The episode held my rapt attention all the way through.
The story wasn't about the rift really, and calling it Boom Town is a misnomer, but it did the thing that RTD does best - characters.
Capn Jack and the Doctor made a good double act, the upset stomach "gags" (bad turn of phrase) didn't drag the story down the way the farting did, and Annette Badland was deliciously twisted. I loved her explaining away various accidents that had befallen the nuclear power station project "But they were French...."
The restaurant conversation, with all of Margarets attempts to kill the doctor being foiled was good, I had started feeling sorry for her, and I really liked the Doctors rejection of her "mercy".
Rose annoyed me a bit, she seemed to be a bit high, when she jumped into the doctors arms when she pronounced the planets name she was like a giddy schoolgirl, (especially with those pigtails) and that's never good. I think they were trying to highlight how Rose has now fitted in with her new life, showing the, er, rift between her and Mickey. Mickey does annoy me a little bit too, but not enough to hate him. I work with someone exactly like him, so he doesn't strike me as over the top or particularly different. It's mainly because RTD seems to have him perma-thick, which doesn't help you respect the character at all.
As far as not feeling like Dr Who, I was trying to think when in "classic" Who did they ever do a decent contemporary setting? In Remembrance of the Daleks the streets of London were totally deserted, in Survival Perivale was empty, and all the earlier stories set in Britain were either down mines, sewers or in a studio.
Boom Town showed a city, Cardiff, in the blistering sunshine, with a TARDIS crew that were confident, having fun and played by good actors. That's why it didn't feel like traditional Who to me, and it's all the better for it.
I can't wait for next weeks episode now, although I am working next Saturday and Sunday. The Daleks getting involved in the media sounds clever, although why they are tampering with reality TV in the first place could be the stories undoing. There is an audio adventure where the Daleks are interested in Shakespeare, but I haven't finished listening so I don't know how it turns out. Daleks quoting Shakespeare though is a highlight! I do hope next weeks story is all part of a dastardly plan that will showcase the Daleks as the evil, twisted, creatures that they were before Davros. (The Chase excluded).
Did anyone notice the Bad Wolf reference?