any post watershed language, and add a parody of TXF each week - just like Harry Hill used to do. It would keep Newzoids out of a clash between it and The Extra Factor, and be a great warm up to TXF.”
I think this is expecting Newszoids to be something it isn't, though, really. Once you go past the novelty of the puppets, the series is just Dead Ringers off Radio 4 with all the same people writing it, all the same people doing the impressions, and all the same jokes. It's woefully unsuited to a Saturday night slot.
Spitting Image did alright, but there was actually a point to Spitting Image, people didn't watch it for the puppets, they watched it because it was anarchic, it was topical and it didn't give a toss about anyone. It felt like it really mattered. This doesn't. I think it'll do even worse here than it did last time.