Originally Posted by Mitu_Pappi:
“There will be a lot of nonsense for 8 weeks.”
If you want to call it "nonsense" then about 90% of Series 1 was "nonsense".
How could we forget the whole Ian Garrett sub-plot, with several episodes devoted mainly to him? And Vincent Bourg the paedophile, another major character. And Greg Halpern, remember him? And the police liaison officer who Oliver's mother ended up marrying (definitely something dodgy about him)? And the broken TV in the hotel room (the consensus being that it contained a spycam)? Then there was Oliver's father's mysterious sexual encounter with Monique. Not to mention the opening scene of episode 1 in the restaurant ("I've got a son your age") which had me convinced that the beginning was actually the ending.
Oh, and then there was the bearded journalist who never stopped banging on about "knowing what really happened" (except he didn't).
In the end, absolutely none of the above had anything whatsoever to do with Oliver's disappearance or his eventual fate.
But that, to me, was the genius behind the writing. It was an exploration into the state of paranoia that grips the human mind when such an unbearable event has happened; becoming over-observant and latching on to everything and anything in order to fill the vacuum. The viewer was constantly being pushed into the desperate mind of Oliver's father.
If it's not your cup of tea, you're better off with a more binary format like Midsomer Murders.