'Amateurs?' said the old clown, looking over the top of the steel spectacles that gave him such a severe look when in plain clothes. 'No, you won't run across many amateurs in our business. You see...' he shook out the shimmering silk folds of a pair of vermilion pantaloons on to which he was sewing gold and silver stars '....ours is a job for what you might call specialists. Even to make a clown's dress like this so as to hit the public slap in the eye needs experience. And, you may take it from me, you can't become a rider-what we reckon a rider- nor yet an acrobat, nor yet go on the wire or the trapeze without you've studied from the first days you can stand. That's why circus people will tell you that all this fancy education is ruining the business; takes the kids away when they most need to be learning something useful. I'm speaking of what I know.'
The Understudy. 1931.
This is the second oldest business in the world, and like the first it's being ruined by amateurs, or in this case armchair critics.
The reason I quote the above is that I have seen children in European circuses performing feats that would probably cause a ruckus here, but they have the freedom to without the bureaucracy. Also it's perfectly true that to really excel in anything, including ballroom dancing, it should be from as early an age as possible. I have no truck with the parents as seen on the programme, as it's peculiar that they're unable to do what they want the kids to do. They should have a red card and sent off for the shouting. Also they seem to be offloading their own angst on their offspring. But I find it strange that some people are upset about children doing it at all. How do they think the pros on SCD have reached the level they have? Where do they think the pros from tomorrow will come from? There was a segment on the ITT before the final with the Lilia and Karen's story. They were the same age, doing the same competitions, what's the difference? Yet I don't recall any controversy.
It wasn't so long ago that children left school at 14 and went straight to work. My own father was asked by my grandfather in 1951 at the age of 11 on his circus 'You can't ride, can you'. (He knew damn well he couldn't.) He replied no. 'Well, get practising, you're in the ring tomorrow!'
Whether the kids are enjoying it or not, is another argument, it seemed anyway that the boys were enjoying it more than the girls. But if they do, and go on, compete as an adult or get qualified as a dance teacher, what the hell's wrong with that? Better than wasting your time til the age of 22 in a university only to emerge with a useless degree that everybody else has anyway.
I would put dancing on the curriculum, it'd be better than Mandarin (They should be taught English as well.) Boys are sidelined more and more it seems by a female dominated teaching ethos that actively dislikes competitiveness. Boys by nature are competitive. Probably also another reason why they seemed to be enjoying it more. As for the girls, they seemed to be dressed modestly enough. Any performance needs make up etc to stand out on a distance. We seem very confused about how to raise children, and a lot make a terrible fist of it. On the hand it seems fine for them to dress as miniature adults, and to perform suggestive dance routines to pop 'If you wanna be my lover' on the other, but to commit to something that might take some talent is somehow wrong.