Originally Posted by GibsonSG:
“...... I also happen to know something about this subject and at the very least there was a mass of fx all over the evening, not just Matt. With respect if you knew how live setups are done these days I doubt that you would have argued with me. My contention is that the whole program is dishonest, how can we tell if someone is a good singer if, the sound is processed or vocals are smothered in track of BV's.”
What sorts FX were used on the vocals one by one? What do you mean by processed? This is very popular vernacular in armchair punditry but no one explains what they mean.
My assessment:
EQ: The vocals will be put through an equaliser to cancel out most of the frequencies up to the 200hz mark (depending on vocal weight/class/ or male/female) and accentuate higher frequncies that are more pleasant. Ultimately it's necessary to cancel out lower frequencies that clash with instrumental or reduce the overall mid frequency tones. If you call this processing, then yes, the vocals are processed but so is every single vocal you hear on TV that is performed with professional equipment.
'Effects': As for vocal effects, there was no evidence of that whatsoever on Matt's vocal. No vocal doubling, clearly no pitch correction (multiple flat notes, unless the attack on the pitch correction was so long that it might as well not be there) and no vocal modulations.
For 5AM, they may have used vocal doubling on the group vocals because there's only three of them and the harmonic richness is limited by their group size. I don't think they did otherwise we would have heard a larger presence of their vocals during the group sections where the backing vocals were very present.
Reverb and echo were used modestly on some performances including Matt's but I don't think this is trickery. This is simply used to blend with the track. Vocal modulation was used and complained about to Ofcom when Kitty Brucknell performed on the show but I haven't seen it since.
Compression: It's pretty commonplace to improve dynamics and make lyrics easier to understand. It also prevents the vocal from bouncing up and down volume-wise. It will be done on nearly every live performance you hear and if you're a sound engineer that doesn't do that, then you're missing a trick.
I'm interested to hear what specific examples of 'processing' you've heard