Originally Posted by yellow_purple:
“I was sat in the stalls, La Rhumba, and I could see all the big numbers fine ..The theatre is very good so whereever you sit I imagine you would have a great view”
Indeed I did, thanks yellow_purple!

It was my first time in Row O, and I would certainly book there again, the view of the whole stage, and sound, was excellent. In the past I've sat further up in the Stalls, around Row E, and thinking back, it's a bit too close really. You appreciate the depth of the stage much more further back.
Oliver! was an fantastic show, I really enjoyed it.

I hadn't realised it was revamped from the 1994 production, with Matthew Bourne's choreography and Sam Mendes' direction till I read the programme. I never saw that production, but have always wanted to see Oliver live on stage, having danced and sang
"Consider Yourself" at Pat's Tap & Ballet classes way back in my youth, lol!
Going there in the Addison Lee taxi (very comfortable and reasonable rates, highly recommended) we got a bit of goss from the chatty driver, who had collected
"a young Scottish boy with his chaperone last week from the station to the Theatre." I'm guessing that was Francesco Piacentini-Smith from Glasgow, playing Oliver.
On the night, August 10th, we saw lovely Gwion, and his voice was crystal clear, he moved me to tears singing
"Where Is Love?" and acted the part emotionally too. There was a nice Welsh lady sat ahead of us, and I asked if she knew Gwion or was related, but she said no, lol.

His Welsh accent was very strong, both singing and speaking, but it really didn't matter, as he had been born and raised in the Workhouse far from London town. I hadn't realised just how much the character would be in the thick of the action on stage, and I thought Gwion really performed the part well, and was more impressive than I'd expected for one so young (12, but looks even younger).
Robert Madge playing the Artful Dodger was wonderful!

He got the audience laughing lots, and the interplay was great with Fagin and the Gang. I LOVED the big production numbers, the kids were fantastic! (Whether playing Street Urchins or Workhouse Orphans).
There was alot of comedy and saucy moments too - which they kept, even though there were lots of children in the audience. It was also very menacing in parts, and dark. I thought Burn Gorman as Bill Sikes was frightening and had a powerful voice, but my sister said he was the one character she found
"disappointing compared to Oliver Reed in the film." So I guess you can't please everybody.
Omid Djalili was very funny as Fagin!

I don't know his work on TV, but my sister recognized part of his act when he adlibbed some of his lines. He really threw himself into the role and I liked the physical comedy dancing he performed with the violin music, lol! Also I was glad to see he played Fagin as a Jewish character, and didn't water it down due to political correctness or risk offending people (as he is obviously a Muslim by birth with Iranian parents). He turned the
"I'm Making a Living" lines into a humorous sterotype, but nothing was offensive in my opinion. I'm out of touch, but maybe all the controversy has died down now re Fagin being an anti-Semitic character?
Like Antony Andrews as Professor Higgins, Omid had charisma and stage presence, but not such a strong singing voice, so he mostly spoke/shouted the lyrics, which was fine.
Jodie Prenger has lost alot of weight! I had to check it was her, and yes, definitely it was! She was looking great, and sang very well. Her big number of
"As Long As He Needs Me" got the biggest round of applause on the night, as she ran off the stage (you should've lingered a bit Jodie and lapped it up!)
I absolutely loved Julian Bleach as Mr Sowerberry, the Undertaker. That whole scene when Mr Bumble takes Oliver to be sold there was great, the way Mr Sowerberry moved his skinny body in the Gothic black costume was like being transported back in time, very theatrical and Dickensian.
Wendy Ferguson as Mrs Bumble was also funny, and had a great voice.
I thought Mr Brownlow looked familiar, and ooh, it was distinguished actor Julian Glover!
The whole cast were very good.
One of my favourite moments was the poignant song
"Who Will Buy?" at the Brownlow house in Bloomsbury sung by the Ensemble, especially Jenny Fitzpatrick asking who wanted her bright red roses, very ethereal and beautiful tone to her voice and performance. I loved it, quite mesmeric, that entire scene was truly gorgeous.
I was very interested to read the costumes and sets were created by Anthony Ward, who designed the production of
'My Fair Lady' I saw 4 times at the same Theatre, and loved so much. With the vast stage at Drury Lane, the sets were epic, recreating old London town. I'm always thrilled and impressed by this aspect of live Theatre.
The atmosphere was electric as the entire cast sang a Reprise of
"Consider Yourself" after the Curtain Call. I stood clapping, singing along, as the audience joined in too, it was so much fun! As with
"Mary Poppins" reprising
"Supercali...etc." it's always great to hear the Orchestra strike up again as a final farewell and thanks to the audience in one communal clap-a-long!!

It was good to see Oliver/The Artful Dodger take equal bows, and the main Leads were cheered to the rafters, with Bill Sikes being roundly booed in Pantomime fashion lol! He laughed and took it as indented!
There were several bows again and again as we didn't want to let them go.
Fabulous live Orchestra, you can't beat it, Musical Theatre, I LOVE it!

Can't wait to go again. Theatre Royal is not only the oldest, but the best in the West End in my view.
An extra highlight was the Barman in the foyer - the image of Adam Cooper!!
As we left the foyer, I gravitated towards the Stage Door for autographs, but there was a long queue, and our taxi was waiting. As I walked back, a whoosh of little boys with Mums and Chaperones rushed past me hurriedly, including Gwion. I so wanted to call out for an autograph, but it was too late. Hopefully next time.