Originally Posted by Josh Pinder:
“BUMP this thread up!
Played Hounds Of Love in full yesterday and by damn it is just.....as with all her stuff really....TIMELESS! Like you have her more huge anthemic, radio friendly style songs to launch the album and then that divide into The Ninth Wave is stunning.
Also i love playing The Dreaming it is the maddest album ever made most definitely! Played it earlier today in full for the first in ages.”
glad you bumped with that comment. These are timeless albums. I was listening to some of her demos this afternoon and stumbled across one for Leave It Open (which sounds pretty much like the album version) but it was remarkably original.
I've said it before but I really wish she'd dust off the old Fairlight and make an album just using this, as she clearly knew how to work that thing. And using an 80's synthesizer wouldn't necessarily result in 80's sounding work, since NFE, HOL nor The Dreaming sound particularly 80's.
And perhaps one day she will, since I read that her recent re-issue of The Red Shoes was actually quite radically regressive, in that she converted it from digital to analogue (which I wasn't aware of). So, I'm kinda hoping, perhaps next year when we get the new album


, we'll see a bit more of that synth experimentation which has been missing from her work for so long.
But for this forthcoming album (all about snow) I'm hoping for a bit of crooning around a piano.