Originally Posted by lucy_marwood:
“I think it's because it paints a beloved character in such a negative light, I think everyone would have prefered it if they're were somewhat honest about it and should have just had Robert break the fourth wall and say "look the last producer was a sensationalist hack who wanted to put me with Aaron for shock value, as long term viewer knew me as a womaniser,.That is the way it is now,deal with it!".
I think we would all have respected that more and have been moreforgiving. You can see all the young fans on Twitter squealing that they have read similar thing in their fan-fiction. That should be Maxine's legacy, "my writing is of a similar quality to teenage fan fiction".”
Not even that. It would have been enough to say that Robert, a very sexual person with an healthy appetite for sex, started exploring his sexuality while away (he was only late teenage years when he left afterall, plenty of people experiment and discover their sexuality at that age, in college for example, or later) and discovered that he liked men as well as women.
There, sexuality explained, and in a believable way (I never got why some people had such a big problem with bi Robert to begin with).
As far as his daddy issues go, they could have still played that card without the retcon, by simply showing how Robert had trouble accepting his sexuality because he was ashamed, and thought that his father wouldn't have accepted a son like him... he already had a strained relationship with his late father, who he felt rejected/unloved by in favour of Andy...acknowledging that he was into men would have worsened his feelings of inadequacy, therefore he fought it. There, no retcon needed, just Robert's issues playing with his head.
I like Robron, a lot. But the writers have handled many things not in the best way.
That said, I have no problems believing that someone like Jack (a farmer in rural Yorkshire in the 90s) wouldn't have reacted well to a gay/bi son. Retcons, however, are always a terrible idea, and I don't know why tv writers insist on doing them, instead of finding other more creative solutions with what they have going on in the present narrative.