Originally Posted by MissMonkeyMoo:
“Ok soaps are set in present the day and the current world and therefore they need to have a degree of realism for us to identify with the characters / situations / stories etc and to become so invested in following these stories so many times a week. Whilst sometimes suspension of belief is required for the purpose of drama or plot device it should not be so common place that it detracts from the story or the show itself. i think the problem is that soaps have in recent years appeared to have moved away from good storytelling using solid characters and instead prefer sensationalism and short term shocks to grab the audiences attention. By doing this the suspension of belief is heightened and some viewers then find this discouraging. this is the reason I no longer watch Hollyoaks as the shocking twists and turns they kept employing just felt like cheap tricks with no substance or real meaning. DTC also did this at EE (so pleased he's gone) so I'm hoping SOC is not going to go down the same route.”
Great thread Ben and great post Miss MM.
All series, long running or short are an invitation to step into another world and the soaps have certain parameters, conventions etc which have set that world in place over a number of years.
Taking EE as an example I don't expect reality per se but I do expect heightened reality. If a dragon struts into the square as Billy Mitchell's long lost brother thats clearly not acceptable. If Billy struts into the Game of Thrones universe and a dragon eats him for being a boring drip that's OK within the parameters of GOT. From glancing at threads on here Hollyoaks has morphed into a very heightened sense of reality with twins having secret babies and regular deaths. That seems OK for the HO universe. I wouldn't want it in EE.
But - EE's claim to realism has been slipping for years. And it's really started to grate. I don't mind a secret relative or two but EE has had far too many turn up in the space of 2 years. That particular conceit has run dry for me and none of them have been worth the fuss. The nadir was probably Kat Slater finding out from a bun that she gave birth to a secret son.
Similarly Phil's invincibility and yearly car crashes no longer interest.
The Bobby storyline started well but descended into farce when Lucy's father meekly accepted her stepmother dumping her corpse and went on honeymoon with said stepmother. Once the storyline ended half the square was colluding in the framing of an innocent man, including a woman whose son was attacked by the real killer and his own daughter moved in with the family that framed her father!
This post is far too rambly already so I won't go into how long term characters like Sharon Watts have been diminished with the re writing of their back stories, shrugging off of death, forgiveness of Phil, loss of previous funds etc.
Having said all that if a suspension of disbelief is required for a stupid storyline that I enjoy I will be hypocritical and welcome it. Kat's story is bollocks but I loved the episode when she found out! And the episode when Sharon met Gavin was great - just a shame the rest of it was rubbish.