Originally Posted by BomoLad:
“I get killing Roxy off. The whole 'immature younger sister knocking 40' thing was a bit played out. But there was so much they could have done with that. I mentioned the drug storyline above, maybe she got in too deep, got addicted, dealers started threatening her/Amy etc. There was something to build towards there and would have provided an exit more powerful than an out-of-the-blue accident.
Ronnie on the other hand is a character they could have saved even if they wanted to rest her for a bit or if the current EP had no plans for. She's killed before, she likely would have again, and she always seemed quite fragile and capable of going from normal mum/wife to psychotic b**** in a heartbeat. Difficult to see how nobody thought that character might be useful in the future.”
“I get killing Roxy off. The whole 'immature younger sister knocking 40' thing was a bit played out. But there was so much they could have done with that. I mentioned the drug storyline above, maybe she got in too deep, got addicted, dealers started threatening her/Amy etc. There was something to build towards there and would have provided an exit more powerful than an out-of-the-blue accident.
Ronnie on the other hand is a character they could have saved even if they wanted to rest her for a bit or if the current EP had no plans for. She's killed before, she likely would have again, and she always seemed quite fragile and capable of going from normal mum/wife to psychotic b**** in a heartbeat. Difficult to see how nobody thought that character might be useful in the future.”
Originally Posted by theshadow:
“Just in for a look in the forums tonight.
Wondering does anyone know why the new producer decided to permanently axe Ronnie and roxy? It does seem very extreme to write them out forever - was there anything in the press or anywhere or does anyone know anything as to the logic.
Did he just dislike the actors?”
“Just in for a look in the forums tonight.
Wondering does anyone know why the new producer decided to permanently axe Ronnie and roxy? It does seem very extreme to write them out forever - was there anything in the press or anywhere or does anyone know anything as to the logic.
Did he just dislike the actors?”
Originally Posted by firefly_irl:
“Recent producers seem to think killing major characters is what its all about when in reality the deaths of more minor character can actually have a greater impetus for continued storylines depending on how the death is handled. Killing the likes of Pat, Ronnie and Roxy is just for pure shock value, and while the Lucy death resulted in continued storyline I feel killing her was a waste as she had a lot of future potential as a character.
But producers want a big death to cement their "legacy"”
“Recent producers seem to think killing major characters is what its all about when in reality the deaths of more minor character can actually have a greater impetus for continued storylines depending on how the death is handled. Killing the likes of Pat, Ronnie and Roxy is just for pure shock value, and while the Lucy death resulted in continued storyline I feel killing her was a waste as she had a lot of future potential as a character.
But producers want a big death to cement their "legacy"”
Originally Posted by BomoLad:
“My problem is that the ending displayed no real writing talent or foresight. Even if they got hit by a bus at least there'd be a driver involved somehow to initiate a potential future storyline.
Short of the hotel being sued for breaches of health and safety protocol it's hard to see what difference their deaths will make to anything. By all means kill the characters if you've an idea for it and what it'll lead to. But to kill them for no other reason just to kill them with absolutely nothing possibly to come of it, isn't really what you'd expect from writers at this level.
Evidently it isn't something that commanded much time in story development meetings.
"Okay, so we're killing Ronnie and Roxie. Any ideas?"
- Um......accidental drowning?
"Great that's that sorted. Now moving on...."”
“My problem is that the ending displayed no real writing talent or foresight. Even if they got hit by a bus at least there'd be a driver involved somehow to initiate a potential future storyline.
Short of the hotel being sued for breaches of health and safety protocol it's hard to see what difference their deaths will make to anything. By all means kill the characters if you've an idea for it and what it'll lead to. But to kill them for no other reason just to kill them with absolutely nothing possibly to come of it, isn't really what you'd expect from writers at this level.
Evidently it isn't something that commanded much time in story development meetings.
"Okay, so we're killing Ronnie and Roxie. Any ideas?"
- Um......accidental drowning?
"Great that's that sorted. Now moving on...."”
I really don't understand why no one's remembering the very first interviews / press about the R&R exit.
Both actresses felt they had come to the end of their characters and had exhausted their explorations of R and R without much room for potential future storyline. Both actresses had felt they had a good 10 years on the show nd wanted to move forward with pursuing other projects.
This wasn't a SOC decision to purely kill them off for ego or sensational value, it was judging and determining (as all exec producers do) the life span of characters. I am probably one of the Biggest Ronnie and Roxy fans ever, they are in my opinion one of the greatest EE duos and iconic parternships, probably the best after Den and Ange - they're perfect opposition of fiery heat vs introverted cold alongside the Incredible chemistry Sam an Rota have just made them perfect. And I genuinely believe, with all both actresses want to do in the future and the limited potential of the characters, killing them was the best decision.
Fair enough, specific details such as why were they killed outside of Walford or why was accidental drowning their way of death can be debated as I'm not the EP but generally, even Pam St. Clement has agreed in hindsight killing Pat off at that time was the best thing. It meant her character didn't grow stale, the character remained iconic, she was able to pursue other things without the worry of coming back and it was a new chapter for her. Same reason why Barbara Windsor came back for the final storyline, it was time to say goodbye and move on.
It's always good for characters to go when they're still cherished and loved instead of when they're becoming boring and repetitive which Ronnie and Roxy were at the real danger of becoming if they stayed on. Killing them will be a great dramatic shift for the Mitchells, Branding, across the square as a whole and with new characters inevitably coming in due to several cast departures, I'm sure EE will be moving in a new direction. A strong and effective direction




) but also hardly the work of a thought out storyboard plan.